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Amara Deepam album cover
Lyrics & meaning

Kondaikatti Kaavikatti

From Amara Deepam · 1956

Lyricist
K. S. Gopalakrishnan
Singers
S. C. Krishnan, A. P. Komala
Music directors
T. Chalapathi Rao, G. Ramanathan
Movie name
Amara Deepam
Movie release year
1956
Lyrics added on
21 Aug 2021

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Kondai katti kaavi katti
Oorai vittoda poraendi pombalae
Kaashaayam kattaatti naanillae aambalae
Kaashaayam kattaatti naanillae aambalae
Kondai katti kaavi katti
Oorai vittoda poraendi pombalae
Kaashaayam kattaatti naanillae aambalae
Kaashaayam kattaatti naanillae aambalae
Aahaan…..mariyaathaiyaa soldraen
Thiruvodu thookka ennaathae
Somberiyaagi thirudan pol vaazha ennaathaae
Somberiyaagi thirudan pol vaazha ennaathaae
Varikkudhirai pol saambal poosiyae
Kadhaikkuthavaa pala kadhaiyum pesiyae
Male :Haan….
Female :Paruva pengalidam kannai veesiyae
Urumaari poli samiyaagiyae
Thiruvodu thookka ennaathae
Somberiyaagi thirudan pol vaazha ennaathaae
Mella mella en usirai nee vaangaathae
Aasai illai endra pothum vidamaatenkarae
Mella mella en usirai nee vaangaathae
Aasai illai endra pothum vidamaatenkarae
Thaali katta sollo adikkavum kai oongurae
Unthan thollai eppo neengumunnu naan yaenguraen
Unthan thollai eppo neengumunnu naan yaenguraen
Vishayam purinjuthu vibaram therinjuthu
Veroru penn aasai unnai izhukkuthu
Male :Aiyayo
Female :Vishayam purinjuthu vibaram therinjuthu
Veroru penn aasai unnai izhukkuthu
Saaththaanin poojaiyaalum jagajaalam seivathaalum
Javvaathu maiyinaalum
Male :Aahaa
Female :Sundhari Roobaavai un sonthamaakka nee seiyum
Vishayam purinjuthu vibaram therinjuthu
Veroru penn aasai unnai izhukkuthu
Adangobburaanae….
Thappaa ninaikkirae pullae
Engappanaanaa….adhu illai
Thappaa ninaikkirae pullae
Engappanaanaa….adhu illai
Iraichchi thingira pulikku pullai
Pottaal thinnudumaa
Adhuthaan poonaiyai mananthidumaa
Iraichchi thingira pulikku pullai
Pottaal thinnudumaa
Adhuthaan poonaiyai mananthidumaa
Enna sonnae
Poonai endrae ennai neeyae indrae azhaikkalaamaa
Poonai endrae ennai neeyae indrae azhaikkalaamaa
Poonai endrae
Naanunakku manaiviyaaga povathai enni
Vittaen vittaen indrael summaa vidamattaen
Poonai endrae ennai neeyae indrae azhaikkalaamaa
Poonai endrae
Tying my hair in a knot and wearing saffron robes,
I am running away from this town, woman!
If I don't wear saffron robes, I am not a real man!
If I don't wear saffron robes, I am not a real man!
Tying my hair in a knot and wearing saffron robes,
I am running away from this town, woman!
If I don't wear saffron robes, I am not a real man!
If I don't wear saffron robes, I am not a real man!
Aha... I am warning you politely,
Don't even think of taking up a begging bowl!
Don't turn lazy and try to live like a thief!
Don't turn lazy and try to live like a thief!
Smearing sacred ash in stripes like a zebra,
Babbling all kinds of useless stories,
Male: Haan...
Female: Casting glances at young girls,
Disguising yourself as a fake holy man,
Don't even think of taking up a begging bowl!
Don't turn lazy and try to live like a thief!
Don't slowly torture the life out of me!
Even when I say I want no part of it, you won't leave me alone!
Don't slowly torture the life out of me!
Even when I say I want no part of it, you won't leave me alone!
When I ask you to tie the wedding knot, you raise your hand to hit me!
I keep yearning for the day I will be rid of your trouble!
I keep yearning for the day I will be rid of your trouble!
I understand what is happening, I know the whole truth!
Desire for another woman is dragging you away!
Male: Oh no!
Female: I understand what is happening, I know the whole truth!
Desire for another woman is dragging you away!
By worshipping evil spirits and performing tricks,
And applying scented magic kohl,
Male: Aaha!
Female: All to make pretty Rupa your own!
I understand what is happening, I know the whole truth!
Desire for another woman is dragging you away!
Oh, good grief!
You've got it all wrong, girl!
I swear on my father, that's not true!
You've got it all wrong, girl!
I swear on my father, that's not true!
If you throw grass to a tiger that eats meat,
Will it ever eat it?
Would that tiger ever marry a cat?
If you throw grass to a tiger that eats meat,
Will it ever eat it?
Would that tiger ever marry a cat?
What did you just say?
How dare you call me a cat today?
How dare you call me a cat today?
Calling me a cat?
Only because I am going to be your wife,
I let you go; otherwise, I wouldn't leave you alone!
How dare you call me a cat today?
Calling me a cat?
Male
Male
Female
Female
Female
Male
Male
Female
Female
Female
Male
Male
Male
Female
Female

Beyond the translation

Overall song meaning

This lighthearted, satirical song presents a comic altercation between a man threatening to become a wandering ascetic and a woman exposing his fraudulent motives. The man claims he will don saffron robes and leave town, asserting his manhood through renunciation. The woman sees right through his act, berating him for being lazy, shirking marriage, eyeing young women, and disguising himself as a fake ascetic. She accuses him of using charms and black magic to chase another woman named Sundari. When he tries to defend himself using an absurd metaphor comparing himself to a carnivorous tiger and her to a cat, she takes offense at being called a cat, escalating the argument into a full-blown comic spat over marital responsibility and fidelity.

Writing craft

Poetic devices

Monai (Initial Alliteration)

Kondai katti kaavi katti

Repetition of the initial consonant sound 'K' across words in the line creates a lively, rhythmic cadence.

Edhugai (Rhyming Internal Sounds)

Vishayam purinjuthu vibaram therinjuthu

Matching internal rhyming patterns with 'purinjuthu' and 'therinjuthu' enhances the song's conversational beat.

Uvamaani (Metaphor / Hyperbole)

Iraichchi thingira pulikku pullai

The male character humorously compares himself to a meat-eating tiger to justify his unwillingness to settle down with 'grass' or a 'cat'.

Did you know?

Trivia

Amara Deepam (1956) is a landmark Tamil romantic drama film starring Sivaji Ganesan, Padmini, and Savitri, directed by T. Prakash Rao. The soundtrack was composed jointly by G. Ramanathan and T. Chalapathi Rao. This comic song, written by lyricist-filmmaker K. S. Gopalakrishnan, functions as a satirical social commentary on lazy men who pretend to seek spiritual renunciation solely to avoid family duties and pursue women under the mask of ascetics.

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