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Lyrics & meaning

Madhurai Arasaalum

From Thirumalai Thenkumari · 1970

Lyricist
Ulunthur Pettai Shanmugam
Singers
Sirkazhi Govindarajan, L. R. Eswari, M. R. Vijaya
Music director
Kunnakudi Vaidyanathan
Details
Thirumalai Thenkumari1970

Lyrics & meaning

Tanglish lyrics English translation
Male
Madurai arasaalum meenakshiGoddess Meenakshi who rules over Madurai,
Maanagar kaanchiyilae kaamaakshiGoddess Kamakshi in the great city of Kanchipuram,
Madurai arasaalum meenakshiGoddess Meenakshi who rules over Madurai,
Maanagar kaanchiyilae kaamaakshiGoddess Kamakshi in the great city of Kanchipuram,
Madurai arasaalum meenakshiGoddess Meenakshi who rules over Madurai,
Female
Thillayil aval peyar sivagaamiIn Thillai, her name is Sivagami,
Thirukadavoorinilae abiraamiIn Thirukaddavoor, she is Abirami,
Thillayil aval peyar sivagaamiIn Thillai, her name is Sivagami,
Thirukadavoorinilae abiraamiIn Thirukaddavoor, she is Abirami,
Nellayil arul tharuvaal gaandhimadhiIn Tirunelveli, Gandhimathi grants her divine grace,
Nellayil arul tharuvaal gaandhimadhiIn Tirunelveli, Gandhimathi grants her divine grace,
Annai aval allaal yaedhu gathi …..Other than that Mother, what refuge is there for us?
Male
Madurai arasaalum meenakshiGoddess Meenakshi who rules over Madurai,
Maanagar kaanchiyilae kaamaakshiGoddess Kamakshi in the great city of Kanchipuram,
Madurai arasaalum meenakshiGoddess Meenakshi who rules over Madurai,
Female
Thiripura sundhari seerkaazhiyilaeShe is Tripura Sundari in Sirkazhi,
Male :Seerkaazhiyilae…..ae…aaa…aa…aa…aa…In Sirkazhi... (vocalizing)
Female :Thiripura sundhari seerkaazhiyilaeShe is Tripura Sundari in Sirkazhi,
Sivasakthi paarvathi kailaiyilaeShe is Sivasakthi Parvathi in Kailash,
Thiripura sundhari seerkaazhiyilaeShe is Tripura Sundari in Sirkazhi,
Sivasakthi paarvathi kailaiyilaeShe is Sivasakthi Parvathi in Kailash,
Varam tharum karpagamaai mayilaiyilaeShe is Karpagambal granting boons in Mylapore,
Varam tharum karpagamaai mayilaiyilaeShe is Karpagambal granting boons in Mylapore,
Manjamena nenjil vaazhbavalaeShe who resides in our hearts like a divine throne,
Male
Madurai arasaalum meenakshiGoddess Meenakshi who rules over Madurai,
Maanagar kaanchiyilae kaamaakshiGoddess Kamakshi in the great city of Kanchipuram,
Madurai arasaalum meenakshiGoddess Meenakshi who rules over Madurai,
Female
Thiruvaerkaatinilae karumaariShe is Karumari in Thiruverkadu,
Then pudhuvai nagarinile muthu maariShe is Muthu Maari in the southern city of Puducherry,
Thiruvaerkaatinilae karumaariShe is Karumari in Thiruverkadu,
Then pudhuvai nagarinile muthu maariShe is Muthu Maari in the southern city of Puducherry,
Samayapuram thannil magamaayeeShe is Magamayee in Samayapuram,
Samayapuram thannil magamaayeeShe is Magamayee in Samayapuram,
Sowbaghyam thandhiduvaal maakaaliMahakali will bestow prosperity,
Sagala sowbaghyam thandhiduvaal maakaaliMahakali will bestow all forms of prosperity,
Male
Madurai arasaalum meenakshiGoddess Meenakshi who rules over Madurai,
Sa ga ga gaa ga gaa ga ga ga[Rhythmic Solkattu / Swara vocalization]
Ri ma pa gaa ri[Rhythmic Solkattu / Swara vocalization]
Ga ma ga ma ga ma[Rhythmic Solkattu / Swara vocalization]
Ri ga sa ri ni ri sa[Rhythmic Solkattu / Swara vocalization]
Ga ri sa nee da pa[Rhythmic Solkattu / Swara vocalization]
Ni sa ga ri sa[Rhythmic Solkattu / Swara vocalization]
Male
Sa ri ma ga sa ni da sa[Rhythmic Solkattu / Swara vocalization]
Sa ri ni pa ma pa[Rhythmic Solkattu / Swara vocalization]
Sa ri ni sa ma ri pa[Rhythmic Solkattu / Swara vocalization]
Pa da ni sa ma pa[Rhythmic Solkattu / Swara vocalization]
Ni sa ga ri sa[Rhythmic Solkattu / Swara vocalization]
Male
Ri ga ri ga sa ri ni sa[Rhythmic Solkattu / Swara vocalization]
Ni sa ri pa ga[Rhythmic Solkattu / Swara vocalization]
Ri pa ma ga ri ga sa ri[Rhythmic Solkattu / Swara vocalization]
Ni pa ga ri sa[Rhythmic Solkattu / Swara vocalization]
Male
Ga ma ga ma ri sa ri sa[Rhythmic Solkattu / Swara vocalization]
Sa ri ri sa ri[Rhythmic Solkattu / Swara vocalization]
Male
Ni sa ri ma ga[Rhythmic Solkattu / Swara vocalization]
Male
Sa ni ri sa ni[Rhythmic Solkattu / Swara vocalization]
Male
Ma pa sa[Rhythmic Solkattu / Swara vocalization]
Male
Ma pa ri[Rhythmic Solkattu / Swara vocalization]
Male
Ga ri ri ga ri ri ga ri ri sa ni sa[Rhythmic Solkattu / Swara vocalization]
Ga ri sa ni pa[Rhythmic Solkattu / Swara vocalization]
Pa ma pa ni ni sa[Rhythmic Solkattu / Swara vocalization]
Ni sa ga sa ga[Rhythmic Solkattu / Swara vocalization]
Sa ga ma ga ma[Rhythmic Solkattu / Swara vocalization]
Da ma ga ri sa[Rhythmic Solkattu / Swara vocalization]
Ni sa ni da ma[Rhythmic Solkattu / Swara vocalization]
Ga ma pa ni sa[Rhythmic Solkattu / Swara vocalization]
Male
Madurai arasaalum meenakshiGoddess Meenakshi who rules over Madurai,
Maanagar kaanchiyilae kaamaakshiGoddess Kamakshi in the great city of Kanchipuram,
Madurai arasaalum meenakshiGoddess Meenakshi who rules over Madurai

