- Lyricist
- Vaali
- Singer
- T. M. Soundararajan
- Music director
- Vishwanathan-Ramamoorthy
- Movie name
- Panam Padaithavan
- Movie release year
- 1965
- Lyrics added on
- 4 May 2017
Lyrics & meaning
Beyond the translation
Overall song meaning
'Kanpona Pokkile' is a famous Tamil philosophical song that serves as a ethical guide against sensory indulgence and moral decay. Written by poet Vaali for the movie 'Panam Padaithavan' (1965), the lyrics construct a logical hierarchy of moral discipline: physical actions (feet) should not blindly obey desires (eyes), thoughts (mind) should not blindly follow physical urges, and human beings should never abandon the noble path laid out by ancestors. The song redefines true civilization and culture, critiquing superficial modern trends while praising traditional values, compassion, and self-reform. It urges individuals to live meaningful lives characterized by virtue and empathy, ensuring that their good legacy outlives their physical existence.
Writing craft
Poetic devices
Chain Metaphor / Anadiplosis (Thodarnilai)
“Kanpona pokkile kaal pogalama kaal pona pokkile manam pogalama”
A logical cascading sequence connecting eyes to feet, feet to mind, mind to human, and human to ethical path.
Edhukai (Second Letter Rhyming)
“Thirundhadha ullangal / Varundhadha uruvangal”
Rhyming of the second letter across lines (e.g., 'Kanpona' / 'Manam' / 'Manidhan' using the 'n/na' sound; 'Irundhenna' / 'Pirandhenna' using 'ru/ra').
Iyaibu (End Rhyme)
“Irundhenna laabam / Pirandhenna laabam”
Matching end words/sounds across lines to create rhythmic symmetry.
Antithesis / Contrast
“Pudhu nagareegam puriyadha pala perku idhu nagareegam... Munnorgal sonnargal adhu nagareegam”
Contrasting superficial modern notions of culture with timeless ancestral wisdom.
Did you know?
Trivia
'Kanpona Pokkile' from 'Panam Padaithavan' (1965) features music composed by the legendary duo Viswanathan–Ramamoorthy, lyrics by Vaali, and playback singing by T. M. Soundararajan. The song was written specifically to fit M. G. Ramachandran's (MGR) screen persona as an idealistic moral leader, making it one of his most iconic philosophical screen anthems.
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