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Isaimozhi
Lyrics & meaning

Thotta Idam Ellam

From Idhayakkani · 1975

Lyricist
Na. Kamarasan
Singers
T. M. Soundararajan, P. Susheela, Saibaba
Music director
M. S. Vishwanathan
Details
Idhayakkani1975

Lyrics & meaning

Tanglish lyrics English translation
Female
Azhagai valarppom…Let us nurture beauty...
Nilavil mayangi…Intoxicated by the moon...
Iravai rasippom… kanavu ulavi…Let us enjoy the night... wandering in dreams...
Female
Thotta idam ellaamEvery place touched
Thithippudan irukkumWill be filled with sweetness
Muthu thamizh maadhuIf this pearl-like Tamil maiden
Thathai mozhi sonnaalSpeaks in her parrot-like voice
Female
Thotta idam ellaamEvery place touched
Thithippudan irukkumWill be filled with sweetness
Muthu thamizh maadhuIf this pearl-like Tamil maiden
Thathai mozhi sonnaalSpeaks in her parrot-like voice
Female
Pattu mugam konjamHer silky face slightly
Vetkkatthudan sivakkaBlushing red with shyness
Mutham aval thandhaalShe gave a kiss
Methaiyidum munnaalBefore laying on the bed
En maelaadai thaalaattaAs my upper garment lulls to sleep
Thaenodu thaen saeraAs honey joins with honey
Inbam engum pongum pongumJoy overflows everywhere, overflows
Female
Thotta idam ellaamEvery place touched
Thithippudan irukkumWill be filled with sweetness
Muthu thamizh maadhuIf this pearl-like Tamil maiden
Thathai mozhi sonnaalSpeaks in her parrot-like voice
Male
Hai whats your name babyHai whats your name baby
Female
MaalaaMaalaa
Male
Oh how sweetOh how sweet
Female
ReallyReally
Male
Ya lovely name come lets dance babyYa lovely name come lets dance baby
Male
Engaeyo paartha nyaabagamA memory of having seen somewhere
Nyaabagam nyaabagamMemory, memory
Male
Engaeyo paartha nyaabagamA memory of having seen somewhere
En melae saaindha oviyamA painting leaning upon me
Engaeyo paartha nyaabagamA memory of having seen somewhere
En melae saaindha oviyamA painting leaning upon me
Pon vannam thaen sindhumSpilling honey in golden hue
Malar kaaviyamA poetic epic of flowers
Male
Malar kaaviyam ezhil raaniyinA flower epic of the queen of grace
Idhazh naadagamA drama of the lips
Idhazh naadagam thamizh kaadhalinA drama of the lips, Tamil love's
Pugazh gopuramTower of fame
Pugazh gopuram agap paadalinTower of fame, of inner love songs
Sumai thaangumoCan it bear the burden?
Sumai thaangiyum imai moodiyumBearing the burden and closing the eyelids
Sugam kaanalaamWe can experience bliss
Asal ivvidam nagal avvidamThe original is here, the duplicate is there
Azhagenbadhae visham aagumoDoes beauty itself become poison?
Male
Engaeyo paartha nyaabagamA memory of having seen somewhere
En melae saaindha oviyamA painting leaning upon me
Pon vannam thaen sindhumSpilling honey in golden hue
Malar kaaviyamA poetic epic of flowers
Female
Aadai katti vandhu nirkkumDraped in clothes, standing here
Maedu pallam aanadhoru paavaiA maiden shaped with curves and contours
Vizhi jaadai muttrum podugindraCasting complete glances with her eyes
Aala vattam meerugindra bodhaiAn intoxication exceeding boundaries
Veenai mattum paesugindra paani pettruAcquiring a style where only the Veena speaks
Thaenai vendra vaarthaiWords that surpassed honey
Ival aanai vendru veezhthugindraShe is the fortress of the God of Love with an army
Saenai konda kaadhal dhevan kottaiThat conquers and fells upon her command
Kaadhal dhevan kottaiFortress of the God of Love
Female
Thotta idam ellaamEvery place touched
Thithippudan irukkumWill be filled with sweetness
Muthu thamizh maadhuIf this pearl-like Tamil maiden
Thathai mozhi sonnaalSpeaks in her parrot-like voice
Male
Thalir maeniyil viral pattadhumAs fingers touched her tender body
Kulir ponadhaeThe chillness vanished
Kulir ponadhum mazhai koondhalinAs the chillness vanished, her rain-like hair's
Pughazh paadinenPraise I sang
Pughazh paadiyae dhinam thorumaeSinging praise every single day
Mugam thaedinaenI searched for her face
Mugam kandadhum pudhu kaadhalinUpon seeing her face, of new love
Nadam aadinenI danced in joy
Sugam ivvidam thuyar avvidamPleasure is here, sorrow is there
Sudar enbadhae neruppaagumoWill a glowing flame become fire?
Male
Engaeyo paartha nyaabagamA memory of having seen somewhere
En melae saaindha oviyamA painting leaning upon me
Pon vannam thaen sindhumSpilling honey in golden hue
Malar kaaviyamA poetic epic of flowers

Beyond the translation

Song interpretation

This song sequence from the 1975 Tamil movie Idhayakkani blends romantic enchantment, playfulness, and poetic admiration. The protagonist expresses deep passion and fascination upon reuniting with or gazing at his beloved, comparing her presence to a living piece of art and a poetic epic. Classical Tamil metaphors depict her sweet voice, graceful form, and mesmerizing presence as source of pure joy.

Writing craft

Poetic devices

Anaphora / Antistrophe (Anaphora and End Rhyme chaining)

Malar kaaviyam ezhil raaniyin / Idhazh naadagam

The last words of a line are repeated at the start of the next line, creating a rhythmic and lyrical chaining effect (e.g., Malar kaaviyam -> Malar kaaviyam ezhil raaniyin; Idhazh naadagam -> Idhazh naadagam thamizh kaadhalin).

Metaphor (Uruvagham)

En melae saaindha oviyam

Directly equating the beloved to a painting ('Oviyam') leaning on the protagonist, emphasizing her artistic beauty.

Hyperbole (Uyarvu Navortchi)

Thaenai vendra vaarthai

Describing her words as sweeter than honey and her speech as having the capability to defeat an army.

Did you know?

Trivia

Idhayakkani (1975) featured music composed by M. S. Viswanathan (MSV). The movie starred M. G. Ramachandran (MGR) and Jayalalithaa, and held immense political and cultural significance in Tamil Nadu during the mid-1970s.

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