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Isaimozhi
Lyrics & meaning

My Dear Meena Un Idea Enna

From Manjal Mahimai · 1959

Lyricist
A. Maruthakasi
Singers
Jikki, S. C. Krishnan
Music director
Master Venu
Movie name
Manjal Mahimai
Movie release year
1959
Lyrics added on
14 Apr 2022

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
My dear maina un idea enna
Kanne my dear maina idea enna
Vadhaipadhu thaana ennai vadhaipadhu dhaana
My dear sir nee yosichu paaru
Vadhaippadhu yaaru summa vadhaipapdhu yaaru
Kaadhalai kannalae kattiya man melae
Vedhanai thandhennai veruppathum edhanaale
Sothanai seidhalae thaangaadhu ini melae
Sothanai seidhalae thaangaadhu ini melae
Sollaalae ammaadi kolladhae nallaalae
My dear maina un idea enna
Solvadhai thallaamae joliyai paarum
Thollaiyai tharalaamoo tele phonil neerum
Ullaasa pechaalae oor vambhu serum
Ullaasa pechaalae oor vambhu serum
Uthiyogam paripoga unnaalae nerum
My dear sir nee yosichu paaru
Velaiyae ponaa pogattum thallu
Jolly ah vaazhalaam sari endru sollu
Veetukku ejamaani aakuven onne
Verum pechu payalaaga ennadhae ennai
My dear maina un idea enna
Vaaliba kirukkalae vaai pandhal podum
Manam maari pinnaalae thisai thappai odum
Aan pillai ellorum pesugira pechu
Ariyaadha pennalla uss moochu
My dear sir nee yosichu paaru
Vadhaippadhu yaaru summa vadhaipapdhu yaaru
My dear Meena, what is on your mind?
Darling, my dear Meena, what is on your mind?
Is it just to torment me? To torment me like this?
My dear Charu, think about it,
Who is tormenting whom? Who is teasing for no reason?
After showing me love through your eyes in this world,
Why do you cause me pain and push me away?
If you keep testing me, I cannot bear it anymore.
If you keep testing me, I cannot bear it anymore.
Oh girl, do not kill me with your words—it is not fair!
My dear Meena, what is on your mind?
Do not brush off what I say, mind your work!
Is it right to keep bothering me over the telephone?
All this playful flirting will only stir up gossip.
All this playful flirting will only stir up gossip.
Because of you, I might even lose my job!
My dear Charu, think about it,
If the job goes, let it go, forget about it!
We can live happily together, just say yes!
I will make you the mistress of my home,
Do not think of me as a guy of mere empty talk!
My dear Meena, what is on your mind?
In youthful craze, you make grand promises with words,
Later, your mind will change and lose its way.
This is the way all men talk—
I am not a naive girl, hush... not another breath!
My dear Charu, think about it,
Who is tormenting whom? Who is teasing for no reason?
Male
Female
Male
Female
Male
Female

Beyond the translation

Overall song meaning

This playful duet from the 1959 Tamil film 'Manjal Mahimai' features a lighthearted phone conversation between two lovers. The hero attempts to persuade and woo the heroine, asking if her goal is simply to tease and torment him. He professes his true love and promises to make her the mistress of his house if she accepts him. The heroine realistically responds by warning him against wasting time on the telephone during work, noting that idle banter leads to workplace gossip and job loss. She dismisses his romantic promises as typical empty talk of young men, showing her sensible nature while maintaining a witty exchange.

Writing craft

Poetic devices

Code-mixing / Tanglish

My dear maina un idea enna

Blending English loan words ('My dear', 'idea', 'sir', 'tele phonil', 'Jolly') into traditional Tamil song lyrics to represent modern urban romance.

Monai (Alliteration)

Kaadhalai kannalae kattiya man melae

Repetition of the 'Ka' sound at the beginning of adjacent words creating rhythmic harmony.

Idiomatic Metaphor (Vaai Pandhal Podum)

Vaaliba kirukkalae vaai pandhal podum

The phrase 'vaai pandhal podum' literally means 'building a thatched canopy with the mouth', a Tamil idiom for making grand, empty promises.

Did you know?

Trivia

'Manjal Mahimai' (1959) is the Tamil remake of the iconic Telugu hit 'Illarikam'. The film starred A. Nageswara Rao and Savitri. Lyricist A. Maruthakasi incorporated modern elements like the telephone into the song to reflect urban middle-class youth culture of the late 1950s.

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