- Lyricist
- Vaali
- Singers
- S. P. Balasubrahmanyam, S. Janaki
- Music director
- Ilayaraja
- Movie name
- Nadodi Pattukkaran
- Movie release year
- 1992
- Lyrics added on
- 23 Sept 2018
Lyrics & meaning
Beyond the translation
Overall song meaning
This song from 'Nadodi Pattukkaran' begins with folk-infused reverence for the divine Mother Goddess who sustains all life on earth, while honoring the itinerant singer who weaves poetic garlands in her praise. It transitions into a romantic exchange where lovers express deep adoration and devotion to each other using classical and mythological imagery. As the song progresses, it transforms into a bold assertion of female strength, self-worth, and regional pride. The heroine likens her resolve to the legendary Queen Mangammal and southern heritage, warning that while she is soft as a flower when respected, she can erupt like an earthquake or turn sharp as thorns against those who try to impede or disrespect her.
Writing craft
Poetic devices
Simile (Upamai)
“Boogambam pola pongi azhippaalae / Poovaippol ponniruppaa / Mullaippol maariduvaa”
Compares the anger and duality of the heroine's nature to earthquakes, flowers, and thorns depending on how she is treated.
Allusion & Metaphor (Uruvagam)
“Soodi kodutha sudar kodiyae”
Refers to Andal ('Soodi Kodutha Sudar Kodi'), the famous Tamil Vaishnavite saint-poet who offered flower garlands to the lord after wearing them.
Proverb / Folk Idiom
“Kombuthaen unakkedhukku kittaadha mudavanukku”
Uses the traditional Tamil proverb about a crippled person reaching for honey on a tall branch ('Kittaadha mudavan kombuthaenukku aasaippaduvadhubol') to mock unrealistic desire.
Edhukai (Second Letter Rhyme)
“Koduththava yaaru / Kaappava yaaru”
Rhyming of second consonant letters in adjacent lines, a staple feature of traditional Tamil prosody.
Did you know?
Trivia
Composed by Maestro Ilaiyaraaja with lyrics by Vaali for the 1992 film 'Nadodi Pattukkaran', the song features rich cultural references including the deity worship typical of Tamil folk tradition, Vaishnavite devotional lore (Andal), and historical pride referencing Queen Rani Mangammal of the Madurai Nayak dynasty.
Keep listening
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