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Isaimozhi
Lyrics & meaning

Thoondaa Mani Vilakku

From Vaazhga Valarga · 1987

Lyricist
Na. Kamarasan
Singer
K. S. Chithra
Music director
Ilayaraja
Details
Vaazhga Valarga1987

Lyrics & meaning

Tanglish lyrics English translation
Female
Thoondaa mani vilakkuAn unceasing, self-burning lamp
Thoondaama ninneriyumIt burns continuously without needing to be stoked
Female
Thoondaa mani vilakkuAn unceasing, self-burning lamp
Thoondaama ninneriyumIt burns continuously without needing to be stoked
Thoondaa mani vilakkuAn unceasing, self-burning lamp
Thoondaama ninneriyumIt burns continuously without needing to be stoked
Dhoosi pattum mangaadhuIt does not dim even when covered in dust
Pugai padinjum karukkaadhuIt does not blacken even when soot settles on it
En dhukkam adha veliyil sonnaaIf I express my sorrow outward
Mangi vidum mangi vidumIt will fade away, it will diminish
Dhukkam adha veliyil sonnaaIf I express that sorrow outward
Mangi vidum mangi vidumIt will fade away, it will diminish
Female
Thoondaa mani vilakkuAn unceasing, self-burning lamp
Thoondaama ninneriyumIt burns continuously without needing to be stoked
Thoondaa mani vilakkuAn unceasing, self-burning lamp
Chorus
Lulululu…. lulululu….Lulululu…. lulululu….
Andhi maariyamman koyililaeIn the evening at the Mariamman temple
Nall kanni ponnuga kummigalaamVirtuous young maidens dance the Kummi
Chinna chindhu mani pooveduthuTaking small, beautiful flower buds
Adha pinni pinni vecha maalaigalaamThey weave garlands by knotting them together
Maala soodi konda ammanukkuFor the Goddess adorned with the garland
Dhinam kaalai maalai nalla poosaigalaamDaily morning and evening, grand worship takes place
Poosaiyilae mani osaigalaamDuring worship, the sound of temple bells ring
Andha osaiyum kummikku thaalangalaamThat sound becomes the rhythmic beat for the Kummi dance
Ooo… oo… lulululu…. lulululu….Ooo… oo… lulululu…. lulululu….
Female
Muttai ida kozhi onnuA hen ready to lay eggs
Kuppaiyilae maenju varumComes foraging in the rubbish heap
Gundu mani saeval vandhuA stout rooster arrives
Kootti vandha kadhai ariyumAnd knows the story that brought them together
Naetharutha vayalukkullaeInside the field harvested yesterday
Nel porukka pogaiylaeWhen going to glean scattered grain
Kaathadicha velaiyilaeAt a time when the wind blew
Kalanjiyatha kandeduthaenI discovered a treasure trove
Kollaiyilae marikkozhundhuMarikolundu (marjoram) in the backyard
Kodi padarndha malliga pooAnd jasmine blossoms spreading on vines
Parippaaru illaama thaniyaaga poothadhammaaBloomed all alone without anyone to pluck them
Parichadhu yaaru vaangi thoduthadhu yaaruWho plucked them, who received and strung them?
Thaliyilae mudichum thavikkudhu paaruLook how it suffers tied to the hair knot!
Aa haa… aa… aa… aa… aa…Aa haa… aa… aa… aa… aa…
Male
Thoondaa mani vilakkuAn unceasing, self-burning lamp
Thoondaama ninneriyumIt burns continuously without needing to be stoked
Thoondaa mani vilakkuAn unceasing, self-burning lamp
Chorus
Kaattu vazhi pogum vandiA cart travelling along the forest path
Vandiyilae maadu renduWith two oxen attached to the cart
Maadu pora paadhai ellaamAll the paths traversed by the oxen
Roadugalaa aagi pochuHave turned into paved roads
Oorukkooru povadharkkuTo travel from town to town
Roadu ippa romba irukkuThere are many roads now
Maanathilum roadu pottuLaying roads even in the sky
Parandhu pogum kaalam aachuThe era of flying high has arrived
Paattan koottan kattuna vandi thaanaeWasn't the cart built by our forefathers
Idhukku nalla moolam aachu durrr aehae po…The true origin for all of this? Giddy up, go!
Female
Orakka chadavula naanIn the heavy drowsiness of sleep
Uluppa vittaen kanneeraI let my tears spill over
Uluppi vitta kanneeruThe tears that spilled forth
Odudhammaa aaraagaFlow like a running river
Kolli mala mela kuyilu chatham kekkayilaeWhen hearing the cuckoo's call atop Kolli Hills
Kotha malli poo pookkumCoriander flowers bloom in bunches
Kodi murunga kaai kaaikkumThe vine-like drumstick tree bears fruit
Sandha thadatharugaeNear the market place
Saadhi linga marathadiyilUnder the cinnabar tree
Kanni kazhiyaadha kai kiliyaa naan irundhenI lived like an innocent pet parrot, unwed
Annaandhu paathaa aagaasam pooraaWhen looking up, across the entire sky
Allaadha poovu yaarum thallaadha poovuFlowers ungathered, flowers rejected by no one
Aa haa… aa… aa… aa… aa…Aa haa… aa… aa… aa… aa…
Male
Thoondaa mani vilakkuAn unceasing, self-burning lamp
Thoondaama ninneriyumIt burns continuously without needing to be stoked
Dhoosi pattum mangaadhuIt does not dim even when covered in dust
Pugai padinjum karukkaadhuIt does not blacken even when soot settles on it
En dhukkam adha veliyil sonnaaIf I express my sorrow outward
Mangi vidum mangi vidumIt will fade away, it will diminish
Dhukkam adha veliyil sonnaaIf I express that sorrow outward
Mangi vidum mangi vidumIt will fade away, it will diminish
Male
Thoondaa mani vilakkuAn unceasing, self-burning lamp
Thoondaama ninneriyumIt burns continuously without needing to be stoked
Thoondaa mani vilakkuAn unceasing, self-burning lamp

