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Isaimozhi
Lyrics & meaning

Unnai Kandu Mayangadha

From Sudharsan · 1951

Lyricist
K. D. Santhanam
Singer
P. A. Periyanayaki
Music director
G. Ramanathan
Details
Sudharsan1951

Lyrics & meaning

Tanglish lyrics English translation
Female
………………………………...
Female
Unnai kandu mayangaadha pergal undoooIs there anyone who is not spellbound upon seeing you?
Unnai kandu mayangaadha pergal undoooIs there anyone who is not spellbound upon seeing you?
Panamae unnai kandu mayangaadha pergal undoooO Money, is there anyone who is not spellbound upon seeing you?
Kalikaalathil kannkanda deivamaeO visible deity of this dark Kali Yuga!
Unnai kandu mayangaadha pergal undoooIs there anyone who is not spellbound upon seeing you?
Female
Gnyaalathilae nee seiyum jaalathilaeIn the magical tricks you perform in this world,
Gnyaalathilae nee seiyum jaalathilaeIn the magical tricks you perform in this world,
Un pradhabathilae leela vinodhathilaeIn your grandeur and playful amusements,
Unnai kandu mayangaadha pergal undoooIs there anyone who is not spellbound upon seeing you?
Female
Panamae panamae ….paadhagaa panamaeO Money, money... sinful money!
Maapaadhaga panamae nee maa paadhaga panamaeO deeply sinful money, you are immensely sinful money!
Ni sa ni sa ni ma paadhaga panamaeNi sa ni sa ni ma, sinful money!
Paadhaga maa paadhaga nee maa paadhagaSinful, deeply sinful, you are deeply sinful,
Ni sa ni sa ni ma paadhaga panamaeNi sa ni sa ni ma, sinful money!
Unnai kandu mayangaadha pergal undoooIs there anyone who is not spellbound upon seeing you?
Female
Kalladhavan karunai illadhavanAn uneducated man, a merciless man,
Kaamandhakaaran polladhavan poiyanA lust-blinded man, an evil man, a liar,
Kalladhavan karunai illadhavanAn uneducated man, a merciless man,
Kaamandhakaaran polladhavan poiyanA lust-blinded man, an evil man, a liar,
Aagiya koottathilAmong such a group of people,
Female
Nallavarai nambina peraiThose who trusted good people,
Nallavarai nambina peraiThose who trusted good people,
Naai pol uzhaipavaraiThose who toil like dogs,
Naanayamaai vaazha ennumThose who wish to live with integrity,
Naanayamaai vaazha ennumThose who wish to live with integrity,
Ezhaiyai sikka veithaeTrapping the poor man,
Female
Ullam thudikka kanneer vadikkaMaking his heart throb with grief and shedding tears,
Ullam thudikka kanneer vadikkaMaking his heart throb with grief and shedding tears,
Vedikkai paarkum vinodhanaeO peculiar one who watches the fun!
Ulagil unakku nigar yedhappa pana naadhanaeWhat can equal you in this world, O Lord of Money?
Female
Muttaalum mullaa kalaingjan pola pesuvaanEven a fool will speak like a brilliant scholar,
Muttaalum mullaa kalaingjan pola pesuvaanEven a fool will speak like a brilliant scholar,
Summaa thottaal nadungum kozhai kooda vaai veesuvaanEven a coward who trembles at a mere touch will talk big,
Summaa thottaal nadungum kozhai kooda vaai veesuvaanEven a coward who trembles at a mere touch will talk big,
Female
Pattapagalil kollai adikkum pakkaa thirudanumEven a seasoned thief who robs in broad daylight,
Pattapagalil kollai adikkum pakkaa thirudanumEven a seasoned thief who robs in broad daylight,
Un paarvaiyinaal parama yogiyan pola kaanuvaanWill appear like a supreme ascetic by your gaze,
Un paarvaiyinaal parama yogiyan pola kaanuvaanWill appear like a supreme ascetic by your gaze,
Female
Kattidathu sathirathu somberi koodaEven a lazy fellow resting in a public inn,
Kattidathu sathirathu somberi koodaEven a lazy fellow resting in a public inn,
Un kribaiyaal periya manidhan aagi vidugiraanBecomes a great person by your grace,
Un kribaiyaal periya manidhan aagi vidugiraanBecomes a great person by your grace,
Ellam undhan magimayinaalae nadakudhappaEverything happens due to your grandeur,
Ellam undhan magimayinaalae nadakudhappaEverything happens due to your grandeur,
Inai illadha magaanu baavaO incomparable noble soul!
Female
Ariyaamai poraamai piraraiIgnorance, jealousy, towards others,
Adakki aazhum thanmaiThe nature to dominate and rule,
Ariyaamai poraamai piraraiIgnorance, jealousy, towards others,
Adakki aazhum thanmaiThe nature to dominate and rule,
Female
Karvam kuraiyaamai nilai unaraamaiUnfading arrogance, unawareness of true reality,
Karvam kuraiyaamai nilai unaraamaiUnfading arrogance, unawareness of true reality,
Indha theemai ellamae seidhidum nanmaiAll these evils do good when you are present,
Theemai ellamae seidhidum nanmaiAll evils end up yielding benefit,
Engum niraindhavanae engum niraindhavanaeO omnipresent one! O omnipresent one!
Panam ennum yegadhapathiyaanaeO monarch called Money!
Female
Manadhai mayakum maayajaalathai kai vittuGive up this mind-boggling magical trickery,
Manadhai mayakum maayajaalathai kai vittuGive up this mind-boggling magical trickery,
Mamadhai kollaamal naan solvadhai nee kettuWithout pride, listen to what I say,
Mamadhai kollaamal naan solvadhai nee kettuWithout pride, listen to what I say,
Female
Nalla manidharidam naaduSeek out good people,
Nalla manitharidam naaduSeek out good people,
Adhanaal naadu sezhithu nalam pera koodumThus the country will flourish and prosper,
Vallavan neeyaanadhanaalae vallavan nee aanadhanaalaeBecause you are mighty, because you are mighty,
Ulagil ellorkkum podhuvaa irundhaal panamae unnai kanduIf you belong equally to everyone in the world, O Money,
Ulagil ellorkkum podhuvaa irundhaal panamae unnai kanduIf you belong equally to everyone in the world, O Money,
Vanangaadha pergal undooIs there anyone who would not bow down to you?

