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Isaimozhi
Lyrics & meaning

Ven Palingu Medai

From Poojaikku Vandha Malar · 1965

Lyricist
Aalangudi Somu
Singers
L. R. Eswari, Sirkazhi Govindarajan
Music director
Vishwanathan-Ramamoorthy
Details
Poojaikku Vandha Malar1965

Lyrics & meaning

Tanglish lyrics English translation
Male
Venpalingu medaikattiBuilding a platform of white marble,
Vandu rendai aadavittuLetting two beetles dance upon it,
Kangalendru sollalaagumo anbaeCan these simply be called eyes, my beloved?
Sannadhiyil varalaagumoCan one enter the sacred sanctum?
Male
Venpalingu medaikattiBuilding a platform of white marble,
Vandu rendai aadavittuLetting two beetles dance upon it,
Kangalendru sollalaagumo anbaeCan these simply be called eyes, my beloved?
Sannadhiyil varalaagumoCan one enter the sacred sanctum?
Female
Thenpaangu raagam thottuTouching upon the Thenpaangu melody,
Senthamizhil paatteduthuComposing a song in pure Tamil,
Thenpaangu raagam thottuTouching upon the Thenpaangu melody,
Senthamizhil paatteduthuComposing a song in pure Tamil,
Kanni ennai vellalaagumo anbaeCan a maiden conquer me, my beloved?
Sannadhiyil varalaagumoCan one enter the sacred sanctum?
Female
Thenpaangu raagam thottuTouching upon the Thenpaangu melody,
Senthamizhil paatteduthuComposing a song in pure Tamil,
Kanni ennai vellalaagumo anbaeCan a maiden conquer me, my beloved?
Sannadhiyil varalaagumoCan one enter the sacred sanctum?
Male
Minnal varum megathilaeIn the cloud where lightning strikes,
Un koondhal ponadhendruSaying that your tresses vanished there,
Minnal varum megathilaeIn the cloud where lightning strikes,
Un koondhal ponadhendruSaying that your tresses vanished there,
Mellidaiyai thoodhu vittuSending your slender waist as a messenger,
Thalladi vandhaayoDid you come staggering towards me?
Female
Thanga radham yeri vandhuOh one who arrived riding a golden chariot,
Mangai mugam paarthavaraeLooking closely at this maiden's face,
Thanga radham yeri vandhuOh one who arrived riding a golden chariot,
Mangai mugam paarthavaraeLooking closely at this maiden's face,
Pongi varum aasaiyilaeIn this desire overflowing within,
Pangu pera koodaadhoCan I not have a share?
Female
Thenpaangu raagam thottuTouching upon the Thenpaangu melody,
Senthamizhil paatteduthuComposing a song in pure Tamil,
Kanni ennai vellalaagumo anbaeCan a maiden conquer me, my beloved?
Sannadhiyil varalaagumoCan one enter the sacred sanctum?
Male
Anbukani chaareduthuExtracting juice from the fruit of love,
Andhi veyil soodaeththiAdding warmth from the evening sun,
Anbukani chaareduthuExtracting juice from the fruit of love,
Andhi veyil soodaeththiAdding warmth from the evening sun,
Inbamendru nee koduthaalIf you offer it to me as pure bliss,
En mayakkam theeradhaoWill my trance and intoxication not end?
Female
Ullamendra oonjalilaeOn the swing that is the heart,
Pallikonda aaruyiraeMy precious soul residing and resting,
Ullamendra oonjalilaeOn the swing that is the heart,
Pallikonda aaruyiraeMy precious soul residing and resting,
Mella mella naan thodavaaShall I touch you ever so gently?
Alli malar thaen tharavaaShall I offer you honey from the lily flower?
Male
Venpalingu medaikattiBuilding a platform of white marble,
Vandu rendai aadavittuLetting two beetles dance upon it,
Kangalendru sollalaagumo anbaeCan these simply be called eyes, my beloved?
Sannadhiyil varalaagumoCan one enter the sacred sanctum?

Beyond the translation

Song interpretation

The song 'Poojaikku Vandha Malar' is a romantic duet filled with rich imagery, comparing the beloved's features and emotions to natural elements, art, and divine worship. The lyrics describe eyes as dancing beetles on marble platforms and compare love to a sacred temple sanctum where the lovers seek communion. Through poetic descriptions of sweet melodies, evening sunlight, and gentle touches, the lovers exchange declarations of devotion and desire, expressing how love transforms the heart into a gentle swing where the soul finds rest.

Writing craft

Poetic devices

Uruvagam (Metaphor)

Venpalingu medaikatti / Vandu rendai aadavittu

Compares eyes to two beetles dancing on a white marble platform.

Edhugai (Second-letter rhyme)

Thenpaangu raagam thottu / Senthamizhil paatteduthu

Rhyming of the second consonant in consecutive lines (Thenpaangu / Senthamizhil).

Uruvagam (Metaphor)

Ullamendra oonjalilae

Metaphorically describes the heart as a swing (oonjal).

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Trivia

Poojaikku Vandha Malar (1965) features memorable lyrics by Aalangudi Somu, showcasing classical Tamil poetic tropes such as comparing eye movements to beetles and describing love through sacred temple metaphors.

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