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Uyirullavarai Usha album cover
Lyrics & meaning

Mogam Vanthu

From Uyirullavarai Usha · 1983

Lyricist
T. Rajendar
Singers
S. P. Balasubrahmanyam, S. Janaki
Music director
T. Rajendar
Movie name
Uyirullavarai Usha
Movie release year
1983
Lyrics added on
21 Apr 2020

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Dheemthanakku dheem
Dheemthanakku dheem
Dheemthanakku dheem
Dheemthanakku dheem
Shabharibha shabharibha
Thararaththath tharaaththaa
Thara raath thaaththaa
Aah ah ahh aah
Yae yae yae yae
Mogam vandhu dhaagam vandhu
Ennai azhaikka
Achcham vandhu vetkkam vandhu
Ennai thadukka
Mogam vandhu dhaagam vandhu
Ennai azhaikka
Achcham vandhu vetkkam vandhu
Ennai thadukka
Thavippadhaa thudippadhaa
Kodhippadhaa silirppadhaa
Thavippadhaa thudippadhaa
Azhaippadhaa anaippadhaa
Thavippadhaa thudippadhaa
Azhaippadhaa anaippadhaa
Dhaegam palingukkal saamraajjiyam
Haan haan
Pal suvai sindhum ezhil oviyam
Ho ho
Dhaevaloga amudhathai
Kuzhambhaaga eduthu
Thanga nira vannathil kuzhaikkindra podhu
Brahmanukku naanam vandhu unnai padaikka
Ada brammippudan naanum vandhu unnai rasikka
Brahmanukku naanam vandhu unnai padaikka
Ada bramippudan naanum vandhu unnai rasikka
Thavippadhaa
Aah
Thudippadhaa
Oh
Kodhippadhaa
Haan haan
Silirppadhaa
Thavippadhaa
Aah
Thudippadhaa
Aah
Azhaippadhaa
Aah
Anaippadhaa
Aah aah aah
Dheemthanakku dheem
Aah
Dheemthanakku dheem
Aah
Dheemthanakku dheem
Aah
Dheemthanakku dheem
Aah
Aah aah aah aah aah
Vetkkam maelonga paai podumaa
Yae yae yae
Idhu nee padikkum nool aagumaa
Haan haan haan
Anju thalai naagam enna
Neligindra kaiyaanadhu
Pinju malar maeniyinai thottuvida
Sudugindradhu
Oru kanam thaduththida ninaikkidhu
Pinbhu maru kanam thazhuvida thudikkidhu
Oru kanam thaduththida ninaikkidhu
Pinbhu maru kanam thazhuvida thudikkidhu
Aah ah ah ah ah ah ah ah} Overlap
Mogam vandhu dhaagham vandhu
Ennai azhaikka
Aah
Achcham vandhu vetkkam vandhu
Unnai thadukka ah ah ah
Thavippadhaa
Aah
Thudippadhaa
Aah
Kodhippadhaa
Oh
Silirppadhaa
Aah
Lalala laa
Aah
Laalala laa
Aah
Dheemthanakku dheem
Dheemthanakku dheem
Dheemthanakku dheem
Dheemthanakku dheem
Sabariba sabariba
Thararathath tharaaththaa
Thara raath thaaththaa
Aah a ah aah
Yae yae yae yae
Desire arrives and thirst sets in,
calling out to me,
while fear and shyness arise,
holding me back.
Desire arrives and thirst sets in,
calling out to me,
while fear and shyness arise,
holding me back.
Should I yearn or should my heart race?
Should I burn with heat or shiver with thrills?
Should I yearn or should my heart race?
Should I call out or hold you close?
Should I yearn or should my heart race?
Should I call out or hold you close?
Your body is an empire of marble,
Haan haan
a lovely painting brimming with varied charms.
Ho ho
Taking heavenly nectar
as a rich paste,
and blending it with golden hues,
Brahma felt shy as he created you,
and I arrived in wonder to admire you!
Brahma felt shy as he created you,
and I arrived in wonder to admire you!
Should I yearn?
Aah
Should my heart race?
Oh
Should I burn?
Haan haan
Should I shiver with thrills?
Should I yearn?
Aah
Should my heart race?
Aah
Should I call out?
Aah
Should I embrace?
Aah aah aah
Dheemthanakku dheem
Aah
Dheemthanakku dheem
Aah
Dheemthanakku dheem
Aah
Dheemthanakku dheem
Aah
Aah aah aah aah aah
When shyness takes over, can a bed be spread?
Yae yae yae
Is this a book for you to read?
Haan haan haan
Like a five-headed serpent,
your hand glides and twines,
touching my tender, flower-like body,
and it burns with heat!
For one moment, I want to stop it,
but the next moment, I long to embrace.
For one moment, I want to stop it,
but the next moment, I long to embrace.
Aah a a a a a a a
Desire arrives and thirst sets in,
calling out to me,
Aah
while fear and shyness arise,
holding you back, ah ah ah
Should I yearn?
Aah
Should my heart race?
Aah
Should I burn?
Oh
Should I shiver with thrills?
Aah
La la la la
Aah
Laa la la la
Aah
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Chorus
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Beyond the translation

Overall song meaning

This sensual duet from Uyirullavarai Usha captures the internal conflict and passionate desire between two lovers. The lyrics depict the classic inner struggle between overwhelming romantic yearning ('mogam' and 'dhaagam') and the natural hesitations of modesty and fear ('achcham' and 'vetkkam'). The male protagonist praises his lover's divine beauty, comparing her body to an exquisite crystal empire and a masterpiece painted with celestial nectar, suggesting that even Lord Brahma felt bashful while creating such perfection. Meanwhile, the female protagonist describes the electrifying touch of love that makes her hesitate one second and crave an embrace the next, weaving a vivid picture of romantic tension and intimacy.

Writing craft

Poetic devices

Emonai (Second-letter Rhyming)

Achcham vandhu vetkkam vandhu

The second consonant 'cha' matches across 'Achcham' and 'Vetkkam' (Achcham / Vetkkam), maintaining classic Tamil poetic rhythm.

Metaphor (Uruvagamm)

Dhaegam palingukkal saamraajjiyam

Comparing the human body to an empire made of marble/crystal ('Dhaegam palingukkal saamraajjiyam') and a masterpiece painting ('ezhil oviyam').

Simile (Uwamai)

Anju thalai naagam enna neligindra kaiyaanadhu

Comparing the moving hand to a five-headed serpent ('Anju thalai naagam enna neligindra kaiyaanadhu') and the body to a tender flower ('Pinju malar maeniyinai').

Hyperbole (Uyarvu Navitchi Ani)

Brahmanukku naanam vandhu unnai padaikka

Exaggerating beauty by stating Lord Brahma himself felt shy and humbled while creating the heroine from divine heavenly nectar.

Anaphora & Rhyme (Iyaibu)

Thavippadhaa thudippadhaa / Kodhippadhaa silirppadhaa

Repeated structural endings using action verbs in rhythmic questions ('Thavippadhaa', 'Thudippadhaa', 'Kodhippadhaa', 'Silirppadhaa').

Did you know?

Trivia

'Uyirullavarai Usha' (1983) was a major blockbuster written, directed, composed, and starring T. Rajendar. Known for his signature style of writing heavily rhyming, rhythmic Alliteration and Emonai-laden lyrics, T. Rajendar created all the songs for this film, which became massive chartbusters across Tamil Nadu.

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