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Lyrics & meaning

Kalyana Agathigal

From Kalyana Agathigal · 1985

Lyricist
Vairamuthu
Singer
P. Susheela
Music director
V. S. Narasimhan
Details
Kalyana Agathigal1985

Lyrics & meaning

Tanglish lyrics English translation
Female
Hae hae….Hae hae…
Female :Hae hae….Female: Hae hae…
Female :Hae hae….Female: Hae hae…
Female
………………[Interlude]
Female
Kalyana agathigal naangalWe are refugees of marriage,
Edhrkkum kalangaatha uvathigal naangalWe are young women who do not get unnerved by anything.
Thaali kattavum kooli ketpathuDemanding a wage just to tie the sacred marital thread,
Chorus :Vetkam vetkamChorus: Shame, shame!
Female
Thaali kattavum kooli ketpathuDemanding a wage just to tie the sacred marital thread,
DharmamaanathingaeHas become considered a charitable act here.
Sattam athaiyum paarththu konduAnd watching all this happen, the law,
Chorus :Shame ShameChorus: Shame, shame!
Female
Sattam athaiyum paarththu konduAnd watching all this happen, the law,
Salaam poduthingaeSalutes and bows down to it here.
Female
Kalyana agathigal naangalWe are refugees of marriage,
Edhrkkum kalangaatha uvathigal naangalWe are young women who do not get unnerved by anything.
Female
………………[Interlude]
Female
Samsaara sumaigalaiThe heavy burdens of family life,
Irakki vittomWe have set down.
Kanneerai kannai vittuThe tears from our eyes,
Thuraththi vittomWe have chased away.
Chorus :WelldoneChorus: Well done!
Female
Maappillai jaadhigalaiThe whole breed of prospective grooms,
MaranthuvittomWe have forgotten.
Maangalyam paaramendruConsidering the sacred thali to be a burden,
MaruththuvittomWe have rejected it.
Chorus :WelldoneChorus: Well done!
Female
Appaavaal thittapattomWe were scolded by fathers,
Ammaavaal kuttappattomWe were reprimanded by mothers,
Em kaigal kattapattomOur hands were tied,
Aanukku kattupattomWe were made subservient to men.
Innum ingae kanneer vittuWe have no desire to suffer losses anymore,
Nastappada istamillaiyae….hae….ae…By shedding tears in this place... hae... ae...
Female
Ho ho ho ho….Ho ho ho ho…
Female
Kalyana agathigal naangalWe are refugees of marriage,
Edhrkkum kalangaatha uvathigal naangalWe are young women who do not get unnerved by anything.
Thaali kattavum kooli ketpathuDemanding a wage just to tie the sacred marital thread,
Chorus :Vetkam vetkamChorus: Shame, shame!
Female
Thaali kattavum kooli ketpathuDemanding a wage just to tie the sacred marital thread,
DharmamaanathingaeHas become considered a charitable act here.
Sattam athaiyum paarththu konduAnd watching all this happen, the law,
Chrous : Shame ShameChorus: Shame, shame!
Female
Sattam athaiyum paarththu konduAnd watching all this happen, the law,
Salaam poduthingaeSalutes and bows down to it here.
Female
Kalyana agathigal naangalWe are refugees of marriage,
Edhrkkum kalangaatha uvathigal naangalWe are young women who do not get unnerved by anything.
Female
………………[Interlude]
Female
Poovellam thaalikattiFlowers do not tie a marital thread,
ManapathillaiTo get married,
Endraalum poovukennaYet, does a flower ever lack,
Manamaa illaiFragrance or charm?
Chorus :Once moreChorus: Once more!
Female
Poovellam thaalikattiFlowers do not tie a marital thread,
ManapathillaiTo get married,
Endraalum poovukennaYet, does a flower ever lack,
Manamaa illaiFragrance or charm?
Female
Enaalum paravaikkuBirds never grow gray hair,
NaraipathillaiNo matter what day it is.
Paravaikku maamiyaarAnd for birds, a mother-in-law,
IruppathillaiDoes not exist!
Chorus :HahahahaaChorus: Hahahaha!
Female
Kalyaana paaramillaiThere is no burden of marriage,
Kanneerin eeramillaiThere is no wetness of tears,
Maappillai peramillaiThere is no price-bargaining for grooms,
Naththanaar yaarumillaiThere are no troubling sisters-in-law.
Pattam petra pengalWomen who hold degrees,
Ingu palliyarai kaithi illaiyae hae….ae…Are not prisoners in the bedchamber here... hae... ae...
Female
Ho ho ho ho….Ho ho ho ho…
Female
Kalyana agathigal naangalWe are refugees of marriage,
Edhrkkum kalangaatha uvathigal naangalWe are young women who do not get unnerved by anything.
Thaali kattavum kooli ketpathuDemanding a wage just to tie the sacred marital thread,
Chorus :Vetkam vetkamChorus: Shame, shame!
Female
Thaali kattavum kooli ketpathuDemanding a wage just to tie the sacred marital thread,
DharmamaanathingaeHas become considered a charitable act here.
Female :Vetkam vetkamFemale: Shame, shame!
Female :Sattam athaiyum paarththu konduFemale: And watching all this happen, the law,
Chorus :Shame ShameChorus: Shame, shame!
Female
Sattam athaiyum paarththu konduSattam athaiyum paarththu kondu
Salaam poduthingaeSalutes and bows down to it here.
Female
Kalyana agathigal naangalWe are refugees of marriage,
Edhrkkum kalangaatha uvathigal naangWe are young women who do not get unnerved by anything.
Female
OhhoOhho
Female :AehaeFemale: Aehae
Female :OhhoFemale: Ohho
Female :Aehae hae….Female: Aehae hae…

