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Sudharsan album cover
Lyrics & meaning

Thodatheenga Ennai

From Sudharsan · 1951

Lyricist
K. D. Santhanam
Singer
P. A. Periyanayaki
Music director
G. Ramanathan
Movie name
Sudharsan
Movie release year
1951
Lyrics added on
10 Mar 2021

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Thodathinga ennai thodathinga aiyaiyae
Thodathinga ennai thodathinga
Thodathinga thodathinga thodathinga
Dhoora ponga idhu neram illainga dhoora ponga
Dhoora ponga idhu neram illainga
Avasarapattaal kaariyam aagumaa koodumaa gnyaama
Aagumaa kaokoodumaa idhu gnyaama sollunga
Adhukkulla kitta vandu ennai thodathinga
Ennai thodathinga aiyaiyae thodathinga
Thodathinga thodathinga thodathinga
Edhilum needhaanam venumnga
Adhu illaiyinaa edhu …adhu
Illaiyinna kastam thaanunga
Adhu illaiyinna kastam thaanunga
Ungal manasu polavae nadakka pogudhu
Manasu polavae nadakka poguthu
Kadaisi varaikkum porunga ennanga
Kadaisi varaikkum porunga
Adhukkulla thodathinga ennai thodathinga
Aiyaiyoo thodathinga
Thodathinga thodathinga thodathinga
Velai naadi varanum…aa…aa…aa…
Unga kaalamum nerungi varanum ..oo..oo.oo
Velai naadi varanum…
Unga kaalamum nerungi varanum
Naalu per ariya mela thaalathodae
Naalu per ariya mela thaalathodae
Nadakkanum kalyaanam nadakkanum kalyanam
Appo thaan gnyaayamaa thodanum
Naalai nadakka poradhai munnalae seidhaal
Pinnaalae nadakka poradhai munnalae seidhaal
Namakku dhaanga avamaanam
Namakku dhaanga avamaanam
Thodathinga ennai thodathinga aiyaiyae
Thodathinga ennai thodathinga
Thodathinga thodathinga thodathinga
Don't touch me, please don't touch me, oh no!
Don't touch me, please don't touch me!
Don't touch me, don't touch, don't touch!
Stay away, this is not the time, stay away!
Stay away, this is not the right time!
If you rush, will things work out? Is it right? Is it fair?
Will it work, will it succeed? Tell me, is this fair?
Before that, don't come close and touch me!
Don't touch me, oh no, don't touch me!
Don't touch me, don't touch, don't touch!
We must have patience in everything!
Without that... what... without that,
Without it, there will only be trouble!
Without it, there will only be trouble!
Everything will happen just as you desire!
It will happen just as your heart desires!
Please wait patiently until then, my dear!
Wait patiently until the proper time!
Until then, don't touch me, don't touch me!
Oh no, don't touch me!
Don't touch me, don't touch, don't touch!
The right time must arrive... ah... ah... ah...
Your opportune moment must draw near... oo... oo... oo...
The right time must arrive...
Your opportune moment must draw near!
In front of everyone, with wedding drums and music,
In front of everyone, with wedding drums and music,
The wedding must take place, the marriage must happen!
Only then is it right to touch me!
If you do today what should happen tomorrow,
If you do beforehand what is meant for later,
It will only bring shame upon us!
It will only bring shame upon us!
Don't touch me, please don't touch me, oh no!
Don't touch me, please don't touch me!
Don't touch me, don't touch, don't touch!
Female
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Female
Female
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Beyond the translation

Overall song meaning

In 'Thodathinga Ennai Thodathinga', the heroine playfully yet firmly sets boundaries with her lover, asking him to keep his distance and refrain from touching her prematurely. She counsels him on the virtues of patience and self-restraint, reminding him that acting in haste leads to failure and distress, whereas waiting patiently will ensure his heart's desires are ultimately fulfilled.

Writing craft

Poetic devices

Adukku Thodhar (Repetition for emphasis)

Thodathinga thodathinga thodathinga

The word 'Thodathinga' (Don't touch) is repeated sequentially multiple times to emphasize boundary-setting and urgency.

Rhetorical Question (Vinaa)

Avasarapattaal kaariyam aagumaa koodumaa gnyaama

The speaker asks whether hasty actions ever succeed or make sense, prompting reflection rather than expecting a literal answer.

Iyaibu (End Rhyme / Refrain)

Dhoora ponga idhu neram illainga dhoora ponga

The honorific suffix '-nga' is repeatedly used at line ends to maintain rhythmic harmony and polite tone.

Did you know?

Trivia

Sudharsan (1951) featured music composed by legendary maestro G. Ramanathan. Sung by P. A. Periya Nayagi, this track reflects the traditional socio-cultural themes of 1950s Tamil cinema where propriety and traditional marriage rituals were emphasized in romantic duets.

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