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Isaimozhi
Lyrics & meaning

Oru Kudumbam Inge

From Athirshtam Azhaikirathu · 1976

Lyricist
Vaali
Singer
P. Susheela
Music director
V. Kumar
Details
Athirshtam Azhaikirathu1976

Lyrics & meaning

Tanglish lyrics English translation
Female
Oru kudumbam ingae kovil aanathuA family here has become a temple,
Oru kudumbam ingae kovil aanathuA family here has become a temple,
Thirukkuraalil sonna paadal aanathuIt has become a song spoken of in Thirukkural.
Female
Oru kudumbam ingae kovil aanathuA family here has become a temple.
Female
Ambigai pol annaiThe mother is like Goddess Ambigai,
Antha aandavan pol thanthaiThe father is like God Himself;
Ambigai pol annaiThe mother is like Goddess Ambigai,
Antha aandavan pol thanthaiThe father is like God Himself;
Moondru kaala poojai seiyya moondru pergal pillaiThere are three children to perform worship during the three times of the day.
Female
Oru kudumbam ingae kovil aanathuA family here has become a temple.
Female
Thalai magan endru piranthavan inguThe one who was born here as the eldest son,
Thamarai mel neerai pola thaniththiruppaan indruRemains detached today, like water droplets on a lotus leaf,
Thamarai mel neerai pola thaniththiruppaan indruRemains detached today, like water droplets on a lotus leaf.
Thaan pidiththa muyalgalukkae moondru kaalgal endruInsisting that the rabbit he caught has only three legs,
Thaan pidiththa muyalgalukkae moondru kaalgal endruInsisting that the rabbit he caught has only three legs,
Than vazhiyae thani vazhiyaai sellum gunam unduHe has the nature to always tread his own distinct path.
Female
Oru kudumbam ingae kovil aanathuA family here has become a temple.
Female
Aduththathu endru piranthathu ondruThe one born next to him,
Sidusidunnu mugam irukkum kaduvan poonaiyondruIs a tomcat with an ever-frowning face!
Sidusidunnu mugam irukkum kaduvan poonaiyondruIs a tomcat with an ever-frowning face!
Kadaikuttiyaai kannan vanthaan vilaiyaattuppillaiAs the youngest, Lord Krishna arrived, a playful boy!
Kadaikuttiyaai kannan vanthaan vilaiyaattuppillaiAs the youngest, Lord Krishna arrived, a playful boy!
Karantha paalai pol irukkum kuzhantha manam vellaiHis child-like heart is pure and white, like freshly milked milk.
Female
Oru kudumbam ingae kovil aanathuA family here has become a temple.
Female
Naanoru pillai ena solavatharkillaiI have no right to call myself a child here,
Naanoru pillai ena solavatharkillaiI have no right to call myself a child here;
Naaikkutti pol naan vanthaen neengal vaazhum ellaiI came like a little puppy into the bounds where you live,
Naaikkutti pol naan vanthaen neengal vaazhum ellaiI came like a little puppy into the bounds where you live.
Anbu ennum selvaththai naan abagariththa yaezhaiI am a poor soul who has stolen the treasure called love,
Anbu ennum selvaththai naan abagariththa yaezhaiI am a poor soul who has stolen the treasure called love,
Intha veettil thalaiyai neettum aduththa veettu vaazhaiJust a banana tree from the neighbor's yard extending its head into this house!
Intha veettil thalaiyai neettum aduththa veettu vaazhaiJust a banana tree from the neighbor's yard extending its head into this house!

Beyond the translation

Song interpretation

This heartwarming song from 'Athirshtam Azhaikirathu' (1976) paints a glowing portrait of an ideal Tamil family, elevating it to the status of a sacred temple and a poetic couplet from Thirukkural. The mother and father are revered as divine figures akin to Goddess Ambigai and God. The lyricist affectionally introduces each of the three sons and their distinct temperaments: the eldest is detached and stubbornly set in his ways (like water on a lotus leaf); the second son is short-tempered and grumpy like a tomcat; while the youngest is a playful, Krishna-like child with a heart as pure as freshly milked milk. In the final stanza, the narrator humbly speaks of her own presence in the household. Feeling unworthy to claim equal standing with the biological children, she compares herself to a little puppy seeking shelter or a banana plant from the neighboring yard leaning over the fence into their home. Expressing deep gratitude, she considers herself fortunate to have inherited the priceless treasure of their collective love.

Writing craft

Poetic devices

Uvamai (Simile)

Ambigai pol annai / Antha aandavan pol thanthai

Compares the mother to Goddess Ambigai and the father to God using the explicit comparison word 'pol' (like/as).

Uvamai (Simile)

Thamarai mel neerai pola thaniththiruppaan indru

Compares the eldest son's detachment and independent nature to water droplets resting unattached on a lotus leaf.

Pazhamozhi / Idiom

Thaan pidiththa muyalgalukkae moondru kaalgal endru

Uses the famous Tamil idiom 'Thaan pidiththa muyalukku moondru kaal' (The rabbit I caught has three legs) to depict someone who stubbornly refuses to yield or acknowledge another's viewpoint.

Metaphor & Metonymy

Sidusidunnu mugam irukkum kaduvan poonaiyondru

Metaphorically describes the grumpy, short-tempered second son as a frowning tomcat ('kaduvan poonai').

Uvamai (Simile)

Karantha paalai pol irukkum kuzhantha manam vellai

Compares the purity and innocence of the youngest son's heart to white, freshly milked milk.

Urvagam (Metaphor)

Anbu ennum selvaththai naan abagariththa yaezhai

Equates 'love' (anbu) directly to 'wealth/treasure' (selvam) without explicit comparison words.

Metaphor / Visual Imagery

Intha veettil thalaiyai neettum aduththa veettu vaazhai

Uses vivid imagery comparing an outsider who joins the household to a neighbor's banana plant leaning into the courtyard.

Did you know?

Trivia

The music for 'Athirshtam Azhaikirathu' (1976) was composed by V. Kumar, affectionately known as 'Mellisai Maamani', who was renowned for his rich melody-driven compositions during the 1960s and 1970s. Lyricist Vaali brilliantly weaves classic Tamil proverbs ('Thaan pidiththa muyalukku moondru kaal') and cultural metaphors into the verse, perfectly rendered by legendary playback singer P. Susheela.

Keep listening

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