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Isaimozhi
Lyrics & meaning

Kankanum Katchiye

From Ratha Pasam · 1954

Lyricist
Ku. Ma. Balasubramaniam
Singer
Radha Jayalakshmi
Music director
A. V. Nadarajan
Details
Ratha Pasam1954

Lyrics & meaning

Tanglish lyrics English translation
Female
Kann kaanum kaatchiyae inbamaaIs the sight seen by the eyes true pleasure?
Manadhaal kaanbadhae azhivilaa inbamaaIs that which is envisioned by the mind everlasting bliss?
Kann irundhum kann kaanum kaatchiyae inbamaaEven having eyes, is the sight seen by the physical eyes true pleasure?
Manadhaal kaanbadhae azhivilaa inbamaaIs that which is envisioned by the mind everlasting bliss?
Female
Kann irundhum kann kaanum kaatchiyae inbamaaEven having eyes, is the sight seen by the physical eyes true pleasure?
Manadhaal kaanbadhae azhivilaa inbamaaIs that which is envisioned by the mind everlasting bliss?
Female
Vanna mayil thaan irundhumEven when a colorful peacock is present,
Van kozhiyudanae madhana leelaiyadiengaging in romantic games with a wild turkey,
Vaazhvadhae inbamaais living such a life true happiness?
Vanna mayil thaan irundhumEven when a colorful peacock is present,
Van kozhiyudanae madhana leelaiyadiengaging in romantic games with a wild turkey,
Vaazhvadhae inbamaais living such a life true happiness?
Female
Alaiulaavum kadalilaeIn the ocean where waves wander,
Aasai thendral kaatrinilaein the breeze of worldly desires,
Nilaiyiladha odathilaein an unstable, rocking boat,
Ninaivizhandhu selvadhae inbamaais drifting away losing consciousness true happiness?
Female
Kannillaadhavan kalai kugaiyilaeFor a blind person inside a cave of art,
Kaanum azhagedhuvoowhat beauty is there to behold?
Unmai unarndhum vazhi thadumaariEven after realizing the truth, stumbling off the right path,
Odi alaivadhuvoois running around aimlessly true life?
Female
Kann kaanum kaatchiyae inbamaaIs the sight seen by the eyes true pleasure?
Manadhaal kaanbadhae azhivilaa inbamaaIs that which is envisioned by the mind everlasting bliss?
Kann irundhum kann kaanum kaatchiyae inbamaaEven having eyes, is the sight seen by the physical eyes true pleasure?
Manadhaal kaanbadhae azhivilaa inbamaaIs that which is envisioned by the mind everlasting bliss?
Female
Kann irundhum kann kaanum kaatchiyae inbamaaEven having eyes, is the sight seen by the physical eyes true pleasure?
Manadhaal kaanbadhae azhivilaa inbamaa…Is that which is envisioned by the mind everlasting bliss?

Beyond the translation

Song interpretation

This song presents a profound philosophical inquiry into the nature of true happiness and perception. It contrasts transient, sensory sights (seen by physical eyes) with everlasting spiritual or intellectual vision (seen by the inner mind). Through vivid allegories—such as choosing a wild fowl over a graceful peacock or losing one's bearings on a shaky boat amidst turbulent seas—the lyrics criticize foolish desires, moral straying, and the ignorance of preferring superficial pleasures over eternal truth.

Writing craft

Poetic devices

Contrast / Anthesis (Maranu)

Kann kaanum kaatchiyae inbamaa / Manadhaal kaanbadhae azhivilaa inbamaa

Contrasts physical vision ('Kann kaanum kaatchi') with spiritual/mental vision ('Manadhaal kaanbadhu'), and superficial pleasure with eternal bliss ('azhivilaa inbam').

Allegory / Metaphor (Uvamaai)

Vanna mayil thaan irundhum / Van kozhiyudanae madhana leelaiyadi

Uses 'Vanna mayil' (colorful peacock) to symbolize refined beauty/virtue and 'Van kozhi' (wild fowl) to symbolize lower, superficial desires.

Monai (Initial Rhyme / Alliteration)

Alaiulaavum kadalilae / Aasai thendral kaatrinilae

Repetition of initial consonants like 'Alaiulaavum', 'Aasai', 'Nilaiyiladha', 'Ninaivizhandhu'.

Rhetorical Questioning (Vinaa)

Kannillaadhavan kalai kugaiyilae / Kaanum azhagedhuvoo

The continuous use of interrogative suffixes ('-amaa', '-uvoo') forces self-reflection on worldly pursuits.

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Trivia

'Ratha Pasam' (1954) was adapted from a popular stage play by T. K. Shanmugam's TKS Brothers. The film's soundtrack was composed by A. V. Nadarajan with deeply reflective lyrics crafted by Ku. Ma. Balasubramaniam, showcasing the classical Carnatic singing style of Radha Jayalakshmi.

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