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Isaimozhi
Lyrics & meaning

Adiye Nee

From Justice Gopinath · 1978

Lyricist
Vaali
Singers
T. M. Soundararajan, L. R. Eswari
Music director
M. S. Vishwanathan
Movie name
Justice Gopinath
Movie release year
1978
Lyrics added on
14 Apr 2026

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Adiye nee samarthonnoo
Naekku aathukaari usuronnoo
Female :Ada poyaa
Male :Adiye nee samarthonnoo
Naekku aathukaari usuronnoo
அடி பங்கஜம் பங்கஜம் பங்கஜம்….பங்கஜம்….
ஜம் ஜம் ஜம் ஜம் …பங்கஜம்….
அர்த்தராத்திரி நேரம் படுத்தாதடி
நான் ஆலிங்கனம் பண்ணிண்டா தடுக்காதடி
நான் ஆலிங்கனம் பண்ணிண்டா தடுக்காதடி
Adiye nee samarthonnoo
Naekku aathukaari usuronnoo
Adiye nee samarthonnoo
Naekku aathukaari usuronnoo
Andha vishvaamithraar periyavan thaan rishiyilae
Abhistu veezhndhutaandi pommanaatti kushiyilae
Andha vishvaamithraar periyavan thaan rishiyilae
Abhistu veezhndhutaandi pommanaatti kushiyilae
Andha weekness enakkumundu therinjikkoo
Indha vishayathukku jaadhiyillae purinjikkoo
Ada summavaachukkum reelu vuttu pakkure
Nee saelaya kandaa panjaangatha maathure
Ada summavaachukkum reelu vuttu pakkure
Nee saelaya kandaa panjaangatha maathure
Un kudumi ippa enkittathaan keedhu
Indha kutti adha istham pola ishukkudhu
Haa haaa haan ishukudhu ohoo hoo ishukkudhu
Adiye nee samarthonnoo
Naekku aathukaari usuronnoo
Naan aacharatha mootta katti vechendi
Unna aathukkulla saethukkuren vaayaendi
Naan aacharatha mootta katti vechendi
Unna aathukkulla saethukkuren vaayaendi
Adi asattu pennae
Sonn kaelu anaichukoo
Naan adjust panni
Nadanthupaennu nenchukkoo
Ada savaal vittu paathiyae nee ennaachu
Ippa sandiyaru side vaangi ninnaachu
Naan soolaimaedu kalimuthu thangachi unnai
Piece piece-ah kizhichiruvaar en annaachii…
Naan soolaimaedu kalimuthu thangachi unnai
Piece piece-ah kizhichiruvaar en annaachii…
Adiye nee samarthonnoo
Naekku aathukaari usuronnoo
Adiye nee samarthonnoo
Naekku aathukaari usuronnoo
Hey girl, you are so clever!
To me, having a wife is my very life!
Female: Oh, go on, get lost!
Male: Hey girl, you are so clever!
To me, having a wife is my very life!
Hey Pankajam, Pankajam, Pankajam... Pankajam...
Jam jam jam jam... Pankajam...
Don't torment me in the middle of the night!
Don't stop me when I try to embrace you!
Don't stop me when I try to embrace you!
Hey girl, you are so clever!
To me, having a wife is my very life!
Hey girl, you are so clever!
To me, having a wife is my very life!
Sage Vishwamitra was a great one among sages,
Yet that fellow fell for a woman's charms!
Sage Vishwamitra was a great one among sages,
Yet that fellow fell for a woman's charms!
Know that I have that same weakness too!
Understand that caste doesn't matter in love!
Oh, you are just spinning tall tales!
The moment you see a saree, you change your almanac!
Oh, you are just spinning tall tales!
The moment you see a saree, you change your almanac!
Your tuft of hair is in my hands now,
And this girl is pulling it however she likes!
Ha ha ha, she pulls it, oh ho ho, she pulls it!
Hey girl, you are so clever!
To me, having a wife is my very life!
I have bundled away all my orthodox rules!
Come along, I will welcome you into my home!
I have bundled away all my orthodox rules!
Come along, I will welcome you into my home!
Hey silly girl,
Listen to me and hold me close!
Believe me, I will adjust
And treat you right!
You threw around such challenges, what happened now?
Now the tough guy has stepped aside and backed down!
I am the sister of Choolaimedu Kalimuthu,
My big brother will tear you to pieces!
I am the sister of Choolaimedu Kalimuthu,
My big brother will tear you to pieces!
Hey girl, you are so clever!
To me, having a wife is my very life!
Hey girl, you are so clever!
To me, having a wife is my very life!
Male
Male
Male
Male
Male
Female
Male
Male
Male
Female
Male

Beyond the translation

Overall song meaning

This playful duet features a humorous romantic banter between a male character speaking in Brahmin Tamil dialect and a female character speaking in Madras (Chennai) local slang. The male character woos Pankajam, assuring her that love transcends orthodox traditions and caste boundaries, justifying his desires by referencing how even the great Sage Vishvamitra succumbed to love. The female character mockingly calls out his hypocrisy, teasing that his religious purity vanishes at the sight of a woman. She jokingly holds his tuft of hair and warns him about her tough brother from Choolaimedu who would beat him up if he steps out of line.

Writing craft

Poetic devices

Dialectal Contrast / Linguistic Juxtaposition

Un kudumi ippa enkittathaan keedhu / Indha kutti adha istham pola ishukkudhu

Vaali brilliantly contrasts Brahmin Tamil words (e.g., 'Naekku', 'Aathukaari', 'Aacharam', 'Aalinganam') with Chennai Madras Baashai (e.g., 'Keedhu', 'Reelu', 'Annaachi', 'Piece piece-ah') for comedic effect.

Mythological Allusion (Puranic Reference)

Andha vishvaamithraar periyavan thaan rishiyilae / Abhistu veezhndhutaandi pommanaatti kushiyilae

Refers to the puranic story of Sage Vishvamitra losing his penance upon being captivated by the celestial nymph Menaka.

Metaphor / Idiom

Nee saelaya kandaa panjaangatha maathure

The phrase 'panjaangatha maathure' (changing the almanac) serves as a metaphor for abandoning rigid religious rules when seduced.

Did you know?

Trivia

This track from 'Justice Gopinath' (1978) stands out in Tamil cinema as a quintessential dialect comedy duet composed by M. S. Vishwanathan. Playback singer T. M. Soundarajan adopted a rare, distinct Brahmin dialect tone to match the character onscreen, while L. R. Eswari delivered a contrasting local Madras slang performance.

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