- Lyricist
- Kamal Haasan
- Singer
- Padmalatha
- Music director
- Ghibran
- Movie name
- Uttama Villain
- Movie release year
- 2015
- Lyrics added on
- 23 Feb 2023
Lyrics & meaning
Beyond the translation
Overall song meaning
Kadhalaam Kadavul Mun is a sensuous and deeply poetic composition from the film Uttama Villain, penned by Kamal Haasan and set to music by Ghibran. The song metaphorically elevates physical intimacy and romantic desire into a sacred act of devotion. It equates love to God, the eyes to a temple, and physical passion to ritualistic worship (aaraathanai). Through vivid imagery of navigation and music, the lyrics depict desire as a sail navigating a tumultuous river of passion, and gentle touch as the strumming of a Veena. The song celebrates the silent communion between reunited lovers, suggesting that spoken words and language are redundant when two souls merge in harmony. The lyrical structure beautifully blends classical Tamil literary tropes with a retro 1970s musical elegance, capturing both spiritual depth and physical ecstasy.
Writing craft
Poetic devices
Metaphor (Uruvagam)
“Kadhalaam kadavul mun / Kankalaam kovilil”
Compares Love directly to a deity (Kadavul) and eyes to a sacred temple (Kovil).
Extended Metaphor (Uruvagam)
“Kaamamam kadum punal / Kadanthidum padakithu / Aasaiyaa paai maram”
Metaphorically frames passion as a raging river (kadum punal), desire as a sail (paai maram), and the body/relationship as a vessel navigating it.
Simile (Uvamai)
“Veenaiyaai meettum viralgal polae”
Uses the explicit comparative word 'polae' (like) to compare a lover's delicate touch to fingers plucking a Veena.
Alliteration (Monai)
“Kaamamam kadum punal / Kadanthidum padakithu”
Repetition of the initial 'Ka' sound across consecutive words ('Kaamamam', 'kadum', 'Kadanthidum').
Did you know?
Trivia
Written by Kamal Haasan himself, the song pays homage to the lush, sensuous Tamil film songs of the 1970s and 80s composed by legend Ilaiyaraaja. In the film Uttama Villain, this track reflects the vintage period aesthetic of the protagonist Manoranjan's earlier cinematic work, seamlessly blending Carnatic musical sensibilities with modern orchestral instrumentation by Ghibran.
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