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Isaimozhi
Lyrics & meaning

Pothumada Sami Ponnu

From Kann Malar · 1970

Lyricist
Kannadasan
Singer
P. Susheela
Music director
K. V. Mahadevan
Details
Kann Malar1970

Lyrics & meaning

Tanglish lyrics English translation
Female
Theviyadi mariyammaGoddess Mariyamma,
Sirippa sirikkiraayeYou are smiling mockingly!
Ennai sirippaa sirikka vaikkaTo make a mockery out of me,
Silaiya nikkiriyeYou stand there motionless as a stone idol!
Female
Pothumada samiEnough, oh Lord!
Ponnupatta paaduThe suffering this woman has endured!
Pothumada samiEnough, oh Lord!
Ponnupatta paaduThe suffering this woman has endured!
Female
Naathiyillaa boomiA land with no savior,
Ithu nanmaiyilla naaduThis is a nation devoid of goodness!
Pothumada samiEnough, oh Lord!
Ponnupatta paaduThe suffering this woman has endured!
Female
Naathiyillaa boomiA land with no savior,
Ithu nanmaiyilla naaduThis is a nation devoid of goodness!
Pothumada samiEnough, oh Lord!
Ponnupatta paaduThe suffering this woman has endured!
Female
Pasithapothu soreduthuWhen hungry, taking the rice,
Kodutha kaiyaiThe hand that offered it,
Kadithu paarkum janangaleYou people bite that very hand!
Female
Pathungi paayumPouncing stealthily,
Mirugamellaam ungaloduAll wild beasts are your kin,
Piranthu vantha inangaleBorn right alongside you!
Female
Pasithapothu soreduthuWhen hungry, taking the rice,
Kodutha kaiyaiThe hand that offered it,
Kadithu paarkum janangaleYou people bite that very hand!
Female
Pathungi paayumPouncing stealthily,
Mirugamellaam ungaloduAll wild beasts are your kin,
Piranthu vantha inangaleBorn right alongside you!
Female
Poojai seiveereYou perform worship rituals,
Pennai thevi enbeereYou proclaim a woman to be a goddess,
Vaazhvillaatha penninathaiYet the woman destitute of a life,
Paavi enbeereYou brand as a sinner!
Female
Pothumada samiEnough, oh Lord!
Ponnupatta paaduThe suffering this woman has endured!
Female
Idamillamal koyil kattiBuilding temples everywhere without space,
Madangal kattiBuilding monasteries,
Kulangal vetti podungalDigging ponds and leaving them,
Female
Irandu kaiyil vilakkeduthuHolding lamps in both hands,
IrakkamendraalWhat compassion actually means,
Ennavendru thedungalGo search and find out!
Female
Idamillamal koyil kattiBuilding temples everywhere without space,
Madangal kattiBuilding monasteries,
Kulangal vetti podungalDigging ponds and leaving them,
Female
Irandu kaiyil vilakkeduthuHolding lamps in both hands,
IrakkamendraalWhat compassion actually means,
Ennavendru thedungalGo search and find out!
Female
Kannai vaithaane iranduHe gave two eyes,
Kaiyai vaithaaneHe gave two hands,
Avan manasai mattum eduthu vaikkaTo place a heart inside,
Maranthu vittaaneHe forgot!
Female
Pothumada samiEnough, oh Lord!
Ponnupatta paaduThe suffering this woman has endured!
Female
Antha kaalam bakthanukuIn those ancient times, to devotees,
Vanthu vanthu kaatchi thanthaAppearing again and again to grant visions,
KadavuleOh God!
Female
Intha kaalam neengalellamIn this modern age,
Irukkumidam engalukkuWhere all of you reside,
TheriyalaWe do not know!
Female
Antha kaalam bakthanukuIn those ancient times, to devotees,
Vanthu vanthu kaatchi thanthaAppearing again and again to grant visions,
KadavuleOh God!
Female
Intha kaalam neengalellamIn this modern age,
Irukkumidam engalukkuWhere all of you reside,
TheriyalaWe do not know!
Female
Pothumada samiEnough, oh Lord!
Ponnupatta paaduThe suffering this woman has endured!
Female
Kallaithaan kandom verumWe only saw stone,
Sembaithaan kandom iruWe only saw mere copper metal,
Kan thiranthu pennai paarkumOpening eyes to look upon a woman,
Karunaiyai kaanomThat mercy we do not see!
Female
Iraivanukke kan koduthaanHe offered his own eye to God Himself,
Engalaipol manithanaanaA mere mortal human like us,
KannappaKannappa!
Female
Manithanukku kan kodukkaYet to give vision to a human being,
Iraivanaalum mudiyalaiyeEven God could not accomplish,
YenappaaWhy, oh Lord?
Female
Saathiram poyyo..Are the scriptures a lie?
Ketta sarithiram poyyo..Is the tragic history a lie?
Naangal aathirathil padaithukondaIs the God we created in our desperation,
Aandavan poyyo..Also a lie?

Beyond the translation

Song interpretation

This powerful song from 'Kann Malar' (1970) serves as a poignant social critique and anguish-filled lamentation against divine inaction and societal hypocrisy. Penned by Kannadasan and set to tune by K. V. Mahadevan, the protagonist confronts Goddess Mariyamma and God Himself, asking why stone idols receive devotion while suffering, real-life women face cruelty and abandonment. She scorns a hypocritical society that idolizes womanhood in abstract rituals while branding helpless women as sinners and biting the hands that feed them. Drawing upon mythological references like Kannappa Nayanar—who sacrificed his eye for Shiva—the song highlights the tragic irony that while a human could sacrifice for God, God fails to grant mercy or empathy to human beings. Through raw emotion and philosophical questioning, the protagonist questions whether holy scriptures, history, and God Himself are mere illusions created out of human grief and desperation.

Writing craft

Poetic devices

Aged / Monai (Initial Rhyme)

Pothumada sami / Ponnupatta paadu

The initial 'Po' sound repeats in 'Pothumada' and 'Ponnupatta', creating a rhythmic cadence of despair.

Irony / Contrast

Poojai seiveere / Pennai thevi enbeere / Vaazhvillaatha penninathai / Paavi enbeere

Juxtaposes society worshipping women as goddesses in rituals while condemning real, helpless women as sinners.

Mythological Allusion

Iraivanukke kan koduthaan / Engalaipol manithanaana / Kannappa

Refers to Kannappa Nayanar, the devotee who gouged out his own eye for Lord Shiva, to contrast intense human devotion against God's indifference.

Rhetorical Questioning (Anaphora/Apostrophe)

Saathiram poyyo.. / Ketta sarithiram poyyo.. / Naangal aathirathil padaithukonda / Aandavan poyyo..

Repeatedly questions the truth of scriptures, history, and God in a climax of existential agony.

Did you know?

Trivia

In 'Kann Malar' (1970), which emphasizes themes of sight and suffering, Kannadasan masterfully uses sight metaphors ('kan', 'vision') to tie into the title of the film. P. Susheela's vocal performance brings out deep pathos, making this one of Tamil cinema's most famous philosophical solos questioning social double standards.

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