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Isaimozhi
Lyrics & meaning

Kanavu Kanden Kanna

From Paasa Deepam · 1973

Lyricist
Kannadasan
Singer
P. Susheela
Music director
M. S. Vishwanathan
Details
Paasa Deepam1973

Lyrics & meaning

Tanglish lyrics English translation
Female
Kanna manivannaa mugunthaa muraaraeO Krishna, jewel-toned Lord, Mukunda, Murari!
Kanavu kandaen kannaaI saw a dream, O Krishna!
Nee kai koduthaai manivannaaYou held my hand and guided me, O jewel-toned Lord!
Kanavu kandaen kannaaI saw a dream, O Krishna!
Nee kai koduthaai manivannaaYou held my hand and guided me, O jewel-toned Lord!
Female
Manamenum solaiyil malar parithaen naanI plucked blossoms from the garden of my mind,
Manamenum solaiyil malar parithaen naanI plucked blossoms from the garden of my mind,
Maalaigal seithu manamudiththaai neeYou wove them into garlands and wedded me,
Maalaigal seithu manamudiththaai neeYou wove them into garlands and wedded me,
Female
Kanavu kandaen kannaaI saw a dream, O Krishna!
Nee kai koduthaai manivannaaYou held my hand and guided me, O jewel-toned Lord!
Female
Panthal meedhoru koondhal thoranamAbove the wedding canopy hung festoons fine like long tresses,
Vaazhaigal aadi kandaenI saw auspicious banana trees swaying,
Paadum mangal melam thaalamWith auspicious drums playing and rhythm echoing,
Oorvalam poe vara kandaenI saw the wedding procession arriving,
Female
Mathar koottam kaigal thaangumBorne gracefully in the hands of women gathered,
Manjal kungumam kandaenI saw sacred turmeric and auspicious vermilion,
Maalai soodum mangai naanunAnd I, the bride adorned with the wedding garland,
Maaya karunai kandaenI witnessed your divine and magical mercy.
Female
Harae krishna krishna krishnaHare Krishna Krishna Krishna,
Krishna harae harae krishna haraeKrishna Hare Hare Krishna Hare,
Harae krishna krishna krishnaHare Krishna Krishna Krishna,
Krishna harae harae krishna haraeKrishna Hare Hare Krishna Hare.
Female
Thanthai magalai kaalai kaiyilIn the morning light, a father holding his daughter's hand,
Thaarai vaarthida kanadaenI saw the sacred wedding ritual of giving away the bride,
Sontham suttram vaazhiya endraeWishing blessings and long life for the family and kin,
Malargal thoovida kndaenI saw them showering fragrant blossoms,
Female
Paathi nilaavil panjanai meedhuUnder the soft half-moon upon the comfortable bed,
Naanam pongida kandaenI saw modesty and bashfulness welling up in me,
Paalum pazhamum kandaen adhilI saw the traditional milk and fruit, and in that,
Paranthaaman unai kandaenI saw you, my Supreme Lord Vishnu!
Female
Kanavu kandaen kannaaI saw a dream, O Krishna!
Nee kai koduthaai manivannaaYou held my hand and guided me, O jewel-toned Lord!

Beyond the translation

Song interpretation

This classic devotional melody captures a woman's vivid dream of marrying Lord Krishna. She recounts every detail of her dream wedding to the Lord: from gathering metaphorical flowers of love from the garden of her mind to witnessing traditional wedding decorations, auspicious music, festoons, turmeric, vermilion, and a grand procession. She describes the emotional peak of the father giving away his daughter (Kanyadaan) and relatives showering blossoms with heartfelt blessings. The song beautifully bridges sacred divine devotion (Bhakti) and romantic bridal longing (Sringara), culminating in her seeing Lord Krishna himself during the auspicious milk and fruit custom on the wedding night.

Writing craft

Poetic devices

Metaphor (Uruvagamm)

Manamenum solaiyil malar parithaen naan

Compares the human mind directly to a lush garden ('Manamenum solaiyil' - the garden called the mind).

Alliteration (Mona)

Kanavu kandaen kannaa

Repetition of the initial consonant sound 'K' across 'Kanavu', 'kandaen', and 'kannaa'.

Epiphora / End Rhyme (Ebu)

Naanam pongida kandaen

Repetition of the word 'kandaen' (I saw) at the end of successive lines to create a rhythmic narrative flow of dream visions.

Alliteration & Assonance (Moona)

Maalai soodum mangai naanun / Maaya karunai kandaen

Repetition of the 'M' sound in 'Maalai', 'mangai', and 'Maaya' creates a melodic cadence.

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Trivia

This song pays homage to Andal's immortal 'Vaaranam Aayiram' from the Nachiyar Thirumozhi, where the saint poetess Andal describes her dream of marrying Lord Ranganatha. Kannadasan adapted this classical Vaishnavite devotional concept into contemporary film poetry, while M. S. Viswanathan gave it a poignant ragam-based composition rendered softly by P. Susheela.

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