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Isaimozhi
Lyrics & meaning

Thodatheenga Ennai

From Sudharsan · 1951

Lyricist
K. D. Santhanam
Singer
P. A. Periyanayaki
Music director
G. Ramanathan
Details
Sudharsan1951

Lyrics & meaning

Tanglish lyrics English translation
Female
Thodathinga ennai thodathinga aiyaiyaeDon't touch me, oh don't touch me!
Thodathinga ennai thodathingaDon't touch me, don't touch me.
Thodathinga thodathinga thodathingaDon't touch, don't touch, don't touch!
Female
Dhoora ponga idhu neram illainga dhoora pongaGo far away, this is not the time, go far away.
Dhoora ponga idhu neram illaingaGo far away, this is not the time.
Avasarapattaal kaariyam aagumaa koodumaa gnyaamaIf you act in haste, will the work succeed? Is it proper or fair?
Aagumaa kaokoodumaa idhu gnyaama sollungaWill it succeed? Will it be fulfilled? Tell me, is this fair?
Female
Adhukkulla kitta vandu ennai thodathingaDon't come close and touch me before the time comes.
Ennai thodathinga aiyaiyae thodathingaDon't touch me, oh don't touch me!
Thodathinga thodathinga thodathingaDon't touch, don't touch, don't touch!
Female
Edhilum needhaanam venumngaComposure and patience are needed in everything.
Adhu illaiyinaa edhu …adhuWithout that, what... that...
Illaiyinna kastam thaanungaWithout that, it will only lead to trouble.
Adhu illaiyinna kastam thaanungaWithout that, it will only lead to trouble.
Female
Ungal manasu polavae nadakka pogudhuEverything will happen according to your heart's desire.
Manasu polavae nadakka poguthuEverything will happen according to your heart's desire.
Kadaisi varaikkum porunga ennangaWait until the very end, my dear.
Kadaisi varaikkum porungaWait until the very end.
Female
Adhukkulla thodathinga ennai thodathingaDon't touch me before then, don't touch me.
Aiyaiyoo thodathingaOh dear, don't touch me!
Thodathinga thodathinga thodathingaDon't touch, don't touch, don't touch!
Female
Velai naadi varanum…aa…aa…aa…The right occasion must arrive...
Unga kaalamum nerungi varanum ..oo..oo.ooYour favorable time must draw near...
Velai naadi varanum…The right occasion must arrive...
Unga kaalamum nerungi varanumYour favorable time must draw near.
Female
Naalu per ariya mela thaalathodaeWith auspicious music and beat, witnessed by four people,
Naalu per ariya mela thaalathodaeWith auspicious music and beat, witnessed by four people,
Nadakkanum kalyaanam nadakkanum kalyanamThe wedding must take place, the wedding must take place!
Appo thaan gnyaayamaa thodanumOnly then is it righteous to touch.
Female
Naalai nadakka poradhai munnalae seidhaalIf you do beforehand what is meant to happen tomorrow,
Pinnaalae nadakka poradhai munnalae seidhaalIf you do beforehand what is meant to happen later,
Namakku dhaanga avamaanamIt will only bring disgrace to us.
Namakku dhaanga avamaanamIt will only bring disgrace to us.
Female
Thodathinga ennai thodathinga aiyaiyaeDon't touch me, oh don't touch me!
Thodathinga ennai thodathingaDon't touch me, don't touch me.
Thodathinga thodathinga thodathingaDon't touch, don't touch, don't touch!

Beyond the translation

Song interpretation

In 'Thodathinga Ennai Thodathinga', the heroine playfully yet firmly sets boundaries with her lover, asking him to keep his distance and refrain from touching her prematurely. She counsels him on the virtues of patience and self-restraint, reminding him that acting in haste leads to failure and distress, whereas waiting patiently will ensure his heart's desires are ultimately fulfilled.

Writing craft

Poetic devices

Adukku Thodhar (Repetition for emphasis)

Thodathinga thodathinga thodathinga

The word 'Thodathinga' (Don't touch) is repeated sequentially multiple times to emphasize boundary-setting and urgency.

Rhetorical Question (Vinaa)

Avasarapattaal kaariyam aagumaa koodumaa gnyaama

The speaker asks whether hasty actions ever succeed or make sense, prompting reflection rather than expecting a literal answer.

Iyaibu (End Rhyme / Refrain)

Dhoora ponga idhu neram illainga dhoora ponga

The honorific suffix '-nga' is repeatedly used at line ends to maintain rhythmic harmony and polite tone.

Did you know?

Trivia

Sudharsan (1951) featured music composed by legendary maestro G. Ramanathan. Sung by P. A. Periya Nayagi, this track reflects the traditional socio-cultural themes of 1950s Tamil cinema where propriety and traditional marriage rituals were emphasized in romantic duets.

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