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Isaimozhi
Lyrics & meaning

Yendiyamma Kiliye (Male)

From Sonnathai Seiven · 1977

Lyricist
Kannadasan
Singer
T. M. Soundararajan
Music director
V. Kumar
Details
Sonnathai Seiven1977

Lyrics & meaning

Tanglish lyrics English translation
Male
Oi….yaendiyamma kiliyaeHey... why, my parrot girl?
Adi ezhunthu vaadi veliyaeHey, get up and come outside!
Paththa paarvaikku chinna pappaYou looked like a little baby at first glance,
Paarvaiyilae aambalaiyai maaththa pappaA baby who transformed a man with just a look!
Male
Yaendiyamma kiliyaeWhy, my parrot girl?
Adi ezhunthu vaadi veliyaeHey, get up and come outside!
Paththa paarvaikku chinna pappaYou looked like a little baby at first glance,
Paarvaiyilae aambalaiyai maaththa pappaA baby who transformed a man with just a look!
Male
Thennaimaram eppothu vaikkaa pottathuWhen did a coconut tree ever yield straw?
Nee senja velaikkenna kulamum kekkuthuBecause of what you did, even the pond is raising questions!
Pattamaram rum adichchi oorai suththuthuA dead tree drank rum and is roaming the town!
Adhu kambeduththu vilaiyaada thaanum varuguthuIt comes out ready to play with a stick!
Male
Aarum vaththaathu kulamum vaththaathuNeither the river nor the pond will dry up,
Amma azhukkedukka kulamum paththaathuYet even a pond isn't enough to wash away this dirt, lady!
Neerum kettaachu oorum kettaachuThe water is ruined, and the town is ruined,
Needhi pesum pombalaikku peru kaettaachiThe reputation of the woman who preaches justice is ruined!
Male
Yaendiyamma kiliyaeWhy, my parrot girl?
Adi ezhunthu vaadi veliyaeHey, get up and come outside!
Paththa paarvaikku chinna pappaYou looked like a little baby at first glance,
Paarvaiyilae aambalaiyai maaththa pappaA baby who transformed a man with just a look!
Male
Yaendiyamma unathu nenjam pesa ninaikkuthaaWhy, girl, is your heart longing to speak?
Adi innum paarvai silar meedhu kann mayanguthaaOr are your dazed eyes still wandering towards others?
Engaeyammaa oor suththu parampadikkuthuWhere is this town-wandering habit taking you?
Kanakku vacha aambalaiyai manasu paarkkuthuThe heart eyes a man who has calculated his wealth!
Male
Kaalam vanthu izhuppathupol manasu thonuthuThe mind feels as if time itself is dragging it away,
Paavam engaemmaa maelae paarammaaLook at the sin resting upon her, lady!
Aanaa aavannaa padichcha ponnammaaShe is an educated girl who learned her basic alphabets,
Aththanaiyum pona pinne pattam yenammaaAfter losing everything, what good is a degree or title, lady?
Male
Yaendiyamma kiliyaeWhy, my parrot girl?
Adi ezhunthu vaadi veliyaeHey, get up and come outside!
Paththa paarvaikku chinna pappaYou looked like a little baby at first glance,
Paarvaiyilae aambalaiyai maaththa pappaA baby who transformed a man with just a look!

Beyond the translation

Song interpretation

This song from the film 'Sonnathai Seiven' (1977) is a folk-infused, dramatic taunt directed at a woman who projects outward innocence while concealing deceit. Sung forcefully by T. M. Soundararajan, the protagonist addresses her as a 'parrot' and 'little baby' only to ironically dismantle her facade, pointing out how her actions have ruined reputations and brought moral chaos to the town. Lyricist Kannadasan uses vivid imagery—comparing a hardened man to a 'dead tree drinking rum' and contrasting high education with moral degradation—to emphasize that status and degrees mean nothing once honor is lost.

Writing craft

Poetic devices

Metaphor (Uvamaani)

Pattamaram rum adichchi oorai suththuthu

Describing a broken, hardened person as a 'dead tree drinking rum and roaming the town' (Pattamaram rum adichchi) vividly conveys emotional death and recklessness.

Iyaibu (End Rhyme)

Aarum vaththaathu kulamum vaththaathu

The repetition of ending sounds like 'vaththaathu' creates a rhythmic cadence characteristic of folk taunts.

Irony / Sarcasm (Nindha Stuthi)

Paththa paarvaikku chinna pappa

Calling a deceptive woman a 'chinna pappa' (little baby) creates sharp irony between her innocent appearance and impactful misconduct.

Did you know?

Trivia

Music director V. Kumar was known for his memorable collaborations with lyricist Kannadasan and singer T. M. Soundararajan in 1970s Tamil cinema. This track stands out for its energetic folk-beat structure combined with Kannadasan's signature biting moral commentary.

Keep listening

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