Beyond the translation

Song interpretation

The song 'Thoondaa Mani Vilakku' uses rich rural folk imagery to portray deep emotional resilience and the inner light of a woman's soul. By comparing her spirit and sorrow to an eternal lamp that needs no stoking, the lyrics reflect how inner grief and strength remain unblemished despite external dust, soot, or worldly struggles. The verse narrative moves through traditional village rituals, temple Kummi dances, agricultural life, and reflections on societal evolution from bullock carts to modern aviation, contrasting technological progress with eternal human emotions.

Writing craft

Poetic devices

Uvamaani / Metaphor (உவமை / உருவகம்)

Thoondaa mani vilakku / Thoondaama ninneriyum

The inner soul and enduring pain are metaphorically represented as 'Thoondaa Mani Vilakku' (an unceasing lamp that burns without tending).

Edhugai / Second Letter Rhyme (எதுகை)

Maala soodi konda ammanukku / Dhinam kaalai maalai nalla poosaigalaam

Rhyming of the second letter across consecutive lines ('soodi' and 'kaalai').

Monaai / Initial Alliteration (மோனை)

Parichadhu yaaru vaangi thoduthadhu yaaru / Parichadhu...

Repetition of the initial sound 'Pa' across line starts.

Anaphora / Repetition

Mangi vidum mangi vidum

Repetition of key refrain phrases to build lyrical rhythm and emotional resonance.

Did you know?

Trivia

The lyricist Na. Kamarasan was a pioneer of the 'Pudhu Kavidhai' (modern Tamil poetry) movement who seamlessly integrated traditional folk rhythm ('Nattupura Paattu') with poignant modern philosophical allegories in Tamil cinema music during the 1970s and 1980s.

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