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Isaimozhi
Lyrics & meaning

Kadhalaam Kadavul Mun

From Uttama Villain · 2015

Lyricist
Kamal Haasan
Singer
Padmalatha
Music director
Ghibran
Details
Uttama Villain2015

Lyrics & meaning

Tanglish lyrics English translation
Female
Kadhalaam kadavul munBefore the God called Love
Kankalaam kovililIn the temple of the eyes
Thegaththin thaagamae aaraathanai aaraathanaiThe body's thirst itself is the worship, the worship
Female
Kadhalaam kadavul munBefore the God called Love
Kankalaam kovililIn the temple of the eyes
Thegaththin thaagamae aaraathanai aaraathanaiThe body's thirst itself is the worship, the worship
Female
Kadhalaam kadavul munBefore the God called Love
Kankalaam kovililIn the temple of the eyes
Female
Kaamamam kadum punalLust is a fierce rushing stream
Kadanthidum padakithuThis boat crosses through it
Female
Aasaiyaa paai maramDesire is the sail
Amainthathor padagithuThis boat is fashioned with it
Female
Karaiyai thedi alaiyum neramWhile searching and wandering for the shore
Uyirum mezhugaao uruguthaeThe soul melts like wax
Female
Veenaiyaai meettum viralgal polaeLike fingers plucking the Veena
Sundi sundi enai meetti magizhnthidumFlicking and plucking me to delight
Female
KadhalaamLove...
Male :OoMale: Oo
Female :KangalaamFemale: Eyes...
Male :OoMale: Oo
Female :Thegaththin thaagamae aaraathanai aaraathanaiFemale: The body's thirst itself is the worship, the worship
Female
Pirinthavar koodinaalWhen separated lovers unite
Pesavum vendumaaIs there even a need to speak?
Female
Mogaththai sollidaTo express passion
Mozhiyum orr thadai aagumoWill language become an obstacle?
Female
Isaiyin kaalam kanikkum thaalamLike the rhythm that calculates the timing of music
Pola ennudan kalakkavaaWon't you merge with me like that?
Female
Inbam alaiyin sigaram saerkkaTo take bliss to the peak of the wave
Konji konji en seviyil pesidumCooing and whispering in my ear
Female
Kadhalaam kadavul munBefore the God called Love
Kankalaam kovililIn the temple of the eyes
Thegaththin thaagamae aaraathanai aaraathanaiThe body's thirst itself is the worship, the worship
Female
Aaraathanai aaraathanaiWorship, worship
Aaraathanai aaraathanaiWorship, worship

Beyond the translation

Song interpretation

Kadhalaam Kadavul Mun is a sensuous and deeply poetic composition from the film Uttama Villain, penned by Kamal Haasan and set to music by Ghibran. The song metaphorically elevates physical intimacy and romantic desire into a sacred act of devotion. It equates love to God, the eyes to a temple, and physical passion to ritualistic worship (aaraathanai). Through vivid imagery of navigation and music, the lyrics depict desire as a sail navigating a tumultuous river of passion, and gentle touch as the strumming of a Veena. The song celebrates the silent communion between reunited lovers, suggesting that spoken words and language are redundant when two souls merge in harmony. The lyrical structure beautifully blends classical Tamil literary tropes with a retro 1970s musical elegance, capturing both spiritual depth and physical ecstasy.

Writing craft

Poetic devices

Metaphor (Uruvagam)

Kadhalaam kadavul mun / Kankalaam kovilil

Compares Love directly to a deity (Kadavul) and eyes to a sacred temple (Kovil).

Extended Metaphor (Uruvagam)

Kaamamam kadum punal / Kadanthidum padakithu / Aasaiyaa paai maram

Metaphorically frames passion as a raging river (kadum punal), desire as a sail (paai maram), and the body/relationship as a vessel navigating it.

Simile (Uvamai)

Veenaiyaai meettum viralgal polae

Uses the explicit comparative word 'polae' (like) to compare a lover's delicate touch to fingers plucking a Veena.

Alliteration (Monai)

Kaamamam kadum punal / Kadanthidum padakithu

Repetition of the initial 'Ka' sound across consecutive words ('Kaamamam', 'kadum', 'Kadanthidum').

Did you know?

Trivia

Written by Kamal Haasan himself, the song pays homage to the lush, sensuous Tamil film songs of the 1970s and 80s composed by legend Ilaiyaraaja. In the film Uttama Villain, this track reflects the vintage period aesthetic of the protagonist Manoranjan's earlier cinematic work, seamlessly blending Carnatic musical sensibilities with modern orchestral instrumentation by Ghibran.

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