- Lyricist
- Kannadasan
- Music director
- K. V. Mahadevan
- Movie name
- Sathyam – 1976 Film
- Movie release year
- 1976
- Lyrics added on
- 25 Feb 2024
Lyrics & meaning
Beyond the translation
Overall song meaning
This song is a lively folk-style duet from the 1976 movie Sathyam, featuring playful banter between characters alongside subtle socio-political commentary. The characters swear by the village deity (Mariyamma/Kaliamma) as they engage in lighthearted romantic teasing, drawing parallels from Tamil folklore and Hindu epics such as Lord Murugan marrying Valli with Ganesha's assistance, and references to the Mahabharata. In typical Kannadasan style, the lyricist seamlessly weaves contemporary social themes into the rural romantic dialog. The latter stanzas cleverly reference government reforms of the 1970s, such as land ceiling acts ('uchha varambu') and anti-hoarding policies, metaphorically applying these societal limits on greed and excess to human desires and relationships.
Writing craft
Poetic devices
Moonaai (Initial Rhyme / Alliteration)
“Amma mael aanaiyitaen / Ambalathil solliputtaen”
Repetition of the initial vowel sound 'A' across the opening lines.
Edhugai (Second-letter Rhyme)
“Amma mael aanaiyitaen / Ambalathil solliputtaen”
Matching of second consonants 'm' sound in 'Amma' and 'Ambalathil'.
Mythological Allusion
“Aanaana muruganaye / Andha valli kuratthiyidam / Koodap poranthavarthaan kootti vandhaaru”
Reference to Lord Murugan's marriage to Valli with the help of his brother Vinayagar.
Sociopolitical Metaphor
“Boomikku varppu kattu porulukellaam varambu kattu / Aasaikku ellaikkattum sattam vandhachu”
Using government agricultural land ceiling regulations ('uchha varambu') as a metaphor for placing boundaries on personal desire and greed.
Did you know?
Trivia
Featured in the 1976 film 'Sathyam' starring Sivaji Ganesan and Kamal Haasan, this song composed by K. V. Mahadevan is a classic example of lyricist Kannadasan integrating real-world political developments—specifically the Land Ceiling Acts enacted in Tamil Nadu during the 1970s—into popular film music disguised as a lighthearted village folk duet.
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