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Isaimozhi
Lyrics & meaning

Malargalae

From Pudhukottaiyilirundhu Saravanan · 2004

Lyricist
Thamarai
Singer
Bombay Jayashree
Music director
Yuvan Shankar Raja
Details
Pudhukottaiyilirundhu Saravanan2004

Lyrics & meaning

Tanglish lyrics English translation
Female
Malargalae malargalaeO flowers, O flowers
Malara vendaam urangidungalNo need to bloom, go to sleep
Avasaram edhuvumaeThere is no hurry at all
Indru illai poyi vidungalNot today, please go away
Female
Thendral thozhanaiBringing the breeze as a friend
Azhaithu vandhuInviting him along
Ini virundhu koduthu vittenI have now hosted a feast
Andha seidhigalRelishing those pieces of news
Suvaithu konduSmiling and glaring playfully
Sirithu muraithuLive as your heart desires
Viruppam polae vaazhuO flowers, O flowers
Female
Malargalae malargalaeNo need to bloom, go to sleep
Malara vendaam urangidungalThere is no hurry at all
Avasaram edhuvumaeNot today, please go away
Indru illai poyi vidungalShedding the burden of clothes
Female
Aadaigal sumai thaandiRemoving all of them completely
Athai muzhuthumI bathed freely
Neeki vittu kulithaenWithout any worry
Yaar yenum paarpaargalAbout who might be watching
Endru kavalai yedhumI spent my time
Indri kazhithaenA desire to turn back into a child
Female
Kuzhanthai yenaIs something everyone possesses
Meendum maarum aasaiHaving lived through
Ellorkum irukkirathaeA few glorious moments
Sirantha sila nodigalMy heart proclaims
Vaazhnthu vittuTo the calling voice
En ullam solgirathaeShould I respond and go?
Female
Azhaikkira kuralukkuAh, maidservants here
VandhuvidavaeThere are none
Ada ingu pani pengalEqual to this absolute freedom
YaarumillaiyaeThere is nothing today
Indha viduthalai inai indruAha! I discovered a primitive, wild self within me
YethumillayaeO flowers, O flowers
Adada kanden enakkul aathivaasiNo need to bloom, go to sleep
Female
Malargalae malargalaeThere is no hurry at all
Malara vendaam urangidungalNot today, please go away
Avasaram edhuvumae...
Indru illai poyi vidungalA love affair with water
Chorus
…………………………In the ocean waves
Female
Neerodu oru kaadhalI shall walk wetting my feet
Kadal alaiyilWith the sky watching over me
Kaal nanaiya nadappenOn the sandy shores
Aagaayam enai paarkaI shall lie down all day
Manal veliyilFlocks of new birds
Naal muzhuthum kidappenIn the open sky
Female
Pudhiya pala paravaiFly high above
Kootam vaanilDropping a few feathers
Parandhu pogirathaeCalling out 'You too, come along'
Siragu sila uthirthuThat is how they invite me
Neeyum vaa vaaMakeup for the face
Endraethaan azhaikkirathaeIs no longer needed
Female
Mugathukku oppanaigalFor the mirror reflecting faces
Thaevai illayaeThere is no purpose left
Mugam kaatum kannaadikkuThere are no men around displaying silly behavior
Velai illayaeA state of enlightenment transcending time and space
Asadugal vazhinthida aangal illayaeO flowers, O flowers
Kaalam neram kadantha nyaana nilaiNo need to bloom, go to sleep
Female
Malargalae malargalaeThere is no hurry at all
Malara vendaam urangidungalNot today, please go away
Avasaram edhuvumae
Indru illai poyi vidungal

Beyond the translation

Song interpretation

'Malargalae Malargalae' from Pudhukottaiyilirundhu Saravanan is a liberating solo song celebrating self-discovery, solitude, and connection with nature. The female protagonist expresses her total immersion in personal freedom, far away from societal expectations, vanity, and the gaze of others. She talks to flowers, the wind, the sea, and the sky, embracing her primitive, uninhibited self ('aathivaasi') and experiencing a child-like joy and divine contentment. Written by Thamarai, the song beautifully captures a rare feminine perspective on personal liberation, unbound by male gaze or artificial social conventions. The lyrics reflect a state of transcendence where clock time loses meaning, and nature itself becomes a welcoming companion.

Writing craft

Poetic devices

Aedhugai (Second letter rhyming)

Aadaigal sumai thaandi / Athai muzhuthum

Rhyming of the second character across lines, such as 'Aadaigal' and 'Indha' / 'Sirantha' in Tamil stanza structure.

Personification

Malargalae malargalae, Malara vendaam urangidungal

Attributing human qualities to natural elements like flowers ('urangidungal' - sleep), breeze ('thozhan' - friend), and birds calling out to join them.

Metaphor

Adada kanden enakkul aathivaasi

Comparing her state of uninhibited freedom and raw self-awareness to an indigenous/primitive soul ('aathivaasi').

Did you know?

Trivia

Composed by Yuvan Shankar Raja for the 2004 Dhanush-starrer Pudhukottaiyilirundhu Saravanan, this track stands out in Tamil cinema for its unique theme of female solitary liberation written by acclaimed lyricist Thamarai.

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