- Lyricist
- Kannadasan
- Singers
- T. M. Soundararajan, L. R. Eswari
- Music director
- Sankar Ganesh
- Movie name
- Siritha Mugam
- Movie release year
- 1968
- Lyrics added on
- 27 Jan 2026
Lyrics & meaning
Beyond the translation
Overall song meaning
This song is a playful and high-energy folk-style duet featuring playful banter between a group of women and a confident man. The women tease the man about his ego, sarcastically suggesting God created women specifically to trim men's proverbial 'tails' (arrogance) and test their true depths. They celebrate getting the better of him through rhythm and witty wordplay. In response, the male protagonist responds with swagger, dropping references to various famous neighborhoods ('pettai') across Madras (Chennai), such as Tondiarpet, Saidapet, Royapettah, and Krishnampet. He asserts his dominance and local charm, asserting that no matter where the women come from, his authority and flair remain unmatched.
Writing craft
Poetic devices
Agedukai / Rhyme (Monai and Etukai)
“Korukkupaettai kosapaettai”
Kannadasan utilizes rhythmic local Tamil rhyming schemes such as 'Korukkupaettai kosapaettai / Royapaettai saidhapettai' to build rapid cadence and urban authenticity.
Simile (Uvamaani)
“Saelai kattupolae oru aalai kattalaamaa”
Comparing binding or capturing a person to wrapping a saree ('Saelai kattupolae oru aalai kattalaamaa').
Local Slang & Wordplay (Madras Baashai)
“Idhu thambarathukottai / Iva thandaiyarupaettai”
The lyrics heavily employ classic Madras vernacular and street names ('pettai') alongside informal slang like 'machi' and 'virundhu' for comedic effect.
Did you know?
Trivia
This song stands out as an early example of Madras Baashai and urban folk influence in late 1960s Tamil cinema scoring. The music duo Sankar-Ganesh leveraged L.R. Eswari's signature energetic vocal style alongside T.M. Soundararajan's versatile voice to turn local neighborhood names of Chennai into an iconic rhythmic patter.
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