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Isaimozhi
Lyrics & meaning

Masaamaa

From Engaeyum Eppothum · 2011

Lyricist
M Saravanan
Singer
C. Sathya
Music director
C. Sathya
Details
Engaeyum Eppothum2011

Lyrics & meaning

Tanglish lyrics English translation
Male
Maasama…aaru maasamaMonths... six long months...
Yengi thavichenae poongodikkuI yearned and suffered for that flower-like girl.
Vaarama…sila pala vaaramaWeeks... a few weeks...
Kaathukadanthenae poovizhikkuI waited endlessly for those flower-like eyes.
Male
Kann orangalaThe corners of my eyes wouldn't focus,
Sevi madukkalaMy ears wouldn't listen,
Pasi edukkalaI felt no hunger,
Vaai sirikkalaMy mouth wouldn't smile,
Male
Kai kodukkalaMy hands wouldn't work,
Kaal nadakkalaMy feet wouldn't walk.
Antha veruppulaIn that frustration,
Onnum puriyalaI couldn't understand a thing.
Male
Hey maasama maasamaHey, months, months...
Yengi thavichen….I yearned and suffered...
Male
Maasama…aaru maasamaMonths... six long months...
Yengi thavichenae poongodikkuI yearned and suffered for that flower-like girl.
Male
…………………………………………………………………………
Male
Roattula paakkalaDidn't see her on the road,
Parkula paakkalaDidn't see her in the park,
Bus-ula paakkalaDidn't see her on the bus,
Auto-la paakkalaDidn't see her in an auto,
Theater-la paakkalaDidn't see her in the theater,
Street-ula paakkalaDidn't see her on the street,
Paathathu ellaam tholaivulaAll I saw was from a distance.
Male
: Kaattula nikkalaDidn't stop in the forest,
Mettula nikkalaDidn't stop on the hill,
Angaeyum nikkalaDidn't stop there,
Ingaeyum nikkalaDidn't stop here,
Engaeyum nikkalaDidn't stop anywhere,
Nikkala nikkalaDidn't stop, didn't stop,
Ninnathu avaloda manasulaShe came to a halt inside her heart.
Male
Ninnaalo paathaalo theruvilaWhether she stood or looked on the street,
Naa paakaama ponenae mudhalulaI initially walked by without looking at her.
Naa yengi thavichenI yearned and suffered,
Indha poongodikkuFor this flower-like girl.
Male
Maasama…aaru maasamaMonths... six long months...
Kaathukadanthenae poovizhikkuI waited endlessly for those flower-like eyes.
Male
Number vaangalaDidn't get her phone number,
Phonum pannalaDidn't make a phone call,
Address vaangalaDidn't get her address,
Letterum kodukkalaDidn't give a love letter,
Follow pannalaDidn't follow her,
Thoothu anuppalaDidn't send a messenger,
Eppadi vanthaa nerilaHow did she appear in person?
Male
Kindalum pannalaDidn't tease her,
Sandaiyum podalaDidn't start a fight,
Morachu paakkalaDidn't glare at her,
Sirichu pesalaDidn't talk smilingly,
Vazhi maraikkalaDidn't block her path,
Kaiyya pudikkalaDidn't hold her hand,
Eppadi vizhuntha kaadhalulaHow did she fall in love?
Male
Ava moochaagi ponaalae uyirilaShe became the very breath inside my life,
Enakku matchaagi vittaalae life-ulaShe became a perfect match in my life!
Naa yengi thavichenI yearned and suffered,
Indha poongodikkuFor this flower-like girl.
Male
Maasama …aaru maasamaMonths... six long months...
Mosama mosama kaadhalichenTerribly, deeply I fell in love,
Naa kaadhalichenI fell in love!
Male
Kann orangalaThe corners of my eyes wouldn't focus,
Sevi madukkalaMy ears wouldn't listen,
Pasi edukkalaI felt no hunger,
Vaai sirikkalaMy mouth wouldn't smile,
Male
Oh ho ho ho..ho ho hoOh ho ho ho..ho ho ho
Mosama mosamaTerribly, deeply...
Naa kaadhalichenI fell in love.
Hmm hmm hmm….Hmm hmm hmm….

Beyond the translation

Song interpretation

The song 'Govindha Govindha' (commonly referred to as 'Maasama Aaru Maasama') from Engaeyum Eppothum (2011) captures a young man's playful yet intense longing for his love interest. He describes his helpless state over the past six months, during which he lost his appetite, focus, and peace of mind. The narrative humorously lists all the conventional romantic gestures and stalking tropes that he never performed—he never asked for her number, never gave a letter, never blocked her way, nor teased her—yet love spontaneously blossomed between them. The lyricism emphasizes the magic of unexpected modern love where connection happens beyond standard formulas. Despite the lack of deliberate effort or traditional courtship, she became as vital to him as his own breath, leaving him delightfully overwhelmed and completely in love.

Writing craft

Poetic devices

Metaphor (Uvamaani / Metaphorical Epithet)

Yengi thavichenae poongodikku

'Poongodi' (flower-creeper) and 'Poovizhi' (flower-like eyes) are classic Tamil metaphors used to describe the beauty and delicacy of the beloved.

Anaphora and End Rhyme (Iyaibu)

Roattula paakkala / Parkula paakkala / Bus-ula paakkala

Continuous repetition of negative verb endings with the '-la' suffix ('paakkala', 'nikkala', 'pannala') creates a rhythmic, cumulative listing effect.

Monai (Alliteration)

Nikkala nikkala / Ninnathu avaloda manasula

Repetition of initial consonant sound 'N' across consecutive words for musicality.

Hyperbole (Exaggeration)

Kann orangala / Sevi madukkala / Pasi edukkala

Exaggeration of love-sickness physical symptoms where basic body functions (hearing, walking, smiling, eating) cease due to obsession.

Did you know?

Trivia

Composed by C. Sathya for his debut soundtrack album in 'Engaeyum Eppothum' (2011), the song features conversational, colloquial local Tamil lyrics written by the film's director M. Saravanan himself. The song's energetic and humorous take on unconventional modern courtship made it a massive hit among Tamil youth upon release.

Keep listening

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