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Lyrics & meaning

Pesamal Vaa En Pakkam

From Unga Veettu Kalyanam · 1975

Lyricist
Vaali
Singers
Kovai Soundararajan, L. R. Eswari
Music director
K. Vijaya Baskar
Movie name
Unga Veettu Kalyanam
Movie release year
1975
Lyrics added on
1 Jul 2024

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Pesaamal vaa en pakkam nerungu
Ketkkaamal thaa thaen muththam vazhangu
Pesaamal vaa en pakkam nerungu
Ketkkaamal thaa thaen muththam vazhangu
Yaaro endru en ennam sonnathu
Neethaan endru en nenjam sonnathu
Yaaro endru en ennam sonnathu
Neethaan endru en nenjam sonnathu
Kallanai polae
Ullae vanthathu kadhal seiyaththaan
Kallil mithakkum kanni
Poovai mella killaththaan
Ooo…oo…oo….
Kallanai polae
Ullae vanthathu kadhal seiyaththaan
Kallil mithakkum kanni
Poovai mella killaththaan
Maalai pottu
Manjal mudiyai pottu
Maalai pottu
Manjal mudiyai pottu
Aththaan endru aana
Pinbu viththaiyai kaattu
Ippo ingae thottaal thappaa
Female :Ingae neengal angae appa
Pesaamal vaa en pakkam nerungu
Ketkkaamal thaa thaen muththam vazhangu
Niththam ippadi oththigai
Paarththaal naadagam arangerum
Intha pichu kannanin aasaigal
Oru naal nichayam niraiverum
Niththam ippadi oththigai
Paarththaal naadagam arangerum
Intha pichu kannanin aasaigal
Oru naal nichayam niraiverum
Raththiri neram intha ragasiyam paadam
Raththiri neram intha ragasiyam paadam
Neeyum naanum padiththidalaamaa
Ovvoru naalum
Neeyum naanum padiththidalaamaa
Ovvoru naalum
Acham vetkam ennai kollum
Male :Kondraal paavam thindraal pogum
Yaaro endru en ennam sonnathu
Neethaan endru en nenjam sonnathu
Pesaamal vaa en pakkam nerungu
Ketkkaamal thaa thaen muththam vazhangu
Come quietly, draw closer to my side,
Give me a sweet kiss without me asking.
Come quietly, draw closer to my side,
Give me a sweet kiss without me asking.
My mind wondered who was there,
My heart knew it was you.
My mind wondered who was there,
My heart knew it was you.
Slipping in like a thief,
You came inside only to make love,
This young flower resting on the stone,
Only to gently pinch and pluck it.
Oh... oh... oh...
Slipping in like a thief,
You came inside only to make love,
This young flower resting on the stone,
Only to gently pinch and pluck it.
Put a wedding garland on me,
Tie the sacred yellow knot,
Put a wedding garland on me,
Tie the sacred yellow knot,
And once you become my husband,
Then show off all your clever tricks!
Is it wrong if I touch you right here and now?
You are right here, and my father is over there!
Come quietly, draw closer to my side,
Give me a sweet kiss without me asking.
If we rehearse like this every day,
Our play will surely take the stage.
All the desires of this Pitchu Kannan
Will definitely come true one day.
If we rehearse like this every day,
Our play will surely take the stage.
All the desires of this Pitchu Kannan
Will definitely come true one day.
In the quiet of the night, this secret lesson,
In the quiet of the night, this secret lesson,
Shall you and I study it together,
Each and every day?
Shall you and I study it together,
Each and every day?
Fear and shyness are killing me!
If killing is a sin, tasting it clears the sin away!
My mind wondered who was there,
My heart knew it was you.
Come quietly, draw closer to my side,
Give me a sweet kiss without me asking.
Male
Female
Male
Female
Male
Female
Male
Male
Female
Female
Male
Female
Female
Male

Beyond the translation

Overall song meaning

This playful track portrays romantic banter and playful teasing between two lovers anticipating their upcoming union. The male lover coaxingly requests affection, sweet kisses, and physical closeness, comparing his stealthy romantic advance to a thief stealing love. The female lover playfully sets boundaries, reminding him of her family's presence nearby and emphasizing that traditional rituals like garlanding and tying the marital thread must take place before they indulge fully. As the song progresses, they exchange clever quips about rehearsing their future marital life. The male protagonist compares their night-time romance to 'secret lessons' they should study daily, while the heroine expresses maidenly bashfulness. Lyricist Vaali weaves witty Tamil proverbs and lighthearted double-entendres into the dialogue, creating a lively duet performed with exuberance by Kovai Soundararajan and L. R. Eswari.

Writing craft

Poetic devices

Simile (Upamai)

Kallanai polae

Compares the hero entering the romantic space stealthily to a thief ('Kallanai polae').

Metaphor (Uruvagam)

Paarththaal naadagam arangerum

Compares romantic intimacy to staging a theatrical play ('naadagam arangerum') and night-time passion to studying secret lessons ('ragasiyam paadam').

Iyaibu (End Rhyme)

Yaaro endru en ennam sonnathu / Neethaan endru en nenjam sonnathu

Rhyming end phrases 'ennam sonnathu' and 'nenjam sonnathu' create a rhythmic parallel between mind and heart.

Ethugai (Second-letter Assonance)

Niththam ippadi oththigai

Repetition of the 'th' consonant sound in 'Niththam' and 'Paarththaal' / 'Raththiri'.

Wordplay / Idiomatic Proverb

Kondraal paavam thindraal pogum

Playful twist on the traditional Tamil proverb 'Kondraal paavam, thindraal pochhu', using wordplay on bashfulness 'killing' her.

Did you know?

Trivia

Unga Veettu Kalyanam (1975) featured music by the legendary Kannada-Tamil composer K. Vijaya Bhaskar. Sung by Kovai Soundararajan and the expressive L. R. Eswari, this song highlights lyricist Vaali's trademark style of blending colloquial banter, folk proverbs, and theatrical metaphors into catchy film duets.

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