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Isaimozhi
Lyrics & meaning

Kanavu Kanden Kanna

From Paasa Deepam · 1973

Lyricist
Kannadasan
Singer
P. Susheela
Music director
M. S. Vishwanathan
Movie name
Paasa Deepam
Movie release year
1973
Lyrics added on
13 Jan 2024

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Kanna manivannaa mugunthaa muraarae
Kanavu kandaen kannaa
Nee kai koduthaai manivannaa
Kanavu kandaen kannaa
Nee kai koduthaai manivannaa
Manamenum solaiyil malar parithaen naan
Manamenum solaiyil malar parithaen naan
Maalaigal seithu manamudiththaai nee
Maalaigal seithu manamudiththaai nee
Kanavu kandaen kannaa
Nee kai koduthaai manivannaa
Panthal meedhoru koondhal thoranam
Vaazhaigal aadi kandaen
Paadum mangal melam thaalam
Oorvalam poe vara kandaen
Mathar koottam kaigal thaangum
Manjal kungumam kandaen
Maalai soodum mangai naanun
Maaya karunai kandaen
Harae krishna krishna krishna
Krishna harae harae krishna harae
Harae krishna krishna krishna
Krishna harae harae krishna harae
Thanthai magalai kaalai kaiyil
Thaarai vaarthida kanadaen
Sontham suttram vaazhiya endrae
Malargal thoovida kndaen
Paathi nilaavil panjanai meedhu
Naanam pongida kandaen
Paalum pazhamum kandaen adhil
Paranthaaman unai kandaen
Kanavu kandaen kannaa
Nee kai koduthaai manivannaa
Krishna... gem-hued Lord... Mukunda, Murari...
I had a dream, Krishna!
You took my hand, my gem-hued Lord!
I had a dream, Krishna!
You took my hand, my gem-hued Lord!
I gathered flowers from the garden of my heart,
I gathered flowers from the garden of my heart,
You made garlands of them and married me.
You made garlands of them and married me.
I had a dream, Krishna!
You took my hand, my gem-hued Lord!
Flowing decorations over the wedding canopy,
and banana trees swaying gently, I saw.
Auspicious wedding drums and rhythms playing,
I saw a grand procession passing by.
In the hands of gathered women,
I saw sacred turmeric and kumkum powder.
As the bride wearing your garland,
I saw your wondrous grace.
Hare Krishna Krishna Krishna
Krishna Hare.. Hare.. Krishna Hare
Sri Krishna Krishna Krishna
Krishna... Hare..... Hare..... Krishna... Hare
A father giving his daughter's hand to the groom,
offering her in sacred marriage, I saw.
Wishing us a long and happy life,
I saw relatives and loved ones showering flowers.
In the gentle moonlight, on the soft bed,
I saw my shyness welling up.
I saw the wedding milk and fruit, and in them,
I saw you, my Supreme Lord...
I had a dream, Krishna!
You took my hand, my gem-hued Lord!
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Beyond the translation

Overall song meaning

This classic devotional melody captures a woman's vivid dream of marrying Lord Krishna. She recounts every detail of her dream wedding to the Lord: from gathering metaphorical flowers of love from the garden of her mind to witnessing traditional wedding decorations, auspicious music, festoons, turmeric, vermilion, and a grand procession. She describes the emotional peak of the father giving away his daughter (Kanyadaan) and relatives showering blossoms with heartfelt blessings. The song beautifully bridges sacred divine devotion (Bhakti) and romantic bridal longing (Sringara), culminating in her seeing Lord Krishna himself during the auspicious milk and fruit custom on the wedding night.

Writing craft

Poetic devices

Metaphor (Uruvagamm)

Manamenum solaiyil malar parithaen naan

Compares the human mind directly to a lush garden ('Manamenum solaiyil' - the garden called the mind).

Alliteration (Mona)

Kanavu kandaen kannaa

Repetition of the initial consonant sound 'K' across 'Kanavu', 'kandaen', and 'kannaa'.

Epiphora / End Rhyme (Ebu)

Naanam pongida kandaen

Repetition of the word 'kandaen' (I saw) at the end of successive lines to create a rhythmic narrative flow of dream visions.

Alliteration & Assonance (Moona)

Maalai soodum mangai naanun / Maaya karunai kandaen

Repetition of the 'M' sound in 'Maalai', 'mangai', and 'Maaya' creates a melodic cadence.

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Trivia

This song pays homage to Andal's immortal 'Vaaranam Aayiram' from the Nachiyar Thirumozhi, where the saint poetess Andal describes her dream of marrying Lord Ranganatha. Kannadasan adapted this classical Vaishnavite devotional concept into contemporary film poetry, while M. S. Viswanathan gave it a poignant ragam-based composition rendered softly by P. Susheela.

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