- Lyricist
- A. Maruthakasi
- Singer
- Seerkazhi Govindarajan
- Music director
- G. Ramanathan
- Movie name
- Satharam
- Movie release year
- 1956
- Lyrics added on
- 28 Jan 2026
Lyrics & meaning
Beyond the translation
Overall song meaning
This song is a sharp political satire from the movie 'Satharam' (1956). The character singing boasts about his foolish and short-sighted governance decisions, foolishly believing he is a grand administrative genius. He cuts down roadside trees to solve firewood shortages and prevent falling branches, destroys public rest-houses (satharam) to drive away idle mendicants, and fires officials to save state funds on salaries and curb corruption. Through a call-and-response style, the narrator asks whether his actions yield profit or loss, while the realistic voice points out the disastrous consequences of each act (loss of shade, huge demolition costs, and governance breakdown). The song brilliantly concludes with the ironic reality: 'Profit is one, loss is a hundred!'
Writing craft
Poetic devices
Dramatic Irony / Satire (Nindha Stuthi)
“Ennai pola buthisaali / Yaaru indha oorile”
The speaker praises himself as a genius ('Ennai pola buthisaali'), while his actual actions are disastrous and short-sighted, highlighting comedic irony.
Alliteration (Monaai)
“Pazham koduthu palan kodukkum”
Repetition of the 'p' sound at the beginning of adjacent words ('Pazham', 'palan').
Rhyme / Internal Assonance (Edhugai & Iyaibu)
“Sambalamum vaangi kittu / Kimbalamum pethukittu”
Use of matching internal rhyming words like 'Sambalamum' (salary) and 'Kimbalamum' (bribe) to create rhythmic musicality.
Linguistic Code-Switching
“Laabam okatti nastam nooru”
Inclusion of Madras Tamil street slang ('nainaa paiyaa') along with Telugu loan words ('yemi ledhu', 'okatti') commonly used in historical Tamil folk dialogue.
Did you know?
Trivia
'Satharam' (1956) was scored by legendary composer G. Ramanathan and featured lyrics by A. Maruthakasi, who was renowned for crafting social critiques disguised as accessible folk songs. Seerkazhi Govindarajan's theatrical rendering elevates the comedic pomposity of the character.
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