- Lyricist
- Vaali
- Singer
- P. Susheela
- Music director
- M. S. Vishwanathan
- Movie name
- Deviyin Thirumanam
- Movie release year
- 1977
- Lyrics added on
- 26 Jun 2023
Lyrics & meaning
Beyond the translation
Overall song meaning
This song from 'Deviyin Thirumanam' (1977) offers a profound commentary on the transience of power, human relationships, and the deceptive nature of life. Composed by M. S. Viswanathan with lyrics by Vaali and sung by P. Susheela, the song interweaves deep philosophical reflections with the rhythm of a traditional Tamil children's game, 'Sangili Pungili'. Through vivid imagery and classical references—such as Duryodhana's underestimation of Bhima in the Mahabharata—the song highlights how worldly titles and fortunes are temporary ('Yesterday you were king, today he is'). It warns against deceitful companions ('a tiger's teeth in a cat') and rebellious subordinates ('if the tail grows stronger, it strikes the head'), while ultimately affirming that justice and righteous action carry no fear.
Writing craft
Poetic devices
Monai (Initial Rhyme / Alliteration)
“Oonjal aadiya ullangal ellaam / Oosalaaduthu srirama rama”
The initial vowel sound 'Oo' / 'U' creates an alliterative rhythm connecting the swinging joy to the wavering mind.
Muran (Antithesis / Contrast)
“Nettrikku nee raja / Indraikku avan raja”
Contrasts yesterday ('Nettrikku') and today ('Indraikku') to highlight the temporary nature of power and titles.
Metaphor
“Poonaiyil puli pallu poovilum oru mullu”
Metaphorically describes hidden hostility and hidden danger using the imagery of a cat possessing a tiger's teeth and a flower hiding a thorn.
Iyaipu (End Rhyme)
“Endru searnthavan pangaali / Searththaal avanae pagaiyaali”
The words 'pangaali' (partner) and 'pagaiyaali' (enemy) rhyme at the end of lines 36 and 38, emphasizing the reversal of relationships.
Did you know?
Trivia
The song creatively incorporates lines from 'Sangili Pungili Kadhava Thera', a popular traditional outdoor game played by Tamil children. Lyricist Vaali used this folk game narrative as a dramatic contrast to the philosophical theme of the song, illustrating how adult life and politics often mimic childhood games of pursuit, evasion, and changing roles.
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