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Isaimozhi
Lyrics & meaning

Nee Sigappu

From Soolam · 1980

Lyricist
Vairamuthu
Singer
S. Janaki
Music director
Ilayaraja
Movie name
Soolam
Movie release year
1980
Lyrics added on
26 Sept 2020

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Nee sigappu naan karuppu
Oorellam oomalippu
Nee sigappu naan karuppu
Oorellam oomalippu
Oomalippu theerum munnae
Odipovaai rangoonukku
Innaaru mavanae ada mannaru mavanae
Innaaru mavanae ada mannaru mavanae
Nee sigappu naan karuppu
Oorellam oomalippu
Seemaikku pora machchaan
Moolaiya engae vachchae
Pattanam suththi suththi
Kettatho aiyyaa puththi
Engae nee ponaa enna
Anga naan vaaraen kannaa
Maamathurai pakkam
Ada namma paththithaanae pechchu
Maargazhi aagum munnae
Maalaiyitaa kettaa pochchu
Innaaru mavanae ada mannaru mavanae
Nee sigappu naan karuppu
Oorellam oomalippu
Neeyumthaan pathuthu maasam
Naanunthaan paththu maasam
Aanath neeyae paaru
Naan athula thoththaa kelu
Kottuna kaayaa thelu
Vuttudaa pulla poochchi
Neerizhikka thanni
Adhil neeyae vanthu maattikittaa
Ponnunaa ennayinnu
Nanae ippa kaatta porean
Innaaru mavanae ada mannaru mavanae
Nee sigappu naan karuppu
Oorellam oomalippu
Vaenuminnaa thottu kolla
Oorukaai naanaa raasaa
Killura keeraiyinnu
Ennina ennai laesaa
Unna naan vittu vachchaa
Ponnu naan illa machchaan
Vaadippatti santhai
Oru vandikkatti naanum vaaraen
Mappulla maanam ellam
Koorukatti vikkapporaen
Innaaru mavanae ada mannaru mavanae
Nee sigappu naan karuppu
Oorellam oomalippu
Oomalippu theerum munnae
Odi povaai rangoonukku
Innaaru mavanae ada mannaru mavanae
Innaaru mavanae ada mannaru mavanae
You are fair, and I am dark,
and the whole town is buzzing with talk!
You are fair, and I am dark,
and the whole town is buzzing with talk!
Before the gossip even settles down,
you will run away to Rangoon...
Hey, whose son are you? Hey, Mannaru's son!
Hey, whose son are you? Hey, Mannaru's son!
You are fair, and I am dark,
and the whole town is buzzing with talk!
My man heading off across the seas,
where did you leave your brains?
Roaming all around the city,
did you lose your good sense, mister?
No matter where you go,
I will follow you right there, my dear.
All around the great city of Madurai,
hey, everyone is talking only about us!
Before the month of Margazhi arrives,
what is wrong if you marry me?
Hey, whose son are you? Hey, Mannaru's son!
You are fair, and I am dark,
and the whole town is buzzing with talk!
You were carried for ten months in the womb,
and so was I for ten months!
Just see how things turn out,
and question me if I lose to you!
Even a scorpion got hurt after stinging,
so back off, you harmless little bug!
In shallow water meant to catch fish,
you walked right in and got trapped yourself!
Just what a woman is truly made of,
I am going to show you right now!
Hey, whose son are you? Hey, Mannaru's son!
You are fair, and I am dark,
and the whole town is buzzing with talk!
To just taste whenever you feel like it,
am I a side of pickle, my king?
Thinking I am just greens to be plucked,
you took me so lightly!
If I let you get away with this,
I am no true woman, my man!
To the weekly market in Vadipatti,
I will come riding in a cart,
and all of this bridegroom's honor,
I will put in heaps and sell away!
Hey, whose son are you? Hey, Mannaru's son!
You are fair, and I am dark,
and the whole town is buzzing with talk!
Before the gossip even settles down,
you will run away to Rangoon...
Hey, whose son are you? Hey, Mannaru's son!
Hey, whose son are you? Hey, Mannaru's son!
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Beyond the translation

Overall song meaning

This folk-style duet/soliloquy captures a playful, teasing, yet assertive confrontation between a rural woman and her partner. She contrasts his fair complexion with her dark skin and addresses the town's persistent gossip about their relationship. She warns him against abandoning her or trying to escape to far-off places like Rangoon, declaring that she will pursue him wherever he goes.

Writing craft

Poetic devices

Antithesis (Contrast)

Nee sigappu naan karuppu

The contrast between fair complexion ('sigappu') and dark complexion ('karuppu') is used repeatedly to highlight perceived social differences and town gossip.

Metaphor

Oorukaai naanaa raasaa / Killura keeraiyinnu

Comparing herself to 'oorukaai' (pickle) or 'killura keerai' (pluckable spinach) highlights how she refuses to be treated as a trivial side dish or easily taken for granted.

Rhyme / Alliteration (Ethukai)

Nee sigappu naan karuppu / Oorellam oomalippu

The second letter rhyme ('sigappu' / 'oomalippu') provides a rhythmic folk cadence typical of rural Tamil songs.

Did you know?

Trivia

The mention of 'Rangoon' (Yangon, Myanmar) reflects the historic migration of Tamil laborers and traders to Burma during the 19th and mid-20th centuries, which frequently featured in traditional South Tamil folk songs as a symbol of far-off exile.

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