Naane Ennathan
From Kanniyin Kadhali · 1949
- Lyricist
- Boomi Balakadas
- Singer
- K. V. Janaki
- Music director
- C. R. Subbaraman
- Details
- Kanniyin Kadhali1949
Lyrics & meaning
| ♫ Tanglish lyrics | ↻ English translation |
|---|---|
| Female | |
| Naane ennathaan seiguven | What indeed can I do by myself? |
| Nalam izhandha penn aanen | I have become a woman who lost her happiness. |
| Haa…aaa…ini naane ennathaan seiguven | Haa... aaa... now what indeed can I do by myself? |
| Nalam izhandha penn aanen | I have become a woman who lost her happiness. |
| Female | |
| Arivum azhagum siranthon uravil | In connection with one supreme in wisdom and beauty, |
| Arumai maaran pondrae | He is like the precious Kamadeva. |
| Naane ennathaan seiguven | What indeed can I do by myself? |
| Nalam izhandha penn aanen | I have become a woman who lost her happiness. |
| Poraamai en uyir kaadhalan | My soul's beloved, due to jealousy, |
| Perun thandanai adainthenae | Has met with a severe punishment. |
| Female | |
| Kalaikkae pirandhaan | He was born solely for art, |
| Kavidhai en enbaen | Shall I call him poetry itself? |
| Inimai sol marapaeno | Will I ever forget his sweet words? |
| Hoo o o | Hoo o o |
| Kalaikkae pirandhaan | He was born solely for art, |
| Kavidhai en enbaen | Shall I call him poetry itself? |
| Inimai sol marapaeno | Will I ever forget his sweet words? |
| Gnyaamae kavanipaar ulagil aridhuthaan | Those who observe with true wisdom are rare in this world, |
| Andhoo | Alas! |
| Gnyaamae kavanipaar ulagil aridhuthaan | Those who observe with true wisdom are rare in this world, |
| Andhoo | Alas! |
| Poraamai en uyir kaadhalan | My soul's beloved, due to jealousy, |
| Perun thandanai adainthenae | Has met with a severe punishment. |
| Female | |
| Vidhi enbaenoo vinai enbaenoo | Shall I call it fate? Shall I call it karma? |
| Vishyantherigilaen | I am unable to understand the situation. |
| Vidhi enbaenoo vinai enbaenoo | Shall I call it fate? Shall I call it karma? |
| Vishyantherigilaen | I am unable to understand the situation. |
| Visanathaale vaadinen | I withered away out of deep sorrow, |
| Visanathaale vaadinen | I withered away out of deep sorrow, |
| Kadavul sitham idhamoo | Is this God's pleasing intention? |
| Naane ennathaan seiguven | What indeed can I do by myself? |
| Nalam izhandha penn aanen | I have become a woman who lost her happiness. |
| Poraamai en uyir kaadhalan | My soul's beloved, due to jealousy, |
| Perun thandanai adainthenae | Has met with a severe punishment. |
நானே என்னதான் செய்குவேன்
நலம் இழந்த பெண் ஆனேன்
ஹா..ஆஅ இனி நானே என்னதான் செய்குவேன்
நலம் இழந்த பெண் ஆனேன்
What indeed can I do by myself?
I have become a woman who lost her happiness.
Haa... aaa... now what indeed can I do by myself?
I have become a woman who lost her happiness.
அறிவும் அழகும் சிறந்தோன் உறவில்
அருமை மாறன் போன்றே
அறிவும் அழகும் சிறந்தோன் உறவில்
அருமை மாறன் போன்றே
பொறாமை என் உயிர்க் காதலன்
பெருந் தண்டனை அடைந்தானே
In connection with one supreme in wisdom and beauty,
He is like the precious Kamadeva.
What indeed can I do by myself?
I have become a woman who lost her happiness.
My soul's beloved, due to jealousy,
Has met with a severe punishment.
கலைக்கே பிறந்தான்
கவிதை என்னென்பேன்
இனிமைச் சொல் மறப்பேனோ
ஹோ ஓ ஓ
கலைக்கே பிறந்தான்
கவிதை என்னென்பேன்
இனிமைச் சொல் மறப்பேனோ
ஞாயமே கவனிப்பார் உலகில் அறிதுதான்
அந்தோ
ஞாயமே கவனிப்பார் உலகில் அறிதுதான்
அந்தோ
பொறாமை என் உயிர்க் காதலன்
பெருந் தண்டனை அடைந்தானே
He was born solely for art,
Shall I call him poetry itself?
Will I ever forget his sweet words?
Hoo o o
He was born solely for art,
Shall I call him poetry itself?
Will I ever forget his sweet words?
Those who observe with true wisdom are rare in this world,
Alas!
Those who observe with true wisdom are rare in this world,
Alas!
My soul's beloved, due to jealousy,
Has met with a severe punishment.
