- Lyricist
- Kannadasan
- Singer
- T. R. Mahalingam
- Music director
- C. N. Pandurangan
- Movie name
- Thiru Neelakandar
- Movie release year
- 1972
- Lyrics added on
- 5 Jun 2024
Lyrics & meaning
Beyond the translation
Overall song meaning
This devotional song from the film 'Thiru Neelakandar' (1972) praises Lord Shiva as Nataraja, the cosmic dancer residing in the hall of consciousness (Ambalam). The lyrics highlight the spiritual philosophy that true contentment and eternal joy (Anantha) come from surrendering one's ego to the Divine. Kannadasan reflects on human vulnerability and pride, reminding us that mortals who step onto the stage of life boasting of their own strength will eventually realize their insignificance compared to the Lord of Dance. The song beautifully weaves the structure of the cosmos—the seven notes, seven seas, seven worlds, and nine emotions—as creations orchestrated by Shiva's dance. Through poetic inquiries ('Naan yaar, nee yaar'), it calls for introspection, emphasizing that all arts, power, and earthly existence exist purely by His divine grace.
Writing craft
Poetic devices
Edukai (Second-letter Rhyme)
“Kattukkuzhal suttri suzhalavum / Nettri siru muththu sitharavum”
Matching second consonants across consecutive lines, creating musical harmony ('tt' sound).
Rhetorical Questioning
“Naan yaar nee yaar naam yaar”
Philosophical questioning used to dispel ego and highlight the smallness of human pride before God.
Visual Imagery & Metaphor
“Nettri siru muththu sitharavum”
Comparing forehead sweat drops to scattered pearls ('muththu') produced during intense cosmic dance.
Anaphora / Numerical Repetition
“Yaezhisai kadazhezhu puviyaezhu naal yaezhu”
Rhythmic repetition of the sacred number seven ('yaezhu') symbolizing universality across music, nature, and space.
Did you know?
Trivia
The song features the iconic high-pitched classical vocal rendition by T. R. Mahalingam, who also portrayed the lead saint-poet Tiruneelakanta Nayanar in this 1972 biographical film. Music director C. N. Pandurangan composed the soundtrack based heavily on Carnatic ragas to suit the classical setting of the movie.
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