Kalaivaniye Nee Enai
From Kanniyin Kathali · 1949
- Lyricist
- Pudhu Kamban Boomi Balagadass
- Singer
- M. L. Vasanthakumari
- Music director
- S. M. Subbaiah Naidu
- Details
- Kanniyin Kathali1949
Lyrics & meaning
| ♫ Tanglish lyrics | ↻ English translation |
|---|---|
| Female | |
| Thannananaa thannananaa thannananaa | [Rhythmic vocalizations] |
| Thannan naanaa naa | [Rhythmic vocalizations] |
| Female | |
| Kalaivaaniyae…..ae….ae….ae….aeh | O Goddess of Arts, Saraswati... |
| Nee ennai…..ee….ee…. | To me... |
| Sothanai…..yyiii…..yiiii…. | A trial or test... |
| Seivathum nyaayamo….oo….oo…. | Is it fair to subject me to such suffering? |
| Female | |
| Kalaivaaniyae nee ennai | O Goddess Kalaivani, is it fair that you |
| Sothanai seivathum niyaayamo | Subject me to this severe trial? |
| Idhu tharunam | Now is the crucial moment! |
| Kalaivaaniyae nee ennai | O Goddess Kalaivani, is it fair that you |
| Sothanai seivathum niyaayamo | Subject me to this severe trial? |
| Idhu tharunam | Now is the crucial moment! |
| Female | |
| Manonmani….eee….ee….ee….ee…. | O jewel of the mind... |
| Madhivathana….aa….aa…. | O moon-faced beauty... |
| Sundhari unnai kaana | To behold your divine presence, |
| Arul seikuvaayo….ae….ae….ae….ae… | Will you grant me your grace? |
| Female | |
| Kalaivaaniyae nee ennai | O Goddess Kalaivani, is it fair that you |
| Sothanai seivathum niyaayamo | Subject me to this severe trial? |
| Idhu tharunam | Now is the crucial moment! |
| Female | |
| En meedhilae….ae…..ae…..ae….ae… | Towards me... |
| Innum….mm….mm… | Even now... |
| Paaraamugam….mm…. | This cold indifference... |
| Yaeno…..oo….ooo | Why does it continue? |
| Jagan mogini…..eee…..ee….ee… | O enchantress of the world... |
| Female | |
| Kalaivaaniyae nee ennai | O Goddess Kalaivani, is it fair that you |
| Sothanai seivathum niyaayamo | Subject me to this severe trial? |
| Idhu tharunam | Now is the crucial moment! |
| Kalaivaaniyae nee ennai | O Goddess Kalaivani, is it fair that you |
| Sothanai seivathum niyaayamo | Subject me to this severe trial? |
| Idhu tharunam | Now is the crucial moment! |
தன்னன்னா தன்னன்னா தன்னன்னா
தன்னன் நானா னா
[Rhythmic vocalizations]
[Rhythmic vocalizations]
கலைவாணியே.......ஏ......ஏ......ஏ....ஏஹ்
நீ என்னைச்.....ஈ.....ஈ......
சோதனை.......ய்ய்....ய்ய்.....
செய்வதும் நியாமோ ......ஓ.....ஓ
O Goddess of Arts, Saraswati...
To me...
A trial or test...
Is it fair to subject me to such suffering?
கலைவாணியே நீ என்னைச்
சோதனை செய்வதும் நியாமோ
இது தருணம்
கலைவாணியே நீ என்னைச்
சோதனை செய்வதும் நியாமோ
இது தருணம்
O Goddess Kalaivani, is it fair that you
Subject me to this severe trial?
Now is the crucial moment!
O Goddess Kalaivani, is it fair that you
Subject me to this severe trial?
Now is the crucial moment!
மனோன்மணி......ஈஈ.....ஈஈ.....ஈ.....ஈ.......
மதிவதன.....அ.....அ....
சுந்தரி உன்னைக் காண
அருள் செய்குவாயே......ஏ......ஏ.....ஏ.....ஏ......
O jewel of the mind...
O moon-faced beauty...
To behold your divine presence,
Will you grant me your grace?
கலைவாணியே நீ என்னைச்
சோதனை செய்வதும் நியாமோ
இது தருணம்
O Goddess Kalaivani, is it fair that you
Subject me to this severe trial?
