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Isaimozhi
Lyrics & meaning

Naan Ennum

From Unakkum Enakkum · 1972

Lyricist
Aalangudi Somu
Singers
T. M. Soundararajan, P. Susheela
Music director
V. Kumar
Details
Unakkum Enakkum1972

Lyrics & meaning

Tanglish lyrics English translation
Female
Naan ennum aganthai kondaBefore the male gender filled with the pride of 'I', women are not inferior
Aan kulaththin munnae pengal thaazhnthavarallaBefore the men who are proud, women are not inferior
Chorus :Endrum thaazhnthavarallaChorus: Never inferior at all
Female
Kaalaththai vellugindraConquering time itself
Pen kulaththin munnae aangal uyarnthavarallaBefore the female gender, men are not superior
Chorus :Endrum uyaranthavarallaaChorus: Never superior at all
Female
Naan ennum aganthai kondaBefore the male gender filled with the pride of 'I', women are not inferior
Aan kulaththin munnae pengal thaazhnthavarallaBefore the men who are proud, women are not inferior
Chorus :Endrum thaazhnthavarallaChorus: Never inferior at all
Female
Kaalaththai vellugindraConquering time itself
Pen kulaththin munnae aangal uyarnthavarallaBefore the female gender, men are not superior
Chorus :Endrum uyaranthavarallaaChorus: Never superior at all
Female
Pengalellaam AdimaiyallaWomen are not slaves at all
Bedhai endraal unmaiyallaCalling them foolish is not the truth
Angal ellaam methaigalallaMen are not all geniuses either
Yaen idhu theriyavillaiWhy is this simple truth not understood?
Female
Naan ennum aganthai kondaBefore the male gender filled with the pride of 'I', women are not inferior
Aan kulaththin munnae pengal thaazhnthavarallaBefore the men who are proud, women are not inferior
Thaazhnthavaralla endrum thaazhnthavarallaInferior no, never inferior
Female
Aduppoothum pengalukkuAsking why women who cook over the stove
Padippetharkku endruNeed any education at all
Nammai adhigaaram seithathellaam antha naalDominating over us was in the past days
Arivaana pengal azhagaaga induWise women gracefully today
Arasatchi seivathu intha naalAre ruling and governing in these current days
Female
Thaaliyendra oru veli kondu namaiUsing the sacred marriage thread 'Thaali' as a fence around us
Aala ninaippathu veriththanamThinking of controlling us is sheer madness
Pillai perigindra karuviyaagavaeTreating women merely as a tool
Pengalai madhippathu madaththanamTo bear children is utter foolishness
Female
Thaaliyendra oru veli kondu namaiUsing the sacred marriage thread 'Thaali' as a fence around us
Aala ninaippathu veriththanamThinking of controlling us is sheer madness
Chorus :VeriththanamChorus: Sheer madness
Female :Pillai perigindra karuviyaagavaeFemale: Treating women merely as a tool
Pengalai madhippathu madaththanamTo bear children is utter foolishness
Chorus :MadaththanamChorus: Utter foolishness
Female
Maattruvom intha ulagaiWe shall transform this world
Maarattum aangal mamathaiLet the arrogance of men change
Chorus :Maarattum aangal mamathaiChorus: Let the arrogance of men change
Male
Pendugalaa roja sendugalaaAre women mere rose bouquets?
Vandukalaa vaazhai thandugalaaAre they bees or delicate banana stems?
Pendugalaa roja sendugalaaAre women mere rose bouquets?
Vandukalaa vaazhai thandugalaaAre they bees or delicate banana stems?
Male
Kudumbam endra koyililaeIn the temple called family
Kudiyirukkum deivangalilAmong the deities residing within
Aangal endrumIs there a distinction as men
Pengal endrum bedhamaaAnd women?
Aduththavarai madhippathuthaanRespecting others is true modesty
Adakkam endra ulaginilaeIn a world defined by self-restraint
Adimai endrum urimai endrum vaadhamaaWhy debate over concepts of slavery and rights?
Male
Pendugalaa roja sendugalaaAre women mere rose bouquets?
Vandukalaa vaazhai thandugalaaAre they bees or delicate banana stems?
Male
Kanniyendra paruva nadhiThe youthful river called maidenhood
Karai purandodumFlows overflowing its banks
Adhu kalyaana medaiyilthaan sangamaagumIt merges only on the wedding stage
Kanniyendra paruva nadhiThe youthful river called maidenhood
Karai purandodumFlows overflowing its banks
Adhu kalyaana medaiyilthaan sangamaagumIt merges only on the wedding stage
Male
Annai sinthum karunai mazhaiThe rain of mercy showered by a mother
Kuzhanthaikalaagum…..mm…Becomes the children... mm...
Annai sinthum karunai mazhaiThe rain of mercy showered by a mother
Kuzhanthaikalaagum…..Becomes the children...
Ingu penmai ellaamHere, all womanhood
Thaaimaiyilthaan muzhumai kaanumFinds ultimate fulfillment in motherhood alone
Ingu penmai ellaamHere, all womanhood
Thaaimaiyilthaan muzhumai kaanum…Finds ultimate fulfillment in motherhood alone...

Beyond the translation

Song interpretation

This progressive feminist anthem challenges historical gender oppression, male chauvinism, and patriarchal stereotypes in society. The song dismantles old prejudices that confined women to domestic roles and denied them education, pointing out that modern women are capable of leadership and governance. It strongly criticizes viewing women merely as reproductive tools or controlling them using marital traditions like the Thaali as a oppressive boundary.

Writing craft

Poetic devices

Emonai (Second-letter Rhyme)

Aduppoothum pengalukku / Padippetharkku endru

Rhyming of the second letter in consecutive lines: 'Pengal' (எ) and 'Bedhai' (எ) or 'Aduppoothum' (டு) and 'Padippetharkku' (டு).

Metaphor (Uruvagam)

Kanniyendra paruva nadhi karai purandodum

Comparing maidenhood to an overflowing river ('Paruva nadhi') and a mother's affection to a rain of mercy ('karunai mazhai').

Rhetorical Question

Pendugalaa roja sendugalaa / Vandukalaa vaazhai thandugalaa

Using poetic questions to challenge societal norms and stereotypes ('Pendugalaa roja sendugalaa').

Did you know?

Trivia

Written by lyricist Aalangudi Somu with music by V. Kumar, this track stands out as a powerful social commentary from early 1970s Tamil cinema, advocating women's empowerment, education, and equal rights long before feminist themes became mainstream in Tamil popular music.

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