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Isaimozhi
Lyrics & meaning

Aadavargal Pennazhagai

From Ore Thanthai · 1976

Lyricist
Kannadasan
Singer
L. R. Eswari
Music director
Sankar Ganesh
Movie name
Ore Thanthai
Movie release year
1976
Lyrics added on
9 Jun 2020

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Aadavargal pennazhagai
Adithu vilaiyaduvathoo
Thaedi varum pen mayilai
Pidithu vilaiyaduvathoo
Adiyungal valikathu
Pidiyungal thudikathu
Rasiyungal marukathu
Naadi vandhaal verukkadhu
Verukkadhu verukkadhu
Adiyungal valikathu
Pidiyungal thudikathu
Rasiyungal marukathu
Naadi vandhaal verukkadhu
Verukkadhu verukkadhu
Poovena ninaithaal rasamirukkum idhil
Ponnena ninaithaal sugam irukkum
Poovena ninaithaal rasamirukkum idhil
Ponnena ninaithaal sugam irukkum
Raathiri nerathu saathiram padithaal
Paathirathil oru manamirukkum
Paathirathil oru manamirukkum
Adiyungal valikathu
Pidiyungal thudikathu
Rasiyungal marukathu
Naadi vandhaal verukkadhu
Verukkadhu verukkadhu
Saattaiyil adippathu enna sugam
Indha kottaiyai azhipathil enna payan
Saattaiyil adippathu enna sugam
Indha kottaiyai azhipathil enna payan
Aattathai niruthu vaettaiyai nadathu
Anubavithaal adhu dheva sugam
Anubavithaal adhu dheva sugam
Adiyungal valikathu
Pidiyungal thudikathu
Rasiyungal marukathu
Naadi vandhaal verukkadhu
Verukkadhu verukkadhu
Is a woman's beauty meant
for men to strike and toy with?
When a peahen comes seeking you,
is she to be trapped and played with?
Strike me, it will not hurt
Hold me, it will not flinch
Savour me, I will not refuse
If you come seeking love, I will not turn you away...
I will not turn away... I will not turn away...
Strike me, it will not hurt
Hold me, it will not flinch
Savour me, I will not refuse
If you come seeking love, I will not turn you away...
I will not turn away... I will not turn away...
Think of me as a flower, and there is sweetness in it
Value me like gold, and there is pure delight
Think of me as a flower, and there is sweetness in it
Value me like gold, and there is pure delight
If you learn the art of the night,
this vessel will be filled with fragrance
this vessel will be filled with fragrance
Strike me, it will not hurt
Hold me, it will not flinch
Savour me, I will not refuse
If you come seeking love, I will not turn you away...
I will not turn away... I will not turn away...
What pleasure is there in striking with a whip?
What is gained by tearing down this fort?
What pleasure is there in striking with a whip?
What is gained by tearing down this fort?
Stop this cruel game and begin the true hunt
If you truly experience it, it is heavenly bliss
If you truly experience it, it is heavenly bliss
Strike me, it will not hurt
Hold me, it will not flinch
Savour me, I will not refuse
If you come seeking love, I will not turn you away...
I will not turn away... I will not turn away...
Female
Female
Female
Female
Female
Female
Female

Beyond the translation

Overall song meaning

The song 'Ore Thanthai' written by Kannadasan uses seductive yet philosophical framing to depict affection, submission, and passion. Through allegorical imagery like flowers, gold, and hunting, the speaker questions harshness or control, advocating instead for mutual enjoyment, appreciation, and gentle intimacy as divine bliss.

Writing craft

Poetic devices

Iyaibu (End Rhyme)

Adiyungal valikathu / Pidiyungal thudikathu / Rasiyungal marukathu

The rhythmic imperative verbs ending with similar suffixes ('Adiyungal', 'Pidiyungal', 'Rasiyungal') create strong cadence and auditory harmony.

Upamai (Simile)

Poovena ninaithaal rasamirukkum idhil / Ponnena ninaithaal sugam irukkum

Comparing a woman or love to a flower ('Poovena') and gold ('Ponnena') to illustrate preciousness and delicacy.

Rhetorical Question

Saattaiyil adippathu enna sugam / Indha kottaiyai azhipathil enna payan

Using questions to emphasize the futility of aggression or violence compared to love.

Did you know?

Trivia

'Ore Thanthai' is a 1976 Tamil film featuring lyrics penned by the legendary lyricist Kannadasan. The track employs classic Tamil double entendres and rhythmic folk-classical phrasing characteristic of mid-70s club and seduction numbers in Tamil cinema.

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