Now is the crucial moment!
என் மீதிலே....எ......ஏ......ஏ......ஏ.....ஏ....
இன்னும்....ம்ம்....ம்....
பாராமுகம்....ம்......
ஏனோ.....ஓ.......ஓஒ
ஜகன் மோகினி.....ஈ.....ஈ.....ஈ.....
Towards me...
Even now...
This cold indifference...
Why does it continue?
O enchantress of the world...
கலைவாணியே நீ என்னைச்
சோதனை செய்வதும் நியாமோ
இது தருணம்
கலைவாணியே நீ என்னைச்
சோதனை செய்வதும் நியாமோ
இது தருணம்
O Goddess Kalaivani, is it fair that you
Subject me to this severe trial?
Now is the crucial moment!
O Goddess Kalaivani, is it fair that you
Subject me to this severe trial?
Now is the crucial moment!
Thannananaa thannananaa thannananaa
[Rhythmic vocalizations]
Thannan naanaa naa
[Rhythmic vocalizations]
Kalaivaaniyae…..ae….ae….ae….aeh
O Goddess of Arts, Saraswati...
Nee ennai…..ee….ee….
To me...
Sothanai…..yyiii…..yiiii….
A trial or test...
Seivathum nyaayamo….oo….oo….
Is it fair to subject me to such suffering?
Kalaivaaniyae nee ennai
O Goddess Kalaivani, is it fair that you
Sothanai seivathum niyaayamo
Subject me to this severe trial?
Idhu tharunam
Now is the crucial moment!
Kalaivaaniyae nee ennai
O Goddess Kalaivani, is it fair that you
Sothanai seivathum niyaayamo
Subject me to this severe trial?
Idhu tharunam
Now is the crucial moment!
Manonmani….eee….ee….ee….ee….
O jewel of the mind...
Madhivathana….aa….aa….
O moon-faced beauty...
Sundhari unnai kaana
To behold your divine presence,
Arul seikuvaayo….ae….ae….ae….ae…
Will you grant me your grace?
Kalaivaaniyae nee ennai
O Goddess Kalaivani, is it fair that you
Sothanai seivathum niyaayamo
Subject me to this severe trial?
Idhu tharunam
Now is the crucial moment!
En meedhilae….ae…..ae…..ae….ae…
Towards me...
Innum….mm….mm…
Even now...
Paaraamugam….mm….
This cold indifference...
Yaeno…..oo….ooo
Why does it continue?
Jagan mogini…..eee…..ee….ee…
O enchantress of the world...
Kalaivaaniyae nee ennai
O Goddess Kalaivani, is it fair that you
Sothanai seivathum niyaayamo
Subject me to this severe trial?
Idhu tharunam
Now is the crucial moment!
Kalaivaaniyae nee ennai
O Goddess Kalaivani, is it fair that you
Sothanai seivathum niyaayamo
Subject me to this severe trial?
Idhu tharunam
Now is the crucial moment!
Beyond the translation
Song interpretation
This classical song is an impassioned plea addressed to Goddess Kalaivani (Saraswati) as well as an expression of romantic yearning towards a beloved described with exalted epithets like 'Madhivathani' (moon-faced) and 'Jagan Mogini' (world enchantress). The speaker laments being subjected to emotional trials and questions the fairness of the divine or beloved turning an indifferent face towards them, urging for grace and presence without further delay.
Writing craft
Poetic devices
Metaphor (Uruvam)
“Madhivathana….aa….aa….”
Compares the woman's face directly to the full moon ('Madhi') to highlight radiating beauty.
Rhetorical Question (Vinaa)
“Seivathum nyaayamo….oo….oo….”
Asking whether subjecting the speaker to tests is fair ('niyaayamo') serves to express dramatic anguish rather than solicit a literal answer.
Anaphora (Madakku / Repetition)
“Kalaivaaniyae nee ennai”
The line calling out to Kalaivani and asking about fairness is repeated regularly as a refrain to heighten emotional intensity.
Did you know?
Trivia
Kanniyin Kathali (1949), produced by Jupiter Pictures and directed by K. Ramnoth, holds a historic place in Tamil cinema as the very first screen adaptation of William Shakespeare's play 'Twelfth Night'. The film starred Madhuri Devi, Anjali Devi, and S. A. Natarajan.
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