- Lyricist
- A. Maruthakasi
- Singers
- L. R. Eswari, Udutha Sarojini
- Music director
- K. V. Mahadevan
- Movie name
- Mahalakshmi
- Movie release year
- 1960
- Lyrics added on
- 7 Oct 2024
Lyrics & meaning
Beyond the translation
Overall song meaning
This uplifting folk-style song emphasizes the dignity of hard labor, moral integrity, saving for the future, and adaptability. The lyricist Maruthakasi uses vivid agrarian metaphors to encourage people to work so intensely that sweat flows like spring water, bringing prosperity to both their households and the nation at large. The lyrics urge listeners to purge bad thoughts from their minds just as chaff is winnowed from grain, keep company only with good people, help the needy, save prudently like birds, and strike while the iron is hot. It underscores the impermanence of time, reminding us to constantly evolve and adapt our thoughts as the world changes.
Writing craft
Poetic devices
Uvamai (Simile)
“Oothu neera pola vervai”
Compares sweating from hard work to the natural flow of spring water ('Oothu neera pola vervai').
Uvamai (Simile)
“Sethu vechu kuruvi pola vaazha theriyanum”
Compares prudent saving and modest living to the habits of a bird collecting grains ('kuruvi pola vaazha').
Pazhamozhi (Proverb / Allusion)
“Kaadhulla podhey naam / Thoothi kollanum”
Refers directly to the popular Tamil proverb 'Kaatru ullapothu thoothikol' ('Winnow while the wind blows' or 'Make hay while the sun shines').
Muran (Antithesis)
“Nallavanga uravai mattum naadanum / Theeyor natpirundha adhaiyum vilakki podanum”
Contrasts good relationships ('Nallavanga uravai') with bad friendships ('Theeyor natpirundha') to stress moral discernment.
Did you know?
Trivia
Lyricist A. Maruthakasi was celebrated for weaving traditional Tamil proverbs and simple rural philosophy into catchy film songs. The phrase 'Kaatru ullapothu thoothikol' is repurposed here in everyday spoken dialect as 'Kaadhulla podhey naam thoothi kollanum', making deep moral lessons easily accessible to working-class film audiences.
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