- Lyricist
- Kannadasan
- Singers
- T. M. Soundararajan, P. Susheela
- Music director
- K. V. Mahadevan
- Movie name
- Annavin Aasai
- Movie release year
- 1966
- Lyrics added on
- 15 Jan 2025
Lyrics & meaning
Beyond the translation
Overall song meaning
Inbam Enbathu Enna from the film Annavin Aasai (1966) is a philosophical romantic duet penned by Kannadasan and composed by K. V. Mahadevan. The song explores the ultimate definition of 'Inbam' (bliss or happiness). A seeker poses this question to God, but God admits his ignorance and defers to a human leader (husband/lover), who in turn seeks the answer from his beloved lady. After contemplating art, temple sculptures, and dance, they conclude that supreme happiness is born when romantic love manifests as a child. Hearing the innocent babbling of a infant and witnessing a new life allows even God to understand the true depth of worldly joy. The song beautifully elevates marital love and parenthood as spiritual, divine experiences.
Writing craft
Poetic devices
Refrain / Anaphora
“Inbam enbathu enna endroruvan”
The opening lines questioning the nature of happiness ('Inbam enbathu enna...') repeat regularly across stanzas to anchor the philosophical query of the song.
Emona (Initial Rhyme / Alliteration)
“Inbam enbathu enna endroruvan / Iraivanai kettaanaam”
Matching initial vowel sounds in Tamil poetry across adjacent words, such as 'Inbam' and 'Iraivanai'.
Iyaibu (End Rhyme)
“Avan pennidam kannaal kettaanaam”
The repetitive verbal endings ('kettaanaam', 'arinthaan') create a rhythmic, conversational folk storytelling cadence.
Metaphor (Uvamaani)
“Kadhal suvai oru vadivaaga / Kanmani selvam uruvaaga”
Describing a newborn child as love taking a physical form ('Kadhal suvai oru vadivaaga').
Did you know?
Trivia
Annavin Aasai (1966) was directed by D. Yoganand and starred Gemini Ganesan and Savitri. Lyricist Kannadasan was famous for weaving profound philosophical queries into romantic duets, and this song stands out as a prime example where human love and parenthood are portrayed as superior even to divine knowledge.
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