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Anbalippu album cover
Lyrics & meaning

Gopalan Enge Undo

From Anbalippu · 1969

Lyricist
Kannadasan
Singers
T. M. Soundararajan, P. B. Sreenivas, L. R. Eswari, P. Susheela
Music director
M. S. Vishwanathan
Movie name
Anbalippu
Movie release year
1969
Lyrics added on
8 Dec 2023

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Gopalan enge undo gogulam ange undu
Krishna hari rama hari hare
Krishna ari rama ari
Gopalan enge undo gogulam ange undu
Krishna hari rama hari hare
Krishna ari ramahari
Konjum killai kuyirpedu
Manjal vaanam manithodu
Konjum killai kuyirpedu
Manjal vaanam manithodu
Kopi pengal kodi undu
Krishna ari rama ari
Chorus :Hare
Krishna ari rama ari
Gangai karaiyil mangal pottu kannan vilaiyadal
Kannan arugil chinna chinna kanniyar uraiyadal
Male :Thanga silaigal nenjin idaiye pongi varum oodal
Katti thaluvi katti kanigal thannai maranthadal
Female :Kaal thottu kai thottu kontadum kadhal
Female :Kannam thottu mutham thanthu panpaadum padal
Female :Ammama adhu inge varumo
Krishna ari rama ari
Chorus :Hare
Krishna ari rama ari
Santhanam manakuthadi meni
Kannanai ninaikuthadi aavi
Gangaiyil mulugivara vaadi
Female :Netri pottu idam maara
Female :Pinni kollum asai undu
Krishna ari rama ari
Chorus :Hare
Krishna ari rama ari
Pullangulalil mella ponal sugam undu
Poovum kulalum sari sariya kadhal suvai undu
Male :Sollum mozhiyil amma entru thullum kadhai undu
Thodarum uravul vidiyum pozuthu malarum piriventru
Female :Then sithum poovizhiyal venmai nirankondu
Kaalai neram keli seiyum kannadi munbu
Female :Ammama adhu inge varumo
Krishna ari rama ari
Chorus :Hare
Krishna ari rama ari
Thulli varum inbamennum aaru
Alli vaitha sengarumbu chaaru
Solli varum karpanaigal nooru
Female :Panthalita medai pattu vanna ponnaadai
Female :Katti kolla kaalam undu
Krishna ari rama ari
Chorus :Hare
Krishna ari rama ari
Wherever Gopalan is, Gokulam is there too
Krishna Hari Rama Hari Hare
Krishna Hari Rama Hari
Wherever Gopalan is, Gokulam is there too
Krishna Hari Rama Hari Hare
Krishna Hari Rama Hari
Sweet-chirping parrots and singing cuckoos
A golden-yellow sky and gem-studded earrings
Sweet-chirping parrots and singing cuckoos
A golden-yellow sky and gem-studded earrings
There are millions of Gopi girls
Krishna Hari Rama Hari
Chorus: Hare
Krishna Hari Rama Hari
Auspicious bindi marks on the riverbanks, and Krishna at play
Young girls chatting happily beside Krishna
Male: Playful lovers' tiffs welling up between these golden beauties
Embracing tightly, sweet as ripe fruits, dancing lost in joy
Female: Love celebrated by holding hands and touching feet
Female: A sweet song sung with a gentle kiss on the cheek
Female: Oh my, can that ever happen here?
Krishna Hari Rama Hari
Chorus: Hare
Krishna Hari Rama Hari
The body smells richly of sandalwood
The soul longs for Krishna
Come girl, let us take a dip in the holy river
Female: As the bindi on the forehead shifts out of place
Female: There is a longing to entwine together
Krishna Hari Rama Hari
Chorus: Hare
Krishna Hari Rama Hari
There is pure delight when the flute is played softly
When blossoms match braided hair, love tastes so sweet
Male: In the words spoken, there is a playful tale calling out to mother
A continuing bond, blossoming into parting at daybreak
Female: The sweet-voiced girl with flower-like eyes turning pale
Playfully teasing in front of the mirror in the morning
Female: Oh my, can that ever happen here?
Krishna Hari Rama Hari
Chorus: Hare
Krishna Hari Rama Hari
A leaping river of endless joy
Sweet juice gathered from red sugarcane
A hundred fond dreams spoken aloud
Female: A canopied wedding stage and golden silk attire
Female: There is still time to wear them and wed
Krishna Hari Rama Hari
Chorus: Hare
Krishna Hari Rama Hari
Male
Male
Female
Male
Male
Male
Male

Beyond the translation

Overall song meaning

This classic song from 'Anbalippu' (1969) skillfully blends divine devotion (Bhakti) with romantic love (Sringara). Framed around the sacred imagery of Lord Krishna, Gokulam, the Gopis, and the holy Ganges, the lyricist Kannadasan weaves a romantic narrative where the lovers compare their affection to Krishna's divine playfulness (Leela). The song weaves devotional chants like 'Krishna Hari Rama Hari' seamlessly into the duet. Throughout the track, the emotional trajectory moves from poetic admiration of nature and divine divine love to intimate human expressions of affection, anticipation of marriage, and lifelong union. M. S. Vishwanathan's vibrant composition elevates this duet, making it both a devotional chant and a deeply romantic musical expression.

Writing craft

Poetic devices

Metaphor (Uruvam)

Thanga silaigal nenjin idaiye pongi varum oodal

Women are poetically compared to 'golden statues' ('Thanga silaigal') experiencing romantic emotions.

Metaphor (Uruvam)

Thulli varum inbamennum aaru

Joy is metaphorically described as a leaping river ('inbamennum aaru').

Iyaipu (End Rhyme)

Santhanam manakuthadi meni / Kannanai ninaikuthadi aavi

The lines end with rhythmic, rhyming sounds ('meni' / 'aavi').

Monai (Initial Alliteration)

Pullangulalil mella ponal sugam undu / Poovum kulalum sari sariya kadhal suvai undu

Repetition of the initial 'P' sound ('Pullangulalil', 'Poovum') creates musical alliteration.

Did you know?

Trivia

Composed by M. S. Vishwanathan with lyrics by Kaviarasu Kannadasan, this song from 'Anbalippu' (1969) is a iconic example of intertwining traditional 'Hare Rama Hare Krishna' chants into a romantic film song duet. Kannadasan frequently used mythological motifs of Krishna and the Gopis to symbolize ideal romantic bliss in Tamil cinema.

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