- Lyricist
- Udumalai Narayanakavi
- Singers
- P. Susheela, Sarojini
- Music director
- Master Venu
- Movie name
- Manjal Mahimai
- Movie release year
- 1959
- Lyrics added on
- 10 Apr 2022
Lyrics & meaning
Beyond the translation
Overall song meaning
This auspicious song from Manjal Mahimai (1959) serves as a traditional set of ethical guidelines (Araneri) for newly married couples and family members. Udumalai Narayanakavi outlines essential principles for leading a happy, harmonious marital and familial life centered around love, mutual respect, and selfless devotion. The lyrics advise the bride to hold her husband in highest esteem, treat her brother-in-law as her own child, respect her in-laws, and maintain warm relationships with all relatives. It also reminds the couple that a wife is an equal partner sharing both joy and sorrow, and cautions against arrogance during prosperity, disrespecting parents, or using pillow-talk to create family rifts.
Writing craft
Poetic devices
Metaphor (Uruvagam)
“Kondavarai ullam ennum Koyilukkul vaikkonum”
The human heart is metaphorically framed as a sacred temple where the husband should reside.
Edhugai (Second-letter Rhyme)
“Kozhunthanai thanae pettra / Kuzhandhaiyaaga nenaikanum”
The second letter 'zha' matches between 'Kozhunthanai' and 'Kuzhandhaiyaaga', creating a rhythmic flow.
Monai (First-letter Alliteration)
“Anbinaal endrum neengal ondraai vaazhanum”
The initial vowel 'A' is repeated across 'Anbinaal', 'endrum', and 'ondraai' (vowel harmony monai).
Idiomatic Expression (Pazhamozhi / Sollaratchi)
“Samyam thaan kidaikum bothu Thalayanai mandhiram jabikathae”
'Thalayanai mandhiram' refers to pillow-talk or manipulative whispering in private, a classic Tamil idiomatic caution.
Did you know?
Trivia
Manjal Mahimai (1959) starred A. Nageswara Rao, Savitri, and B. Saroja Devi. It was the Tamil remake of the 1956 Telugu hit 'Ilavelpu'. The lyricist Udumalai Narayanakavi was famous for embedding social reform and moral values (Kaviraayar tradition) even in formal film songs.
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