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Isaimozhi
Lyrics & meaning

Aadum Parivel Anisevalena

From Arunagirinathar · 1964

Lyricist
Arunagirinathar
Singer
T. M. Soundararajan
Music director
T. R. Pappa
Movie name
Arunagirinathar
Movie release year
1964
Lyrics added on
12 Sept 2021

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Aadum parivel ani sevalena
Paadum paniyae paniyaai arulvaai
Thedum kayama muganai seruvil
Thedum kayama muganai seruvil
Saadum thaniyaanai sagotharanae
Uruvaai arulvaai uladhaai iladhaai
Maruvaai malaraaai maniyaai oliyaai
Karuvaai uyiraai gathiyaai vidhiyaai
Guruvaai varuvaai arulvaai guhanae
To sing of your dancing peacock, your spear, and your beautiful rooster,
Grant that singing your praise remains my only duty!
In battle against the mighty elephant-faced demon,
In battle against the mighty elephant-faced demon,
O brother of the peerless Elephant God who crushed him!
Having form and being formless, existing and beyond existence,
As fragrance and flower, as jewel and radiant light,
As the seed of life, as the living soul, as our refuge and destiny,
Come as my Guru and shower your grace, O Lord Guha!
Male
Male

Beyond the translation

Overall song meaning

This divine hymn is a combination of iconic verses composed by the 15th-century Tamil saint Arunagirinathar, most notably featuring lines from Kandar Anuboothi. The poet surrenders to Lord Murugan, requesting that his sole purpose in life be the singing of Murugan's glory. He addresses Murugan as the brother of Lord Ganesha and describes the omnipresent, panentheistic nature of the deity who embodies all dualities—form and formlessness, existence and non-existence, fragrance and flower. In the grand climax of the prayer, the poet acknowledges Murugan as the ultimate reality that pervades creation, life, destiny, and light, finally pleading with the Lord to manifest as his spiritual teacher (Guru) and shower His divine grace.

Writing craft

Poetic devices

Antithesis (Muran)

Uruvaai arulvaai uladhaai iladhaai

Juxtaposition of opposing concepts such as 'Uruvaai' (with form) vs 'Aruvaai' (formless) and 'Uladhaai' (existing) vs 'Iladhaai' (non-existing) to emphasize God's omnipresence.

Iyaibu (End Rhyme / Rhyming Refrain)

Maruvaai malaraaai maniyaai oliyaai

The repetitive suffix '-aai' at the end of each word (Maruvaai, Malaraai, Maniyaai, Oliyaai) creates a rhythmic, musical cadence known as Iyaibu in Tamil prosody.

Metaphor (Uvamai / Uruvagaimai)

Karuvaai uyiraai gathiyaai vidhiyaai

The deity is metaphorically identified directly as the essential essence of things—the fragrance in a flower, the light in a gem, the life in a seed.

Anaphora and Repetition

Thedum kayama muganai seruvil

Repetition of the phrase 'Thedum kayama muganai seruvil' builds melodic intensity and devotional emphasis in rendering.

Did you know?

Trivia

These lines are adapted from Saint Arunagirinathar's revered spiritual work 'Kandar Anuboothi' (specifically the final 51st verse 'Uruvaai Aruvaai'). In the 1964 biographical film 'Arunagirinathar', playback singer T. M. Soundararajan played the lead role of the saint himself and rendered this song under T. R. Pappa's musical direction.

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