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Anandha Kanneer album cover
Lyrics & meaning

Maalai Podura

From Anandha Kanneer · 1986

Lyricist
Vaali
Singer
S. P. Balasubrahmanyam
Music director
Shankar Ganesh
Movie name
Anandha Kanneer
Movie release year
1986
Lyrics added on
13 Mar 2020

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Maala podura kalyaanamaa
Yaelam podura vyaabaaramaa
Peyarukku manamagan avanoru vilai magan
Yaarukkumae vetkam illa maanam illa
Maala podura kalyaanamaa
Yaelam podura vyaabaaramaa
Peyarukku manamagan avanoru vilai magan
Yaarukkumae vetkam illa maanam illa
Thallaadha vayasilae thanthai ingu paduthittaa
Illaadha seedhanatha thannai vithu koduthittaa
Podhumadaa saamigalaa ponna petha perum paavam
Podhumadaa saamigalaa ponna petha perum paavam
Kalyaanam sorgathil unma thaanaa ha
Maala podura kalyaanamaa
Yaelam podura vyaabaaramaa
Peyarukku manamagan avanoru vilai magan
Yaarukkumae vetkam illa maanam illa
Ponnoda nethiyila kungumamaa minnuvadhu
Appaavin maeniyilae sindhi vandha ratham adhu
Saandhi illaa mugoortham idhu edhuvum ingae sadangaachu
Saandhi illaa mugoortham idhu edhuvum ingae sadangaachu
Kanneerum panneerum onnu thaanaa
Maala podura kalyaanamaa
Yaelam podura vyaabaaramaa
Peyarukku manamagan avanoru vilai magan
Yaarukkumae vetkam illa maanam illa
Vetkam illa maanam illa
Is this a wedding of exchanging garlands?
Or a business deal done by auction?
A groom in name only, he is just a man for sale!
Nobody has any shame, nobody has any self-respect!
Is this a wedding of exchanging garlands?
Or a business deal done by auction?
A groom in name only, he is just a man for sale!
Nobody has any shame, nobody has any self-respect!
In his frail old age, the father has collapsed into bed.
To give a dowry he did not have, he sold himself away.
Enough, good people, of this heavy burden of bearing a daughter!
Enough, good people, of this heavy burden of bearing a daughter!
Are marriages really made in heaven? Ha!
Is this a wedding of exchanging garlands?
Or a business deal done by auction?
A groom in name only, he is just a man for sale!
Nobody has any shame, nobody has any self-respect!
Is that kumkum (red powder) shining on the bride's forehead?
That is the blood spilled from her father's body!
This wedding hour has no peace; everything here has become an empty ritual.
This wedding hour has no peace; everything here has become an empty ritual.
Are tears and rosewater the same now?
Is this a wedding of exchanging garlands?
Or a business deal done by auction?
A groom in name only, he is just a man for sale!
Nobody has any shame, nobody has any self-respect!
No shame at all, no self-respect!
Male
Male
Male
Male
Male
Male

Beyond the translation

Overall song meaning

Maala podura kalyaanamaa from the film Anandha Kanneer (1986) is a scathing critique of the commercialization of marriage and the social evil of the dowry system. Lyricist Vaali sharply questions whether modern weddings are truly sacred unions or merely financial auctions where grooms sell themselves to the highest bidder. The song portrays the tragic plight of an elderly father who ruins his health and financial standing to satisfy the groom's family demands. Through stark visual imagery—such as equating the red vermilion on the bride's forehead to her father's spilled blood—the song reveals the deep pain hidden behind bright wedding festivities. It challenges traditional beliefs, such as marriages being made in heaven, and laments the tragic reality that raising a daughter is treated as a burden due to societal greed.

Writing craft

Poetic devices

Rhetorical Question

Maala podura kalyaanamaa / Yaelam podura vyaabaaramaa

The speaker challenges the sacrosanct nature of marriage by asking if it is merely an auction or business transaction.

Metaphor

Ponnoda nethiyila kungumamaa minnuvadhu / Appaavin maeniyilae sindhi vandha ratham adhu

The red kumkum on the bride's forehead is metaphorically equated to the blood drained from her suffering father's body.

Juxtaposition / Irony

Kanneerum panneerum onnu thaanaa

Contrasts 'kanneer' (tears of sorrow) with 'panneer' (rosewater used in celebrations) to show how suffering is hidden behind festive rituals.

Edhukai (Second Letter Rhyme)

Maala podura kalyaanamaa / Yaelam podura vyaabaaramaa

The second letter in 'Maala' and 'Yaelam' rhyming (l-sound / retroflex l) creates rhythmic cadence in traditional Tamil lyricism.

Did you know?

Trivia

Anandha Kanneer (1986), starring Shivaji Ganesan and directed by K. Vijayan, deals heavily with themes of familial breakdown, financial hardship, and dowry demands. The soundtrack for the film was composed by the duo Sankar-Ganesh, with lyrics penned by Vaali.

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