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Isaimozhi
Lyrics & meaning

Thottal Poo Malarum Old

From Padagotti · 1964

Lyricist
Vaali
Singers
T. M. Soundararajan, P. Susheela
Music director
Vishwanathan-Ramamoorthy
Details
Padagotti1964

Lyrics & meaning

Tanglish lyrics English translation
Male
……………………………...
Female
…………………………...
Male
{ Thottal poo malarumIf touched, a flower blossoms,
Female
Thodaamal naan malarndhenWithout even touching, I blossomed.
Male
Suttaal pon sivakumIf heated, gold glows red,
Female
Sudaamal kan sivandhen } (2)Without being heated, my eyes turned red.
Male
Kangal padaamalWithout eyes meeting,
Kaigal thodaamalWithout hands touching,
Kaadhal varuvadhillaiLove does not blossom.
Female
Neril varaamalWithout coming in person,
Nenjai tharaamalWithout giving one's heart,
Aasai viduvadhillaiDesire does not leave.
Hoi aasai viduvadhillaiOh, desire does not leave.
Male
Thottal poo malarumIf touched, a flower blossoms,
Female
Thodaamal naan malarndhenWithout even touching, I blossomed.
Male
Suttaal pon sivakumIf heated, gold glows red,
Female
Sudaamal kan sivandhenWithout being heated, my eyes turned red.
Male
Iruvar ondranaalWhen two souls become one,
Oruvar endranaalWhen they are spoken of as one,
Ilamai mudivadhillaiYouth never comes to an end.
Ho oo ilamai mudivadhillaiOh, youth never comes to an end.
Female
Eduthu kondaalumEven if one takes,
Koduthu sendraalumEven if one gives and leaves,
Pozhudhum vidivadhillaiThe day does not break.
Hoi pozhudhum vidivadhillaiOh, the day does not break.
Female
Thottal poo malarumIf touched, a flower blossoms,
Thodaamal naan malarndhenWithout even touching, I blossomed.
Suttaal pon sivakumIf heated, gold glows red,
Sudaamal kan sivandhenWithout being heated, my eyes turned red.
Female
Aaaa aaaa aaa aaaaaAaaa aaaa aaa aaaaa
Male
Pakkam nillaamalWithout standing nearby,
Paarthu sellaamalWithout looking before going,
Pitham thelivadhillaiThis romantic obsession does not clear.
Ho oo pitham thelivadhillaiOh, this romantic obsession does not clear.
Female
Vetkam illaamalWithout shedding shyness,
Vazhangi chellaamalWithout bestowing love and leaving,
Varutham therivadhillaiThe heartache does not heal.
Hoi varutham therivadhillaiOh, the heartache does not heal.
Male
Thottal poo malarumIf touched, a flower blossoms,
Female
Thodaamal naan malarndhenWithout even touching, I blossomed.
Male
Suttaal pon sivakumIf heated, gold glows red,
Female
Sudaamal kan sivandhenWithout being heated, my eyes turned red.
Male
Pazharasa thottamA orchard of sweet fruit juice,
Panimalar kootamA cluster of dew-kissed flowers,
Paavai mugamallavaaIs that not a maiden's face?
Ho oo paavai mugamallavaOh, is that not a maiden's face?
Female
Azhagiya tholgalBeautiful shoulders,
Pazhagiya naatkalCherished days spent together,
Aayiram sugamallavaAre they not a thousand delights?
Hoi aayiram sugamallavaOh, are they not a thousand delights?
Male
Thottal poo malarumIf touched, a flower blossoms,
Female
Thodaamal naan malarndhenWithout even touching, I blossomed.
Male
Suttaal pon sivakumIf heated, gold glows red,
Female
Sudaamal kan sivandhenWithout being heated, my eyes turned red.
Male
Aahaaa aaaaAahaaa aaaa
Female
AhaahahahahaAhaahahahaha
Male
Ohh oooooOhh ooooo
Female
AhaahahahahaAhaahahahaha

Beyond the translation

Song interpretation

This iconic duet expresses deep, poetic romance between two lovers who describe how intimacy, presence, and affection transform their world. The opening refrain sets a mood of hyperbole and sensory delight: while flowers bloom upon touch and gold turns red when fired, the lovers experience those intense reactions purely through the magical influence of love itself. They emphasize that true love requires physical proximity, mutual devotion, and emotional surrender, without which desire and obsession persist without relief.

Writing craft

Poetic devices

Edhugai (Second-letter Rhyme)

Thottal poo malarum / Suttaal pon sivakum

The second consonant sound 'tt' rhymes across consecutive lines, creating a rhythmic harmony in Tamil poetry.

Anaaphora / Parallelism

Kangal padaamal / Kaigal thodaamal / Neril varaamal

Repeated structural phrasing using negative participle clauses ending in '-aal' and '-amal' creates symmetry and poetic rhythm.

Hyperbole & Metaphor

Thodaamal naan malarndhen / Sudaamal kan sivandhen

The lyricist compares the physical sensation of blushing and blooming to nature and metallurgy, exaggerating love's power to induce these states without physical contact.

Did you know?

Trivia

This romantic classic from the 1964 MGR starer 'Padagotti' features music composed by Viswanathan–Ramamoorthy, lyrics written by Vaali, and vocals by T. M. Soundararajan and P. Susheela. The song was picturized on M. G. Ramachandran and B. Saroja Devi set against sea waves and boats, becoming one of the most celebrated duets in Tamil cinema history.

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