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Isaimozhi
Lyrics & meaning

Oru Kodiyaal Onnu

From Bairavi · 1978

Lyricist
Kannadasan
Singers
S. Janaki, Chorus
Music director
Ilayaraja
Details
Bairavi1978

Lyrics & meaning

Tanglish lyrics English translation
Female
Oru kodiyaal onnuOne among ten million,
Odi vaaraa raamaaComes running, O Raama!
Kaathadikkum neram thoothunadhu laabamWinnowing while the wind blows brings profit,
Laabamadaa saamiIt is indeed a profit, my lord!
Female
Yaetham yerachiHaving drawn water with the picottah,
Kaathu kedakkenI am lying in wait.
Paakkura kannu pakkathil illaeThe eyes that look at me are not nearby.
Sandhanam vandhaachuSandal paste has arrived,
Kungumam vandhaachuVermilion has arrived,
En saamiyum varaadho… hoiWon't my lord come too... oh!
Enna thaediSearching for me?
Female
Thaiyum porandhaaWhen the auspicious month of Thai is born,
Pongalum unduThere will be Pongal,
Mangalam unduThere will be auspiciousness,
Kottu muzhakkuThe beating of drums,
Vethala thattu oorvalam unduAnd a grand procession with betel leaf trays!
Chorus
Thandhana thaanaaThandhana thaanaa
Thandhana thaanaaThandhana thaanaa
Thandhana thaanaaThandhana thaanaa
Thandhana thaanaaThandhana thaanaa
Thandhana thaanaaThandhana thaanaa
Thandhana thaanaaThandhana thaanaa
Female
{Aathula neerottamWater flows in the river,
Ana muzhukka vellamFloods cover the entire dam,
Akkaraiyil nee irukkaWhile you are on the other shore,
Ala modhum ullam} (2)My heart churns like restless waves.
Female
Nithiraiyum kollaamaWithout even sleeping,
Kaathirukken thangamI am waiting, my darling gold,
Ikkaraikku nee vandhaaIf you come to this shore,
Indha meenu thullumThis fish will leap with joy!
Enga poyi paappenWhere shall I go look for you?
Naan enna solli keppenWhat shall I ask, and to whom?
En saamiyum varaadho… hoiWon't my lord come too... oh!
Enna thaediSearching for me?
Female
Yaetham yerachiHaving drawn water with the picottah,
Kaathu kedakkenI am lying in wait.
Paakkura kannu pakkathil illaeThe eyes that look at me are not nearby.
Sandhanam vandhaachuSandal paste has arrived,
Kungumam vandhaachuVermilion has arrived,
En saamiyum varaadho… hoiWon't my lord come too... oh!
Enna thaediSearching for me?
Chorus
Thandhana thaanaaThandhana thaanaa
Thandhana thaanaaThandhana thaanaa
Thandhana thaanaaThandhana thaanaa
Thandhana thaanaaThandhana thaanaa
Thandhana thaanaaThandhana thaanaa
Thandhana thaanaaThandhana thaanaa
Female
Kuthu vilakkeriyumAn oil lamp burns bright,
Koodamadhu onnuIn a traditional hall,
Koodathin naduvinilaeIn the middle of that hall,
Pulambudhoru ponnuA young girl laments,
Aasa vecha naal mudhalaaEver since the day I fell in love,
Thudikkudhaiyaa kannuMy eye twitches with longing!
Adikkadi vaasalilaeFrequently at the doorway,
Thaedudhaiyaa ninnuIt stands and searches for you!
Female
Raa pagalaa thavichenDay and night I suffered,
Naan ragasiyathil thudichaenI twitched and ached in secret,
Raa pagalaa thavichenDay and night I suffered,
Naan ragasiyathil thudichaenI twitched and ached in secret.
En saamiyum vandhaachu… hoiMy lord has finally arrived... oh!
Enna thaediSearching for me!
Chorus
Thandhana thaanaaThandhana thaanaa
Thandhana thaanaaThandhana thaanaa
Thandhana thaanaaThandhana thaanaa
Thandhana thaanaaThandhana thaanaa
Thandhana thaanaaThandhana thaanaa
Thandhana thaanaaThandhana thaanaa
Thandhana thaanaaThandhana thaanaa
Thandhana thaanaaThandhana thaanaa
Thandhana thaanaaThandhana thaanaa

Beyond the translation

Song interpretation

This folk-style romantic song from 'Bairavi' (1978) expresses the intense longing, playful anticipation, and emotional arc of a village woman waiting for her beloved ('saami'). Using evocative rural imagery—such as winnowing grain in the wind, drawing water with an irrigation picottah ('yaetham'), and watching a flooded river—the lyricist Kannadasan grounds her personal passion in the rhythms of agricultural life and traditional Tamil rituals like the festival month of Thai, sandalwood, kumkum, and marriage processions. The emotional progression shifts from anxious solitude and sleepless nights—symbolized by a burning oil lamp and a churning heart separated across the river—to ultimate joy and fulfillment when her lover finally arrives seeking her out, resolving her secret torment into celebration.

Writing craft

Poetic devices

Proverb / Idiomatic Usage (Pazhamozhi)

Kaathadikkum neram thoothunadhu laabam

Refers to the famous Tamil proverb 'Kaatruள்ள pothe thoothikol' (Winnow while the wind blows / Make hay while the sun shines), applying agricultural wisdom to seize love's opportune moments.

Metaphor (Uvamai)

Indha meenu thullum

The heroine metaphorically compares herself (or her heart) to a fish leaping joyfully in water once her lover crosses the river to join her.

Iyaipu (End Rhyme)

Thaiyum porandhaa / Pongalum undu / Mangalam undu

The repeating end sound 'undu' creates a rhythmic cadence celebrating upcoming auspicious events.

Ethugai (Second-letter Rhyming)

Sandhanam vandhaachu / Kungumam vandhaachu

The second consonant sounds rhyme in traditional Tamil verse, lending musicality to the folk rhythm.

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Trivia

'Bairavi' (1978) is a landmark film in Tamil cinema history as it marked Rajinikanth's debut as a solo lead hero, leading distributor M. Kalaignanam to give him the iconic title 'Superstar'. The movie's music was composed by Maestro Ilaiyaraaja, featuring lyrics written by the legendary poet laureate Kannadasan.

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