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Isaimozhi
Lyrics & meaning

Sakthi Sakthi Om

From Neruppu Nila · 1988

Lyricist
Vaali
Singer
S. Janaki
Music director
Shankar Ganesh
Details
Neruppu Nila1988

Lyrics & meaning

Tanglish lyrics English translation
Female
Sakthi sakthi omShakti Shakti Om
Sakthi sakthi om SamundiShakti Shakti Om, Chamundi
Bakthi kondavaraiTo those who possess devotion
Parivu kondarulum saamundiChamundi bestows grace with compassion
Ingae maakaali naanae thirisooliHere I am Mahakali, I am the Trishuli
Ingae maakaali naanae thirisooliHere I am Mahakali, I am the Trishuli
Female
Theeya sakthikalai ootta vanthathoru sivasakthiA Shivashakti who arrived to vanquish evil forces
Thooya anbudanae kaaththida vantha paraasakthiA Parasakthi who arrived to protect with pure love
Devi karumaari naanae thirisooliI am Goddess Karumari, the Trishuli
Devi karumaari naanae thirisooliI am Goddess Karumari, the Trishuli
Female
Thaayum penthaanA mother is a woman
Manaiviyum penthaan sontham veruA wife is also a woman, though relationship differs
Meyum kangalWandering eyes
Pennai paarkkum ennam veruThe perspective with which men view a woman is different
Female
Poovai pondraval pennaeA woman is soft like a flower
Puliyena paaipaval pennaeA woman is also one who pounces like a tiger
Poovai pondraval pennaeA woman is soft like a flower
Puliyena paaipaval pennaeA woman is also one who pounces like a tiger
Female
Kaalaththai velpavalShe who conquers time
Kamaththai kolpavalShe who slays lust
Madurai eriththaval pennaeA woman is the one who burned down Madurai
Female
Sangari saambaviShankari, Shambhavi
Vadivaththil iruppaval pennaeWoman exists in these divine manifestations
Sangari saambaviShankari, Shambhavi
Vadivaththil iruppaval pennaeWoman exists in these divine manifestations
Female
Sakthi sakthi omShakti Shakti Om
Sakthi sakthi om SamundiShakti Shakti Om, Chamundi
Bakthi kondavaraiTo those who possess devotion
Parivu kondarulum saamundiChamundi bestows grace with compassion
Ingae maakaali naanae thirisooliHere I am Mahakali, I am the Trishuli
Ingae maakaali naanae thirisooliHere I am Mahakali, I am the Trishuli
Female
Soolam kaiyil sudugindraHolding a glowing trident in hand
Thanalena minnum kangalEyes sparkling like burning embers
Yamanai kooda nadungida vaiththidumCapable of making even Lord Yama tremble in fear
Kariya theamA fierce divine dark form
Female
Udhiraththai kudippaval naanaeI am the one who drinks blood
Uyirgalai valarppathum naanaeI am also the one who nurtures and protects lives
Udhiraththai kudippaval naanaeI am the one who drinks blood
Uyirgalai valarppathum naanaeI am also the one who nurtures and protects lives
Female
Edhiril thondrum vidhiyai vendruConquering the fate that stands ahead
Ennaalum nirppaval naaneI am the one who stands victorious forever
Female
Ambigai pairaviAmbigai, Bhairavi
Arul mazhai pozhivathum naanaeI am the one who showers a rain of grace
Ambigai pairaviAmbigai, Bhairavi
Arul mazhai pozhivathum naanaeI am the one who showers a rain of grace
Female
Sakthi sakthi omShakti Shakti Om
Sakthi sakthi om SamundiShakti Shakti Om, Chamundi
Bakthi kondavaraiTo those who possess devotion
Parivu kondarulum saamundiChamundi bestows grace with compassion
Ingae maakaali naanae thirisooliHere I am Mahakali, I am the Trishuli
Ingae maakaali naanae thirisooli…..Here I am Mahakali, I am the Trishuli.....

Beyond the translation

Song interpretation

This song from Neruppu Nila (1988) is an intense, devotional ode to the Supreme Goddess (Parasakthi) and the multi-faceted nature of womanhood. Penned by lyricist Vaali, the song exalts the divinity, righteousness, and untamed power of the feminine force. It highlights the dual nature of women—gentle as a flower yet fierce as a tiger when provoked, functioning simultaneously as a nurturing mother and a destructive destroyer of evil. The lyrics invoke various fierce forms of the Divine Mother including Mahakali, Chamundi, Karumari, and Bhairavi, depicting her holding a burning trident and scaring away even death itself. It also references historic epic imagery like Kannagi burning down Madurai in rage against injustice, emphasizing that womanhood transcends mortal lust and embodies supreme, eternal cosmic power.

Writing craft

Poetic devices

Simile (Upamai)

Poovai pondraval pennae

Compares woman's gentleness directly to a flower using 'pondraval' (like).

Simile (Upamai)

Puliyena paaipaval pennae

Compares a woman's fierce strike against wrongdoers to a pouncing tiger using 'ena' (like).

Anthesis / Juxtaposition (Muran)

Udhiraththai kudippaval naanae / Uyirgalai valarppathum naanae

Juxtaposes destruction ('drinking blood') with creation/nourishment ('nurturing lives') to illustrate the complete power of the Goddess.

Alliteration (Monai)

Sangari saambavi

Repetition of the initial 'S' sound creating a rhythmic chant effect.

Metaphor (Uruvakamm)

Arul mazhai pozhivathum naanae

Metaphorically describes the bestowal of divine blessings as a showering rain.

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Trivia

This track is a classic example of the 'Amman song' sub-genre in Tamil cinema, often picturized during a high-stakes dramatic sequence or a ritual dance where the heroine transforms into or embodies the fierce deity Goddess Kali to seek retribution against villains.

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