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Isaimozhi
Lyrics & meaning

Kannan

From Paramasivan · 2006

Lyricist
Kirithaya
Singers
Kalyani Menon, Saindhavi, Lakshmi Rangarajan
Music director
Vidyasagar
Details
Paramasivan2006

Lyrics & meaning

Tanglish lyrics English translation
Female
Kannan mani vannanKrishna, colored like a precious gem
Avan arumai solla povomWe shall speak of his greatness
Mannan mazhai vannanThe king, colored like the rainbearing cloud
Avan magimai eliya dhaamoIs his divine glory a simple thing to describe?
Aayan alankaaranThe decorated cowherd lord
Kadal paayil thuyil aanoDid he sleep on the bed of the ocean?
Maayan malar thooyanThe magical one, pure as a flower
En isaikkae isai aanoDid he become the music to my music?
Female
Kannan mani vannanKrishna, colored like a precious gem
Avan arumai solla povomWe shall speak of his greatness
Chorus
Paarkadalil avan irukkaWhile he resides in the Milky Ocean
Paambanaiyaai naan iruppenI will remain as his serpent bed
Female & Chorus :Female Singer & Chorus:
Dwarakkaiyil avan vasikkaWhen he resides in Dwarka
Thulasivanam aagiruppenI will become the sacred Tulsi forest
Female
Geethai inai avan vidhaikkaAs he sows the divine truths of the Gita
Padhaiyilae vizhundhiruppenI will lie fallen upon his path
Female
Yamunai nadhi theerathilaeOn the banks of the Yamuna River
Radhaiyena kaathiruppenI will wait like Radha
Female
Vennai thirudumThe one who steals butter
Pooviral ennai thazhuvaAs his flower-like fingers embrace me
Aasaiyil kannam neliraMy cheeks blush and soften with desire
Maanavan innal puriyaAs the divine human inflicts sweet torment
Nadandhadhu kanava nenavaDid what happened occur in a dream or reality?
Mayakkathil kidandha naanI who lay in a trance of bliss
Innum enna solla aaaa….aaa…aa…aa…What more can I say? Ah...

Beyond the translation

Song interpretation

This song is a deep expression of Madhura Bhakti (devotional love) toward Lord Krishna. The singer praises Krishna's divine form, comparing his dark complexion to precious gems and rain clouds, and marvels at his vast glory. The narrator longs to merge into Krishna's divine play across different realms and epics—wishing to be Adisesha (the serpent bed) in the Milky Ocean, the Tulsi forest in Dwarka, or a fallen leaf on his path as he preaches the Bhagavad Gita. In the second half, the emotion intensifies as the devotee imagines waiting for Krishna on the banks of the Yamuna like Radha. She describes the gentle, ecstatic touch of the lord and wonders whether her experience of his divine presence was a dream or reality, ultimately surrendering to a state of bliss.

Writing craft

Poetic devices

Etukai (Second letter rhyme)

Kannan mani vannan / Mannan mazhai vannan

The second consonant 'nna' is repeated across consecutive lines to create rhythmic symmetry.

Metaphor (Uruvagam)

Mannan mazhai vannan

Krishna's skin tone is directly compared to dark rain-bearing clouds ('mazhai vannan') and dark precious gems ('mani vannan').

Monai (Initial alliteration)

Maayan malar thooyan

The starting sound 'Ma' is repeated in 'Maayan' and 'malar' for musicality.

Anaphora / Devotional Repetition

Paambanaiyaai naan iruppen / Thulasivanam aagiruppen

Repeated structural vows of total devotion ('naan iruppen', 'aagiruppen', 'vizhundhiruppen') emphasizing total surrender.

Did you know?

Trivia

Although the movie 'Paramasivan' (2006) is named after Lord Shiva, this particular song composed by Vidyasagar uses classical Vaishnavite devotional poetry tropes (Prabandham-style lyricism) depicting Radha's love for Krishna.

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