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Isaimozhi
Lyrics & meaning

Pennukku Deivam Endru

From Niraparaadhi · 1984

Lyricist
Pulamaipithan
Singer
K. J. Yesudas
Music director
Shankar Ganesh
Movie name
Niraparaadhi
Movie release year
1984
Lyrics added on
25 Jul 2022

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Nirabaraathi….nirbaraathi…nirbaraathi…..aa….aa…aa…
Pennukku dheivam endru peru vachcha paavi
Engaedaa kondu vanthu kelungadaa kelvi
Pennukku dheivam endru peru vachcha paavi
Engaedaa kondu vanthu kelungadaa kelvi
Dheivaththin koyil enna kallaraigalthaanaa
Therukku vachcha maram thookkumaramthaanaa
Pennukku dheivam endru peru vachcha paavi
Engaedaa kondu vanthu kelungadaa kelvi
Kallu thanni saaraayam kaasukkoru samsaaram
Mangaiyargal koottam santhaiyilae yaelam
Evanukku maanam
Sattathukku urakkam dharmaththukku mayakkam
Sattaththukku urakkam dharmaththukku mayakkam
Naalungetta moodaa nadakkattum podaa
Pennukku dheivam endru peru vachcha paavi
Engaedaa kondu vanthu kelungadaa kelvi
Pillaikku paalillai Paalukku kaasillai
Pasi vantha pillai thudikkindra pothu
Vetkkam ini yaedhu
Vilaiyondru koduththaan vidhiyendru sumaanthaal
Vilaiyondru koduththaan vidhiyendru sumaanthaal
Nadhiyengum thanneer ival sinthum kanneer
Pennukku dheivam endru peru vachcha paavi
Engaedaa kondu vanthu kelungadaa kelvi
Aandavan ingaedaa avanaiyum kondaada
Kathiyattra thaayai karpazhikkum naayai
Pinam thinnum peyai….
Edharkingu padaiththaan enna seiyya ninaiththaan
Edharkingu padaiththaan enna seiyya ninaiththaan
Badhil solluvaanaa verungallu thaanaa
Pennukku dheivam endru peru vachcha paavi
Engaedaa kondu vanthu kelungadaa kelvi
Dheivaththin koyil enna kallaraigalthaanaa
Therukku vachcha maram thookkumaramthaanaa
Pennukku dheivam endru peru vachcha paavi
Engaedaa kondu vanthu kelungadaa kelvi
Innocent... innocent... innocent... Ah... ah... ah...
The sinner who named woman a goddess—
Where is he? Bring him here and demand answers!
The sinner who named woman a goddess—
Where is he? Bring him here and demand answers!
Is the temple of a goddess merely a graveyard?
Is the wood meant for the temple chariot only fit for the gallows?
The sinner who named woman a goddess—
Where is he? Bring him here and demand answers!
Toddy and liquor flowing, a woman bought for every coin,
A crowd of women auctioned in the marketplace,
Who among them has any dignity left?
The law is asleep, and justice has passed out,
The law is asleep, and justice has passed out,
You utterly useless fool, let it all go on, just go!
The sinner who named woman a goddess—
Where is he? Bring him here and demand answers!
No milk for the child, no money for milk,
When a starving child writhes in pain,
Where is there room for shame?
He offered a price, and she bore it as her fate,
He offered a price, and she bore it as her fate,
All the water in the river is the tears she weeps,
The sinner who named woman a goddess—
Where is he? Bring him here and demand answers!
Where is God? Bring Him here too!
The dog that violates a helpless mother,
The monster that feeds on corpses...
Why did He create them? What was He thinking?
Why did He create them? What was He thinking?
Will He answer, or is He merely a stone?
The sinner who named woman a goddess—
Where is he? Bring him here and demand answers!
Is the temple of a goddess merely a graveyard?
Is the wood meant for the temple chariot only fit for the gallows?
The sinner who named woman a goddess—
Where is he? Bring him here and demand answers!
Male
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Male

Beyond the translation

Overall song meaning

This powerful track from Niraparaadhi (1984) serves as a fierce social critique against the hypocrisy of a society that reveres women as divine goddesses ('Dheivam') while subjecting them to extreme poverty, exploitation, and injustice. The song highlights the plight of struggling mothers driven to desperation by hunger and poverty, while condemning systemic failures where law and righteousness lie dormant. Through scathing rhetoric, lyricist Pulamaipithan questions both societal morality and God's silence in the face of suffering and cruelty inflicted upon the helpless.

Writing craft

Poetic devices

Rhetorical Question

Dheivaththin koyil enna kallaraigalthaanaa

The lyricist uses rhetorical questions to challenge societal hypocrisy regarding the treatment of women.

Personification

Sattathukku urakkam dharmaththukku mayakkam

Abstract concepts like law ('sattam') and righteousness ('dharmaththukku') are personified as sleeping and fainting.

Ethukai (Second-letter Rhyme)

Pillaikku paalillai Paalukku kaasillai

Rhyming of second consonants across adjacent lines or words to create rhythmic harmony ('Pillaikku' / 'Pasi').

Metaphor

Nadhiyengum thanneer ival sinthum kanneer

Comparing the river's water to the endless tears shed by suffering women.

Did you know?

Trivia

Composed by the legendary music director duo Shankar-Ganesh and rendered with intense emotion by K. J. Yesudas, the song features lyrics by veteran poet Pulamaipithan. The song showcases intense angst and philosophical questioning characteristic of 1980s Tamil cinema's social drama genre.

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