விதி என்பேனோ வினை என்பேனோ
விஷயந் தெரிகிலேன்
விதி என்பேனோ வினை என்பேனோ
விஷயந் தெரிகிலேன்
விசனத்தாலே வாடினேன்
விசனத்தாலே வாடினேன்
கடவுள் சித்தம் இதாமோ
நானே என்னதான் செய்குவேன்
நலம் இழந்த பெண் ஆனேன்
பொறாமை என் உயிர்க் காதலன்
பெருந் தண்டனை அடைந்தானே
Shall I call it fate? Shall I call it karma?
I am unable to understand the situation.
Shall I call it fate? Shall I call it karma?
I am unable to understand the situation.
I withered away out of deep sorrow,
I withered away out of deep sorrow,
Is this God's pleasing intention?
What indeed can I do by myself?
I have become a woman who lost her happiness.
My soul's beloved, due to jealousy,
Has met with a severe punishment.
Naane ennathaan seiguven
What indeed can I do by myself?
Nalam izhandha penn aanen
I have become a woman who lost her happiness.
Haa…aaa…ini naane ennathaan seiguven
Haa... aaa... now what indeed can I do by myself?
Nalam izhandha penn aanen
I have become a woman who lost her happiness.
Arivum azhagum siranthon uravil
In connection with one supreme in wisdom and beauty,
Arumai maaran pondrae
He is like the precious Kamadeva.
Naane ennathaan seiguven
What indeed can I do by myself?
Nalam izhandha penn aanen
I have become a woman who lost her happiness.
Poraamai en uyir kaadhalan
My soul's beloved, due to jealousy,
Perun thandanai adainthenae
Has met with a severe punishment.
Kalaikkae pirandhaan
He was born solely for art,
Kavidhai en enbaen
Shall I call him poetry itself?
Inimai sol marapaeno
Will I ever forget his sweet words?
Hoo o o
Hoo o o
Kalaikkae pirandhaan
He was born solely for art,
Kavidhai en enbaen
Shall I call him poetry itself?
Inimai sol marapaeno
Will I ever forget his sweet words?
Gnyaamae kavanipaar ulagil aridhuthaan
Those who observe with true wisdom are rare in this world,
Andhoo
Alas!
Gnyaamae kavanipaar ulagil aridhuthaan
Those who observe with true wisdom are rare in this world,
Andhoo
Alas!
Poraamai en uyir kaadhalan
My soul's beloved, due to jealousy,
Perun thandanai adainthenae
Has met with a severe punishment.
Vidhi enbaenoo vinai enbaenoo
Shall I call it fate? Shall I call it karma?
Vishyantherigilaen
I am unable to understand the situation.
Vidhi enbaenoo vinai enbaenoo
Shall I call it fate? Shall I call it karma?
Vishyantherigilaen
I am unable to understand the situation.
Visanathaale vaadinen
I withered away out of deep sorrow,
Visanathaale vaadinen
I withered away out of deep sorrow,
Kadavul sitham idhamoo
Is this God's pleasing intention?
Naane ennathaan seiguven
What indeed can I do by myself?
Nalam izhandha penn aanen
I have become a woman who lost her happiness.
Poraamai en uyir kaadhalan
My soul's beloved, due to jealousy,
Perun thandanai adainthenae
Has met with a severe punishment.
Beyond the translation
Song interpretation
Naane ennathaan seiguven is a emotional song of sorrow and distress from the 1949 movie Kanniyin Kadhali. The protagonist expresses her helplessness and sorrow over the tragic fate that has befallen her beloved. She extols his virtues, comparing him to Kamadeva (the god of love) and referring to him as poetry personified, born purely for the sake of art. Despite his noble character, jealousy from others has brought him terrible punishment. Overwhelmed by grief, she questions whether her suffering is driven by cruel fate, past karma, or divine intention. The song highlights deep romantic devotion juxtaposed with tragic powerlessness in the face of misfortune.
Writing craft
Poetic devices
Upamai (Simile)
“Arumai maaran pondrae”
Comparing the beauty and virtue of her lover directly to 'Maaran' (Kamadeva/Cupid) using the comparative word 'pondrae'.
Uruvagam (Metaphor)
“Kavidhai en enbaen”
Elevating the lover's essence by describing him as poetry ('Kavidhai') personified.
Ethukai and Monai (Alliteration & Rhyme)
“Vidhi enbaenoo vinai enbaenoo”
Use of matching initial consonants ('Vidhi' / 'Vinai') creating rhythmic despair.
Rhetorical Question
“Kadavul sitham idhamoo”
Expressing grief by questioning if the misery is pleasing to God's will.
Did you know?
Trivia
Kanniyin Kadhali (1949) holds historical significance in Tamil cinema as an adaptation of William Shakespeare's famous play 'Twelfth Night'. The film marked the acting debut of veteran actor S. S. Rajendran (SSR) and featured music composed by the prolific C. R. Subbaraman.
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