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Lyrics & meaning

Aasai Konda Manam

From Kalyaniyin Kanavan · 1963

Lyricist
Kannadasan
Singer
P. Suseela
Music director
S. M. Subbaiah Naidu
Details
Kalyaniyin Kanavan1963

Lyrics & meaning

Tanglish lyrics English translation
Female
Aasai konda manamThe heart filled with desire
Atho athovenaSays, 'Look over there, over there!'
Aadugindra vizhi idho idhovenaThe dancing eyes say, 'Look right here, right here!'
Pesugindra idhazh edho edhovenaThe speaking lips say something tender
Uravaa….naenAnd I became bound in relationship
Female
Aasai konda manamThe heart filled with desire
Adho adhovenaSays, 'Look over there, over there!'
Aadugindra vizhi idho idhovenaThe dancing eyes say, 'Look right here, right here!'
Pesugindra idhazh edho edhovenaThe speaking lips say something tender
Uravaa….naenAnd I became bound in relationship
Female
Vaazhai pondra udalA body smooth like a plantain stem
Sugam sugam enaExpressing bliss and pleasure
Vaasam poosum kuzhalTresses filled with fragrance
Varum varum enaSaying, 'It will come, it will come'
Vaadi pona idaiThe slender, delicate waist
Tharum tharum enaSaying, 'It will give, it will give'
Silaiyaa…naenI turned into a statue
Female
Vaazhai pondra udalA body smooth like a plantain stem
Sugam sugam enaExpressing bliss and pleasure
Vaasam poosum kuzhalTresses filled with fragrance
Varum varum enaSaying, 'It will come, it will come'
Vaadi pona idaiThe slender, delicate waist
Tharum tharum enaSaying, 'It will give, it will give'
Silaiyaa…naenI turned into a statue
Female
Aasai konda manamThe heart filled with desire
Adho adhovenaSays, 'Look over there, over there!'
Aadugindra vizhi idho idhovenaThe dancing eyes say, 'Look right here, right here!'
Pesugindra idhazh edho edhovenaThe speaking lips say something tender
Uravaa….naenAnd I became bound in relationship
Female
Naetru maalai varaiUntil yesterday evening
Evan evan enaAsking 'Who is he, who is he?'
Kettu nindra malarThe flower that stood asking
Avan avan enaNow says 'He is the one, he is the one!'
Kootti vanthavaninTo gain the character and heart
Gunam manam peraOf the one who brought me along
Porulaa…naenI became his prized possession
Female
Naetru maalai varaiUntil yesterday evening
Evan evan enaAsking 'Who is he, who is he?'
Kettu nindra malarThe flower that stood asking
Avan avan enaNow says 'He is the one, he is the one!'
Kootti vanthavaninTo gain the character and heart
Gunam manam peraOf the one who brought me along
Porulaa…naenI became his prized possession
Female
Aasai konda manamThe heart filled with desire
Adho adhovenaSays, 'Look over there, over there!'
Aadugindra vizhi idho idhovenaThe dancing eyes say, 'Look right here, right here!'
Pesugindra idhazh edho edhovenaThe speaking lips say something tender
Uravaa….naenAnd I became bound in relationship
Female
Aatru vellam enaiLike a river flood carrying me
Avan manaithanilTo his house
Saerththu vaiththavudanOnce he brought me into his home
Avan madithanilUpon placing me in his lap
Yaetru konda sugamThe happiness accepted
Idham Idham enaExpressed comfort and soothing joy
Inaiyaa…..naenI united with him
Yaetru konda sugamThe happiness accepted
Idham Idham enaExpressed comfort and soothing joy
Inaiyaa…..naenI united with him
Female
Aasai konda manamThe heart filled with desire
Adho adhovenaSays, 'Look over there, over there!'
Aadugindra vizhi idho idhovenaThe dancing eyes say, 'Look right here, right here!'
Pesugindra idhazh edho edhovenaThe speaking lips say something tender
Uravaa….naenAnd I became bound in relationship

Beyond the translation

Song interpretation

This romantic song depicts a bride expressing her deep love, physical beauty, and emotional surrender to her husband. She vividly describes her desire-filled heart, expressive dancing eyes, sweet speaking lips, and delicate body, expressing how her whole entity responds to the joy of marital bliss. Moving from her former curiosity about who her partner would be to celebrating her sweet union in his home and lap, she joyously embraces her role as his life partner.

Writing craft

Poetic devices

Simile (Upamai)

Vaazhai pondra udal

Compares the smoothness and grace of a woman's body to a tender plantain trunk.

Metaphor (Uruvagam)

Kettu nindra malar

Metaphorically refers to the heroine as a flower inquiring about her future partner.

Repetition / Anaphora (Adukkuthodar)

Atho athovena

Used across lines for rhythmic cadence and emotional intensity ('Adho adho', 'Sugam sugam', 'Varum varum').

Alliteration (Monai)

Vaazhai pondra udal / Vaasam poosum kuzhal / Vaadi pona idai

Repetition of the initial sound 'V' across consecutive lines ('Vaazhai', 'Vaasam', 'Vaadi').

Did you know?

Trivia

Kalyaniyin Kanavan (1963) stars Sivaji Ganesan and B. Saroja Devi, directed by K. S. Gopalakrishnan with music composed by S. M. Subbaiah Naidu.

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