Beyond the translation

Song interpretation

This devotional hymn from Thirumalai Thenkumari celebrates the omnipresence and various manifestations of the Supreme Goddess (Shakthi) across iconic South Indian pilgrimage sites. The song praises how the Mother Goddess resides as Meenakshi in Madurai, Kamakshi in Kanchipuram, Sivagami in Chidambaram, Abirami in Thirukaddavoor, and Gandhimathi in Tirunelveli, asserting that there is no supreme refuge other than Her. As the lyrics progress, they pay tribute to Tripura Sundari of Sirkazhi, Parvathi of Mount Kailash, Karpagambal of Mylapore, Karumari of Thiruverkadu, Muthu Maari of Puducherry, Magamayee of Samayapuram, and Mahakali who bestows all prosperity. The song emphasizes that despite different names and temples, She is the singular divine mother residing in the hearts of devotees, concluding with energetic Carnatic swara passages (solkattu) celebrating Her glory.

Writing craft

Poetic devices

Emoni (Anaphora / Initial Rhyme)

Madurai arasaalum meenakshi / Maanagar kaanchiyilae kaamaakshi

The repetition of similar consonant/vowel sounds at the beginning of consecutive lines, such as 'Madurai' and 'Maanagar' or 'Thillayil' and 'Thirukadavoorinilae'.

Edhai (Second letter rhyming)

Thillayil aval peyar sivagaami / Thirukadavoorinilae abiraami

A key classical Tamil poetic convention where the second letter of adjoining lines shares the same consonant sound ('da' in Madurai, 'na' in Maanagar / 'll' in Thillayil, 'ru' in Thirukadavoorinilae).

Iyaibu (End Rhyme)

Thillayil aval peyar sivagaami / Thirukadavoorinilae abiraami

Matching end sounds in successive lines, such as 'Meenakshi' and 'Kaamaakshi', or 'Sivagaami' and 'Abiraami'.

Metaphor (Uruvagaimai)

Manjamena nenjil vaazhbavalae

Comparing the heart of the devotee to a divine throne or bed ('manjam') where the mother goddess resides.

Did you know?

Trivia

Composed for the 1970 Tamil devotional travelogue film 'Thirumalai Thenkumari' directed by A. P. Nagarajan, this song features music composed by Kunnakudi Vaidyanathan and lyrics by Ulunthurpettai Shanmugam. The track was sung by P. Susheela and Seerkazhi Govindarajan, serving as a popular devotional anthem celebrating prominent Shakthi temples across Tamil Nadu.

Keep listening

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