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Isaimozhi
Paramasivan album cover
Lyrics & meaning

Kannan

From Paramasivan · 2006

Lyricist
Kirithaya
Singers
Kalyani Menon, Saindhavi, Lakshmi Rangarajan
Music director
Vidyasagar
Movie name
Paramasivan
Movie release year
2006
Lyrics added on
16 Jul 2019

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Kannan mani vannan
Avan arumai solla povom
Mannan mazhai vannan
Avan magimai eliya dhaamo
Aayan alankaaran
Kadal paayil thuyil aano
Maayan malar thooyan
En isaikkae isai aano
Kannan mani vannan
Avan arumai solla povom
Paarkadalil avan irukka
Paambanaiyaai naan iruppen
Female & Chorus :
Dwarakkaiyil avan vasikka
Thulasivanam aagiruppen
Geethai inai avan vidhaikka
Padhaiyilae vizhundhiruppen
Yamunai nadhi theerathilae
Radhaiyena kaathiruppen
Vennai thirudum
Pooviral ennai thazhuva
Aasaiyil kannam nelira
Maanavan innal puriya
Nadandhadhu kanava nenava
Mayakkathil kidandha naan
Innum enna solla aaaa….aaa…aa…aa…
Kannan, jewel-hued and radiant,
Let us go and speak of his greatness.
The king with the color of rainclouds,
Is his glory something simple to fathom?
The cowherd, beautifully adorned,
Did he fall asleep upon the ocean bed?
The enchanter, pure as a flower,
Did he become the melody to my music?
Kannan, jewel-hued and radiant,
Let us go and speak of his greatness.
If he rests upon the Ocean of Milk,
I will be the serpent bed beneath him.
Female & Chorus:
If he resides in Dwaraka,
I will be a grove of holy Tulasi.
As he sows the peerless Gita,
I will lie along his path.
By the banks of the Yamuna River,
I will wait for him like Radha.
The hands that steal butter—
When those flower-soft fingers embrace me,
My cheeks flush with sweet longing,
As that playful lad teases me.
Was what happened a dream or reality?
Lost in that sweet trance,
What more is there to say? Ah... ah... ah...
Female
Female
Chorus
Female
Female
Female

Beyond the translation

Overall song meaning

This song is a deep expression of Madhura Bhakti (devotional love) toward Lord Krishna. The singer praises Krishna's divine form, comparing his dark complexion to precious gems and rain clouds, and marvels at his vast glory. The narrator longs to merge into Krishna's divine play across different realms and epics—wishing to be Adisesha (the serpent bed) in the Milky Ocean, the Tulsi forest in Dwarka, or a fallen leaf on his path as he preaches the Bhagavad Gita. In the second half, the emotion intensifies as the devotee imagines waiting for Krishna on the banks of the Yamuna like Radha. She describes the gentle, ecstatic touch of the lord and wonders whether her experience of his divine presence was a dream or reality, ultimately surrendering to a state of bliss.

Writing craft

Poetic devices

Etukai (Second letter rhyme)

Kannan mani vannan / Mannan mazhai vannan

The second consonant 'nna' is repeated across consecutive lines to create rhythmic symmetry.

Metaphor (Uruvagam)

Mannan mazhai vannan

Krishna's skin tone is directly compared to dark rain-bearing clouds ('mazhai vannan') and dark precious gems ('mani vannan').

Monai (Initial alliteration)

Maayan malar thooyan

The starting sound 'Ma' is repeated in 'Maayan' and 'malar' for musicality.

Anaphora / Devotional Repetition

Paambanaiyaai naan iruppen / Thulasivanam aagiruppen

Repeated structural vows of total devotion ('naan iruppen', 'aagiruppen', 'vizhundhiruppen') emphasizing total surrender.

Did you know?

Trivia

Although the movie 'Paramasivan' (2006) is named after Lord Shiva, this particular song composed by Vidyasagar uses classical Vaishnavite devotional poetry tropes (Prabandham-style lyricism) depicting Radha's love for Krishna.

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