- Lyricist
- Kannadasan
- Singer
- T. M. Soundararajan
- Music director
- M. S. Vishwanathan
- Movie name
- En Magan
- Movie release year
- 1974
- Lyrics added on
- 12 Jul 2023
Lyrics & meaning
Beyond the translation
Overall song meaning
Neengal Aththanai Perum Uththamarthaanaa from the 1974 film En Magan is a powerful satirical song challenging societal hypocrisy and moral corruption. Written by Kannadasan and sung forcefully by T. M. Soundararajan, the song directly confronts the audience, urging them to examine their own conscience before sitting in judgment of others. It sharply criticizes how contemporary society measures goodness purely through financial stature—revering the rich while villainizing the poor regardless of true virtue. The verses vividly describe societal ironies where corrupt looters and deceivers hide behind facades of righteousness and power. However, the protagonist warns that karma and ultimate justice are inescapable; masks will slip, and those who exploit others will inevitably face retribution that echoes through future generations.
Writing craft
Poetic devices
Ethukai (Second-letter Rhyme)
“Ullavarellaam nallavaraavaar / Illaathavare pollaathavaraam”
Matching second consonants in successive lines (ll / l) creating rhythmic flow.
Simile (Upamai)
“Kollaiyadippon vallalai polae / Kovilaiidippon saamiyai polae”
Comparing corrupt individuals to noble roles using the comparison word 'polae' (like).
Antithesis / Irony (Edhirnilai)
“Oozhal seipavan yokkiyan polae / Oorai yaeippavan uththaman polae”
Juxtaposing criminal actions with revered societal positions to highlight moral corruption.
Proverbial Allusion (Pazhamozhi)
“Pala naal thirudan oru naal siraiyil”
Adaptation of the famous Tamil proverb 'Pala naal thirudan oru naal agappaduvan' (A thief caught on one day).
Did you know?
Trivia
En Magan (1974) features legendary actor Sivaji Ganesan. Kannadasan's lyrics in this song serve as a scathing philosophical commentary on political power and societal double standards, paired with M. S. Viswanathan's dramatic orchestration and T. M. Soundararajan's booming theatrical vocal performance.
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