Skip to content
Isaimozhi
Lyrics & meaning

Ambalathu Nadaraja Un

From Kann Malar · 1970

Lyricist
Kannadasan
Singers
S. Janaki, Dr. Balamuralikrishna
Music director
K. V. Mahadevan
Details
Kann Malar1970

Lyrics & meaning

Tanglish lyrics English translation
Male
Ambalathu nadarajaO Nataraja of the sacred cosmic hall,
Un balathai kaatutharkuTo demonstrate your divine power,
En kulathai therntheduthathenaiyyaaWhy did you choose my family, Lord?
Male
Un pathame gathiyendruBelieving that your feet were our sole refuge,
Nambiyavar veettileIn the home of those who trusted you,
Kan maraikkum vilaiyattuWhy play this game of blinding our eyes,
YenaiyyaaO Lord?
Female
Pamalai avar padikkaWhile he recited verse-garlands,
Poomalai naan thodukkaAnd I wove flower-garlands,
Vaazhnal nadanthathayyaaOur entire life passed harmoniously, Lord,
NadarajaNataraja!
Female
Indru poomalaiyoduToday, along with a flower-garland,
Oru pamalaiyum padikkaTo recite a verse-garland as well,
Nanaga nirpathennaWhy stand I here alone,
NadarajaNataraja!
Female
Pamalai avar padikkaWhile he recited verse-garlands,
Poomalai naan thodukkaAnd I wove flower-garlands,
Vaazhnal nadanthathayyaaOur entire life passed harmoniously, Lord,
NadarajaNataraja!
Female
Indru poomalaiyoduToday, along with a flower-garland,
Oru pamalaiyum padikkaTo recite a verse-garland as well,
Nanaga nirpathennaWhy stand I here alone,
NadarajaNataraja!
Female
Pamalai avar padikkaWhile he recited verse-garlands,
Poomalai naan thodukkaAnd I wove flower-garlands,
Vaazhnal nadanthathayyaaOur entire life passed harmoniously, Lord,
NadarajaNataraja!
Female
{Paalodu sangeduthuHolding the shell filled with milk,
Thaayutta varumbothuWhen the mother arrived to feed,
Paalum murinthathennaWhy did the milk curdle,
Nadarja} (2)Nataraja?
Female
Paathai therinthathendruBelieving that the path was clear,
Paavai varumbothuWhen the maiden approached,
Deepam anainthathennaWhy did the lamp extinguish,
NadarajaNataraja?
Female
Pamalai avar padikkaWhile he recited verse-garlands,
Poomalai naan thodukkaAnd I wove flower-garlands,
Vaazhnal nadanthathayyaaOur entire life passed harmoniously, Lord,
NadarajaNataraja!
Female
{Un sevai seivatharkuTo perform service unto you,
Than sevaiyaithan maranthuForgetting his own self-care,
Uyirai parithathennaWhy did you snatch his life away,
Nadaraja} (2)Nataraja?
Female
Thanthai panneer koduthatharkuIn return for the rose-water offered by the father,
Bathilaga neeyenakkuInstead, to me,
Kanneer koduthathennaWhy did you offer tears,
NadarajaNataraja?
Female
Pamalai avar padikkaWhile he recited verse-garlands,
Poomalai naan thodukkaAnd I wove flower-garlands,
Vaazhnal nadanthathayyaaOur entire life passed harmoniously, Lord,
NadarajaNataraja!
Female
Indru poomalaiyoduToday, along with a flower-garland,
Oru pamalaiyum padikkaTo recite a verse-garland as well,
Nanaga nirpathennaWhy stand I here alone,
NadarajaNataraja!
Female
Pamalai avar padikkaWhile he recited verse-garlands,
Poomalai naan thodukkaAnd I wove flower-garlands,
Vaazhnal nadanthathayyaaOur entire life passed harmoniously, Lord,
NadarajaNataraja!

Beyond the translation

Song interpretation

Ambalathu Nadaraja from the movie Kan Malar (1970) is a poignant devotional song framed as Nindastuthi—a classical form of poetic complaint where the devotee reverently reproaches God for unmerited suffering. The grieving protagonist addresses Lord Nataraja, asking why her humble and pious family was chosen to bear such tragic sorrow. She recalls how seamlessly their life unfolded when her husband sang garlands of verses (Paamalai) while she crafted garlands of fresh flowers (Poomalai). Now left alone to offer both song and flowers, she questions the divine will through heartbreaking imagery: milk curdling right as a mother attempts to feed her child, a guiding lamp extinguishing just as a maiden steps onto her path, and receiving a cup of tears in return for holy rose-water.

Writing craft

Poetic devices

Antithesis / Contrast

Pamalai avar padikka / Poomalai naan thodukka

Juxtaposes 'Pamalai' (garland of verses) with 'Poomalai' (garland of flowers), as well as 'Panneer' (rose water) with 'Kanneer' (tears) to highlight loss and emotional agony.

Nindastuthi (Devotional Reproach)

Un balathai kaatutharku / En kulathai therntheduthathenaiyyaa

A traditional literary device in Bhakti poetry where the devotee censures the deity out of deep intimacy and despair rather than disrespect.

Ethirai (Second-letter Rhyme)

Thanthai panneer koduthatharku / Bathilaga neeyenakku / Kanneer koduthathenna

The second letter consonant harmony between key contrast words such as Panneer and Kanneer.

Monai (Initial Alliteration)

Paathai therinthathendru / Paavai varumbothu

Repetition of initial consonant sounds across paired phrases ('Paathai', 'Paavai').

Did you know?

Trivia

Kan Malar (1970), directed by P. Madhavan, features music composed by the legendary K. V. Mahadevan with lyrics penned by Kannadasan. The track is renowned for S. Janaki's soul-stirring vocal performance capturing grief and devotion. The poetic construction heavily draws on classic Tamil Saivite hymnography formats.

Keep listening

More from Kann Malar