- Lyricist
- Kannadasan
- Singer
- P. B. Sreenivas
- Music director
- Vishwanathan-Ramamoorthy
- Movie name
- Policekaran Magal
- Movie release year
- 1962
- Lyrics added on
- 21 Sept 2021
Lyrics & meaning
Beyond the translation
Overall song meaning
'Nilavukku Enmel Ennadi Kobam' is a timeless romantic classic from the 1962 Tamil film 'Policekaran Magal'. Rendered tenderly by P. B. Sreenivas, the protagonist expresses his gentle sorrow and confusion over his beloved's sudden anger towards him. He poetically laments that nature's most soothing elements—the cool moonlight, soft flowers, her sweet voice, and loving gaze—now feel like burning fire, sharp thorns, hot coals, and piercing arrows because she is upset with him. Reminding her of their deep emotional bond, childhood closeness as cousins, and their promised future together, he lovingly pleads with her to forget past misunderstandings and clear the path for their love to bloom once again.
Writing craft
Poetic devices
Muran (Antithesis / Contrast)
“Nilavukku enmel ennadi kobam / Neruppaai erigiradhu”
Contrasts the inherently cool moon (Nilavu) with the sensation of burning fire (Neruppu) to emphasize emotional torment.
Metaphor (Uruvagaimai)
“Kanaiyaai paaikiradhu”
Metaphorically compares the sharp, piercing glances of the angry beloved to arrows (Kanai) shot at the lover.
Ethugai (Second Letter Rhyme)
“Kulungum munthaanai / Sirikkum athaanai”
The second consonant sound 'lu'/'ri' and structural symmetry rhyme across the lines ('munthaanai' / 'athaanai').
Simile (Upamai)
“Kani mozhikken mel ennadi kobam / Kanalaai kaaikiradhu”
Compares her voice, usually sweet as fruit (Kani mozhi), to scorching hot embers (Kanal).
Did you know?
Trivia
'Nilavukku Enmel Ennadi Kobam' remains one of the most celebrated romantic solos of P. B. Sreenivas, composed by the iconic duo Viswanathan–Ramamoorthy with lyrics by Kaviyarasu Kannadasan. The track is renowned for its lush string arrangements and smooth vocal delivery, perfectly matching actor Muthuraman's on-screen performance.
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