- Lyricist
- Kannadasan
- Singer
- T. M. Soundararajan
- Music director
- K. V. Mahadevan
- Movie name
- Saraswathi Sabatham
- Movie release year
- 1966
- Lyrics added on
- 23 Oct 2017
Lyrics & meaning
Beyond the translation
Overall song meaning
'Kalviya Selvama Veerama' is a philosophical debate song from the 1966 Tamil mythological film 'Saraswathi Sabatham'. Written by Kannadasan and set to music by K. V. Mahadevan, the song poses a fundamental question: which among Knowledge (Saraswathi), Wealth (Lakshmi), and Courage (Parvathi) is the supreme virtue? The lyrics compare this trio to mother, father, and God, questioning if one can exist without the others. Through a series of thought-provoking rhetorical queries, the poet illustrates the shortcomings of possessing one virtue without the rest. Knowledge cannot satisfy hunger without wealth; wealth cannot gain genuine fame without wisdom; and neither education nor riches can offer protection without courage and strength. The song concludes that no single virtue is superior or inferior, as true prosperity and perfection exist only when all three co-exist harmoniously.
Writing craft
Poetic devices
Etuhaai (Second letter rhyming)
“Kattorkku porul indri pasi theeruma / Porul petrorkku arivindri pugal seruma”
Rhyming of the second consonant across lines, such as in 'Kattorkku' and 'Porul' or 'Padithavan' and 'Panam'.
Rhetorical Question (Vinaa Alangaaram)
“Kalviya..selvama veerama / Annaiya thanthaiya deivama”
Using continuous rhetorical questions to challenge the audience to reflect on the interdependency of virtues.
Anaphora (Repetition for Emphasis)
“Ivai moondrum thunai irukkum nalam venduma”
Repetition of phrases like 'Ivai moondrum' and 'Ondrukkul ondraaga' across lines to reinforce the core message of unity among the three virtues.
Did you know?
Trivia
'Saraswathi Sabatham' (1966) was directed by A. P. Nagarajan, starring Sivaji Ganesan, Padmini, Geminis Ganesan, and Savitri. The music was composed by K. V. Mahadevan, and this iconic debate song was sung by T. M. Soundararajan, perfectly capturing the movie's central theme of debate between Saraswathi, Lakshmi, and Parvathi.
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