Beyond the translation

Song interpretation

This anthem from the film 'Kalyana Agathigal' (Marriage Refugees) is a powerful feminist critique against the societal evils of the dowry system, male chauvinism, and oppressive marital structures. A group of independent young women declare themselves 'marriage refugees' who choose to abandon societal expectations rather than succumb to extortion and subjection disguised as holy matrimony. They mock the legal and cultural system that tolerates dowry demands, metaphorically equating dowry to demanding wages for tying a thali. The second half celebrates women's autonomy and freedom using nature imagery. Just as flowers bloom with natural fragrance without needing a marriage bond and birds live untethered without human familial conflicts, degree-educated women deserve to live on their own terms rather than becoming literal prisoners in marital homes. The song serves as a fiery declaration of self-respect, emancipation, and unity among women standing up against systemic patriarchal oppression.

Writing craft

Poetic devices

Metaphor

Kalyana agathigal naangal

Describing unmarried, oppressed women escaping dowry demands as 'Kalyana Agathigal' (Marriage Refugees).

Satire / Irony

Thaali kattavum kooli ketpathu / Dharmamaanathingae

Ironically comparing dowry demanded by the groom's family to 'kooli' (daily wages) and 'dharmam' (charity/alms).

Nature Imagery & Metaphor

Poovellam thaalikatti / Manapathillai / Endraalum poovukenna / Manamaa illai

Comparing women's intrinsic beauty and dignity to flowers that bloom delightfully without requiring a thali.

Emoni (Rhyme Scheme / Monorhyme)

Kalyaana paaramillai / Kanneerin eeramillai / Maappillai peramillai

Consonant end-rhyming using 'illai' across consecutive lines (paaramillai, eeramillai, peramillai, yaarumillai).

Etukai (Second Letter Assonance)

Appaavaal thittapattom / Ammaavaal kuttappattom

Tamil poetic second-letter rhyming pattern: 'Appaavaal', 'Ammaavaal', 'Em kaigal'.

Did you know?

Trivia

Directed by legendary filmmaker K. Balachander, 'Kalyana Agathigal' (1985) is a bold social drama focusing on six women living together after rejecting traditional marriage due to dowry and abuse. The film marked the acting debut of popular actress Nassar. The lyrics by Vairamuthu and music by V. S. Narasimhan provided a fierce feminist voice ahead of its time in 1980s Tamil cinema.

Keep listening

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