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Isaimozhi
Lyrics & meaning

Rani Maharani

From Saraswathi Sabatham · 1966

Lyricist
Kannadasan
Singer
T. M. Soundararajan
Music director
K. V. Mahadevan
Movie name
Saraswathi Sabatham
Movie release year
1966
Lyrics added on
6 Oct 2017

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Raani magaaraani
Rajiyaththin raani
Vegavega maaga vandha
Naagareega raani
{Raani magaaraani
Rajiyaththin raani
Vegavega maaga vandha
Naagareega raani} (2)
Vegavega maaga vandha
Naagareega raani
{Netru varai veedhiyilae
Nindrirundha raani
Nilaimaigalai marandhu vitta
Thalaiganaththa raani} (2)
{Yaanai maalai potadhaalae
Aala vandha raani
Azhagu bommai pola vandhu
Goluvirukum raani} (2)
Azhagu bommai pola vandhu
Goluvirukum raani
Raani magaaraani
Chorus :Rajiyaththin raani
Male :Vegavega maaga vandha
Naagareega raani
Chorus :Naagareega raani
Pongi vandha selvaththaalae
Budhdhi ponadhaal
Pongi vandha selvaththaalae
Budhdhi ponadhaal
Pulamaiyodum kavidhaiyodum
Porida vandhaal
Pulamaiyodum kavidhaiyodum
Porida vandhaal
Male :Porida vandhaal
Raani magaaraani
Rajiyaththin raani
Vegavega maaga vandha
Naagareega raani
Vegavega maaga vandha
Naagareega raani
{Kaviyarasai puviyarasu
Vetri kondadhundaa
Kalaimagalai thirumagal dhaan
Vettri kandadhundaa} (2)
{Sabai arindha pulavanukku
Siraiyum oru veedu
Arivizhandha arasiyarkku
Naadum oru kaadu} (2)
Raani magaaraani
Male 2 :Raani magaaraani
Male :Rajiyaththin raani
Male 2 :Rajiyaththin raani
Male :Vegavega maaga vandha
Naagareega raani
Male 2 :Vegavega maaga vandha
Naagareega raani
Queen, the great queen,
Queen of the kingdom,
Who came rushing in with haste,
The fashionable queen!
{Queen, the great queen,
Queen of the kingdom,
Who came rushing in with haste,
The fashionable queen!} (2)
Who came rushing in with haste,
The fashionable queen!
{Standing on the street
Until just yesterday,
She forgot her humble past,
This arrogant queen!} (2)
{Just because the royal elephant garlanded her,
A queen who came to rule,
Sitting like a pretty doll,
A queen holding court!} (2)
Sitting like a pretty doll,
A queen holding court!
Queen, the great queen,
Chorus: Queen of the kingdom,
Male: Who came rushing in with haste,
The fashionable queen,
Chorus: The fashionable queen!
With overflowing wealth
Clouding her good sense,
With overflowing wealth
Clouding her good sense,
Against scholarly wisdom and poetry,
She came to wage war,
Against scholarly wisdom and poetry,
She came to wage war,
Male: She came to wage war!
Queen, the great queen,
Queen of the kingdom,
Who came rushing in with haste,
The fashionable queen!
Who came rushing in with haste,
The fashionable queen!
{Has an earthly ruler
Ever conquered the king of poets?
Has the Goddess of Wealth
Ever defeated the Goddess of Knowledge?} (2)
{To a poet who knows the assembly of scholars,
Even a prison is a home,
To a queen who has lost her wisdom,
Even a kingdom is a wild jungle!} (2)
Queen, the great queen,
Male 2: Queen, the great queen,
Male: Queen of the kingdom,
Male 2: Queen of the kingdom,
Male: Who came rushing in with haste,
The fashionable queen,
Male 2: Who came rushing in with haste,
The fashionable queen!
Male
Male
Chorus
Male
Male
Chorus
Male
Male
Chorus
Male
Chorus
Male
Male
Male

Beyond the translation

Overall song meaning

This song from Saraswathi Sabatham (1966) expresses the sharp critique and defiance of a learned poet against an arrogant queen who has been blinded by sudden wealth and power. The poet ridicules her vanity, pointing out that mere chance elevated her to royalty, yet she foolishly attempts to challenge scholarly wisdom and poetry. He asserts the supreme truth that material wealth (represented by Lakshmi) can never truly conquer knowledge and arts (represented by Saraswathi). For a person of true intellect, even a prison cell feels comfortable like home, whereas an unwise ruler turns an entire kingdom into a desolate wilderness.

Writing craft

Poetic devices

Etuhais / Edhugai (Second letter rhyming)

Sabai arindha pulavanukku / Siraiyum oru veedu

Rhyming of second consonant across consecutive lines, such as 'Netru' (ரு) and 'Nindrirundha' (ன்), or 'Sabai' (ப) and 'Sirai' (ர/ப).

Iyaibu (End rhyme)

Raani magaaraani / Rajiyaththin raani

Repetition of the word 'Raani' at the end of multiple lines creates a rhythmic, mocking refrain.

Contrast / Metaphor (Puviyarasu vs Kaviyarasu)

Kaviyarasai puviyarasu / Vetri kondadhundaa

Direct contrast between earthly power ('Puviyarasu') and intellectual/poetic sovereignty ('Kaviyarasu'), as well as Goddess Lakshmi ('Thirumagal') vs Goddess Saraswathi ('Kalaimagal').

Did you know?

Trivia

Saraswathi Sabatham (1966) features music composed by K. V. Mahadevan with lyrics by Kannadasan. This song serves as a crucial narrative pivot in the film, illustrating the central debate between the supremacy of Knowledge (Saraswathi) and Wealth (Lakshmi).

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