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Isaimozhi
Lyrics & meaning

Nenjil Uramum Indri

From Ezhavathu Manithan · 1982

Lyricist
Mahakavi Subramanya Bharathiyaar
Singer
Rajkumar Bharathi
Music director
L. Vaidyanathan
Details
Ezhavathu Manithan1982

Lyrics & meaning

Tanglish lyrics English translation
Male
Nenjil uramum indriLacking courage and strength in their hearts,
Nermai thiramum indriLacking honesty and true capability,
Vanjanai solvaaradi kiliyaeThey speak deceitful words, O parrot,
Vaai sollil veeraradi kiliyaeThey are heroes only in spoken words, O parrot,
Vaai sollil veeraradiThey are heroes only in spoken words.
Male
Koottaththil koodi nidru koovi pidhattralandriOther than gathering in crowds and squawking foolishly,
Koottaththil koodi nidru koovi pidhattralandriOther than gathering in crowds and squawking foolishly,
Naattaththil kollaaradi kiliyaeThey hold no real commitment to the nation, O parrot,
Naalil marappaaradi kiliyaeThey forget everything within days, O parrot,
Naalil marappaaradiThey forget everything within days.
Male
Uppendrum seeni endrumTalking of salt and talk of sugar,
Ullnaattu selaiyendrumTalking of indigenous handloom sarees,
Uppendrum seeni endrumTalking of salt and talk of sugar,
Ullnaattu selaiyendrumTalking of indigenous handloom sarees,
Seppi thirivaaradi kiliyaeThey wander around merely blabbering, O parrot,
Sevathriyaaradi KiliyaeThey know not what practical action to take, O parrot,
SeivathariyaaradiThey know not what practical action to take.
Male
Pazhamai pazhamaiyendruBasking in glory by repeating 'ancient tradition, ancient tradition',
Paavanai pesa landriOther than putting on hypocritical pretense,
Pazhamai pazhamaiyendruBasking in glory by repeating 'ancient tradition, ancient tradition',
Paavanai pesa landriOther than putting on hypocritical pretense,
Pazhamaiyiruntha nilai kiliyaeThe true exalted state of ancient culture, O parrot,
Paamarar yaedharivaar kiliyaeHow can the uneducated common folk ever know, O parrot?
Paamarar yaedharivaarHow can the uneducated common folk ever know?
Male
Sontha sagothararkalEven upon seeing their own brothers
Thunbaththil saathal kandumPerishing in deep agony and suffering,
Sontha sagothararkalEven upon seeing their own brothers
Thunbaththil saathal kandumPerishing in deep agony and suffering,
Sinthai rangaaradi kiliyaeTheir hearts do not melt in compassion, O parrot,
Semmai maranthaaradi kiliyaeThey have forgotten true righteousness, O parrot,
Semmai maranthaaradiThey have forgotten true righteousness.
Male
Thaayai kollum panjaththaiAgainst the devastating famine that kills the motherland,
Thadukka muyarchiyuraarThey make no genuine attempt to stop it,
Thaayai kollum panjaththaiAgainst the devastating famine that kills the motherland,
Thadukka muyarchiyuraarThey make no genuine attempt to stop it,
Vaayai thiranthu summaaSimply opening their mouth idly,
Kiliyae vanthae maadharamenparO parrot, they merely chant 'Vande Mataram',
Vanthae maadharamenparThey merely chant 'Vande Mataram'.

Beyond the translation

Song interpretation

Nenjil Uramum Indri is a sharp, biting critique composed by Mahakavi Subramanya Bharathiyar, framed as a Kili Pattu (Parrot Song) where the poet addresses a parrot to condemn the hypocrisy and inaction of his contemporaries during India's freedom struggle. Bharathiyar lambastes self-proclaimed patriots who speak grandly of bravery and native products like salt, sugar, and indigenous clothes, but lack moral fortitude, genuine commitment, and practical solutions when faced with real suffering and poverty around them. He highlights the hollow nature of superficial nationalism, pointing out that people idly chant slogans like 'Vande Mataram' and boast about ancient glory while ignoring the immediate plight of their starving, dying brethren. Through fiery satire, Bharathiyar urges his countrymen to abandon empty lip service, develop true character and compassion, and engage in meaningful action for social and national liberation.

Writing craft

Poetic devices

Kili Pattu (Parrot Song Folk Form)

Vanjanai solvaaradi kiliyae

A traditional Tamil poetic genre where the poet addresses a parrot ('kiliyae') as a poetic device to express philosophical thoughts, satire, or social commentary.

Monaai (Initial Alliteration)

Pazhamai pazhamaiyendru / Paavanai pesa landri

Repetition of initial consonant sounds across words in a line or stanza, such as 'Pazhamai', 'Paavanai', and 'Paamarar'.

Ethukai (Second-letter Rhyming)

Nenjil uramum indri / Nermai thiramum indri

Matching of second letters in consecutive lines, such as 'Nenjil' and 'Nermai' (sharing 'n' consonant harmony), and 'Uppendrum' and 'Ullnaattu'.

Anaphora / Repetition

Vaai sollil veeraradi kiliyae / Vaai sollil veeraradi

Repetition of lines for rhetorical emphasis and musical rhythm in vocal rendition.

Irony and Satire

Vaayai thiranthu summaa / Kiliyae vanthae maadharamenpar

Sharp use of irony contrasting empty slogans ('Vande Mataram') with lack of action against famine and suffering.

Did you know?

Trivia

This iconic poem by Mahakavi Subramanya Bharathiyar was adapted into the 1982 Tamil film 'Ezhavathu Manithan' (The Seventh Man), directed by K. Hariharan. The soundtrack featured several of Bharathiyar's poems set to music by renowned classical musician L. Vaidyanathan and rendered powerfully by K.J. Yesudas. The film won the National Film Award for Best Feature Film in Tamil.

Keep listening

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