Beyond the translation

Song interpretation

This satirical social commentary song from 'Sudharsan' (1951) addresses money directly as a supreme, controlling deity of the modern age (Kali Yuga). The song lampoons the corrupting power of wealth, showing how money elevates fools into apparent scholars, turns cowards into boastful men, disguises daytime robbers as holy ascetics, and grants respectability to lazy individuals, while leaving honest, hard-working poor people trapped in misery.

Writing craft

Poetic devices

Personification (Uruvagandhal / Katpazhikkaatha Uruvagam)

Kalikaalathil kannkanda deivamae

Money is personified as a deity ('Kannkanda deivamae'), a monarch ('Yegadhapathiyaanae'), and a mischievous spectator ('Vedikkai paarkum vinodhanae') who manipulates human destiny.

Simile (Upama Alankaram)

Naai pol uzhaipavarai

Comparing the honest poor man's relentless hard labor to that of a dog ('Naai pol uzhaipavarai') and a thief appearing like a holy sage ('parama yogiyan pola').

Monai (Initial Rhyme / Alliteration)

Kalladhavan karunai illadhavan / Kaamandhakaaran polladhavan poiyan

Repetition of initial consonant sounds across adjacent words, such as 'Ka' in 'Kalladhavan karunai' and 'Kaamandhakaaran'.

Swaras Integration (Musical Solfège Poetry)

Ni sa ni sa ni ma paadhaga panamae

Blending classical Carnatic swaras (Ni Sa Ni Sa Ni Ma) directly into the lyric to emphasize rhythmic mock-devotion towards money.

Did you know?

Trivia

'Sudharsan' (1951) was directed by A. S. A. Sami and featured music by G. Ramanathan. Singer P. A. Periya Nayagi, a renowned Carnatic vocalist and playback singer of early Tamil cinema, delivers this dramatic character song with rich classical inflections combined with theatrical satire.

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